Tags
*repeat repeat, Allan Kaplon, Andy Bell, Bats, Beachheads, Bill DeMain, Bill Lloyd, Bloody Norah, Buzzard Buzzard Buzzard, Chris Castino, David Woodard, Dazy, Edward O'Connell, Fjord Mustang, Flipp, Frank Royster, Freddie Steady Krc, Freedy Johnston, Goodman, Grrrl Gang, Jane's Party, John Larson and the Silver Fields, Kevin Robertson, Kurt Lanham, Lawn, Limblifter, Linda XO, Lisa Mychols & Super 8, Marc Jonson, Martin Luther Lennon, Moonlight Parade, Murray Atkinson, Novelty Island, Phil Thornalley, Pictish Trail, Push Puppets, Ramirez Exposure, Richard Turgeon, Richard X. Heyman, RIcky Rochelle, Rogers and Butler, Sky Diving Penguins, Sloan, Stephen Schijns, Steve Robinson and Ed Woltil, Suburban HiFi, Superchunk, Tamar Berk, Teenage Tom Petties, Televisionaries, The Bleeding Idahos, The Demos, The Kryng, The Minders, The Proctors, The Rallies, The Rubs, The Stroppies, The Telmos, The Toms, The Wends, U.S. Highball
It was another busy year for melody-drenched rock and roll. Releases were coming fast and furious and frankly I could barely keep up. Still, I managed to get 82 posts up on the blog in 2022 and write over 64,000 words on the loosely-defined rock and roll sub-genre I call ‘poprock.’ I couldn’t write about everything that crossed my desk or what others may have necessarily thought was review-worthy, I just covered what caught my ear or worked itself into some kooky theme I cooked up. So let me be clear, what appears here is a completely arbitrary exercise in personal taste and discretion. I’m sure others may have a somewhat different set of worthy tunes that deserve more attention. And that is totally cool. The point is to celebrate the artists and perhaps give people another shot at checking them out.
So here it is, Poprock Record’s top 50 should-be hit singles from 2022:
1. Grrrl Gang “Pop Princess”
2. The Bleeding Idahos “The Beat Said”
3. Dazy “Rollercoaster Ride”
4. Bloody Norah “Shooting Star”
5. Allan Kaplon “Restless One”
6. Televisionaries “Over and Out”
7. John Larson and the Silver Fields “Reversible Heart”
8. Push Puppets “There’s No-one Else Like Lynette”
9. Tamar Berk “Your Permission”/“Tragic Endings”
10. Freddie Steady Krc “Bohemian Dandy”
11. The Toms “Atmosphere”
12. The Proctors “You and Me and the Sea”
13. The Minders “Home”
14. Richard Turgeon “Better With You”
15. Flipp “You Can Make It Happen”
16. Bill DeMain “Lone Ranger”
17. Limblifter “Haystack Rock”
18. Stephen Schijns “I Met Her Yesterday”
19. The Rubs “When I Dream About You”
20. Edward O’ Connell “Golden Light”
21. Superchunk “Endless Summer”
22. The Kryng “Get”
23. Freedy Johnston “There Goes a Brooklyn Girl”
24. Phil Thornalley “Fast Car”
25. Lawn “Down”
26. The Stroppies “The Perfect Crime”
27. Beachheads “Jupiter”
28. Martin Luther Lennon “jfkha”
29. David Woodard “Stupid Kid”
30. Linda XO “California Girl”
31. Richard X. Heyman “When the New Dawn Comes”
32. Buzzard Buzzard Buzzard “Break Right In”
33. Sloan “Magical Thinking”
34. Teenage Tom Petties “Boxroom Blues”
35. The Demos “Streetlight Glow”
36. Suburban HiFi “In Her Reverie”
37. Moonlight Parade “Amsterdam”
38. Ricky Rochelle “In a Dream With You”
39. The Telmos “What She Knows”
40. Marc Jonson and Ramirez Exposure “Tape Recording”
41. Sky Diving Penguins “Run Boy”
42. Novelty Island “Jangleheart”
43. Goodman “Au Pair”
44. Pictish Trail “Melody Something”
45. Kevin Robertson “Tough Times (Feel Like That)
46. U.S. Highball “(You’ve Got To) Activate a Carrot”
47. The Wends “What A Heart Is For”
48. The Rallies “Must Be Love”
49. Jane’s Party “It’s Been Years”
50. Frank Royster “Open Door”
There were so many great songs put out this past year, I was spoiled for choice. And choosing wasn’t easy. Sometimes I cheated a little. Grrrl Gang’s “Pop Princess” technically came out before 2022 but I only got around to writing about it this last year. What a tune! It’s a perfect example of the kind of excitement a great single can generate and, really, why I write this blog. People need to hear it! Or there’s the fresh indie hooks driving The Bleeding Idahos’ “The Beat Said” and Bloody Norah’s “Shooting Star.” Dazy had a knock out AM radio earworm with “Rollercoaster Ride.” And then there was veteran songster Allan Kaplon coming on like The Highwaymen at first only to let loose the Rockpile hooks in the chorus of “Restless Ones.” There were new faces and old favourites and surprises aplenty. Click on the links to go to the original posts featuring each song.
I had to create a few new categories this year, just to capture all that was good and groovy about 2022. The post-Covid covers album phenomenon continued and most were great fun. But some were particularly inspired. And then there were a lot of acoustic guitar-dominant tunes out this past year that I felt really needed to be singled out in a category I’ve dubbed folk pop.
So, without further ado, here are Poprock Record’s most inventive covers from 2022:
1. Kurt Lanham “I Want to Hold Your Hand” (The Beatles)
2. Lisa Mychols and Super 8 “I Can’t Explain” (The Who)
3. Bill Lloyd “The World Turns Around Her” (The Byrds)
4. Andy Bell “Light Flight” (Pentangle)
5. Murray Atkinson “Bus Stop” (The Hollies)
And here are Poprock Record’s top folk pop singles from 2022:
1. Fjord Mustang “Health Class Field Trip”
2. Rogers and Butler “Oh Romeo”
3. Bats “Golden Spoon”
4. *repeat repeat “Hm Feels Like”
5. Steve Robinson and Ed Woltil “Make Amends”
6. Chris Castino “Chinese Whispers”
I do love making lists but the choices do not amount to any big heavy pronouncement on anything – just my bit of fun and chance to celebrate these artists a little bit more. Check them out and see if you don’t agree, they’re seriously good!
Photo courtesy Fred Rockwood.
Poor Myrtle. She’s only got Muzak® to keep her company through the long shift at work. If only she had access to this great new list of must-have LPs from 2019, helpfully assembled by Poprock Record, she might actually close that Henderson account and get off early. The lesson? You can take an oldies fixation too far. You don’t have to live in the past to love that retro sound. This year’s best-of round up of LPs from 2019 is definitive proof that everything old can be new again!
I really like the variety covered in this list. There’s everything from jangle (4, 11, 15, 25) and country (12) and Dylanesque stylings (21), to keyboard contemporary (8) and acerbic social commentary (10, 23) and straight-up Beatlesque poprock (17, 19). And there’s a lot of sweetness, like Mondello’s impressive 20 year labour of love (18). My number one album, Bombadil’s Beautiful Country, embodies this commitment to diversity. It’s got an overall indie-folk vibe but the songwriting and playing are so sophisticated that somehow the label fails to capture all of what’s going on. Believe me, it’s a 37 minute journey through a myriad of lyrical and musical delights. Close behind at #2 Matthew Milia’s Alone at St. Hugo represents an amazing synthesis of melodic rock influences, from the Beatles (obviously) to the more mellow Fountains of Wayne moments. It’s an tone setter – put it on and drift away! At #3 was #1. Confused? #1 was the name of the debut album from the power pop veterans behind The Brothers Steve and it did not disappoint. The record is like a veritable hit machine. I can only imagine that this was what it was like to get your hands on a new Beatles record in the 1960s: immediately engaging, inventive yet relatable, and with nary a bum track. And I could go on about every entry on this list … but instead just click on the links to go my original posts about the bands and you can judge them for yourself.
2019 had plenty of jangle, hooks, harmonies and melody to spare. From an initial list of over 200 songs I’ve managed to whittle my should-be hit single list to just 50 chart toppers for this year. Man, it was hard. Because I only post music I like this whole exercise is a bit like choosing your favourite child. Well, IMHO, the 50 songs featured here all have a strong earwormy quality to them. But let me know if you agree or disagree! Hit the links below to find each artist as featured in my original blog post this past year.
Fans of Everly Brothers-style singing talk about blood harmony or, put more scientifically, the impact of genetics on musical compatibility. But husband and wife duos also often connect musically with a chemistry that is characteristically different than more platonic pairings. Today’s blog post promotes the benefits of musical matrimony with three stellar case studies.
Nashville’s *repeat repeat was a recent accidental iTunes front page discovery. With a Weezer-esque sense of style and design, I just had to click on the stylish organge-drenched album cover to hear what was inside – and what a treat I found! On Glazed, *repeat repeat come on like a more dance-able, clubby Fountains of Wayne, with a guitar-oriented poprock anchored by the band’s distinctive use of synthesizer. The vocals on this album also function like a finely tuned instrument, adding an extra depth to the subtle melodies. “Hi, I’m Waiting” eases you in with its slow roll out and earwormy synth shots before punching things up in the chorus. “Pressure” has a club dance groove drive given a rock and roll combo treatment and some hooky vocal ‘oh’s’ for good measure. “Fortunate One” is the hit single for me: understated but builds its melodic architecture piece by piece until you can’t resist hitting replay. “I’ll be the One You’re Going Old With” has a sweet sentiment and clips along with a chirpy feel good sound. “City of Stars” vibes “Stacey’s Mom” but geared down to a more dreamy tempo. “TTB” has flashes of early Paul Simon vocally but punks up as it goes along. And so on. This is a great album buy. Don’t miss their catalogue highlights either: both “Everybody’s Falling in Love” and “Girlfriend” from 2017’s Floral Canyon are both winners!Fortunate One
We’ve featured a lot of songs from American-Franco duo Freedom Fry. There is something so distinctive about their blend of almost whispered harmony and folksy charm. But it’s the tunes that ultimately carry them through, whether their own original material or a load of inspired covers. 2018’s Classic really was. So many great songs on an expertly executed album. Since them the duo have peppered us with series of expanded singles that take up new textures and unpredictable cover material. Like “Renegade – only Freedom Fry could strip out all the bombast of the Styx original, leaving the song’s uneasy essence remaining. “Black Mountain” gives the duo a chance to show off their formidable vocal layering techniques. “Hey Moon” has a lovely, lilting lullaby-like texture. “Yeah You” picks up the tempo and charges up the hooks. Then “The Sun is Going to Shine on You” shows how the band can work up a tougher yet still melodic sound. Freedom Fry brim with creativity and surprises!
The Weepies ooze gentle sweetness with their carefully crafted harmonies and delicate arrangements. There is always something wistful about their performances: often quiet and filled with longing. “All That I Want” from their 2004 debut Happiness really captures the basic formula, which is further solidified with tracks like “Gotta Have You” 2005’s Say I Am You. From the same record check out the Simon and Garfunkel-worthy, shiver-inducing harmony on “World Spins Madly On” or the winsome “Nobody Knows Me All.” Then 2008’s Hideaway was a masterpiece, upping the poprock polish without relinquishing the folksy intimacy. The whole album is songwriting gold, from the engaging title track, to the entrancing “Little Bird,” to the single-worthy “Antarctica,” and so on. 2010’s Be My Thrill changed things up a bit, shifting things uptempo on tracks like “Hope Tomorrow” while 2015’s Sirens even introduced inspired covers like Tom Petty’s “Learning to Fly.” Health problems and parenting appear to have slowed The Weepies early productivity but their website reports a new tour for Autumn 2019. Perhaps a new record won’t be far behind.
Poprock Record 