A new single from Overlord is cause for much excitement over here a PRR headquarters. We’ve loved their past work with a monastic intensity. But let’s face it, it’s been a tough few centuries for overlords. Notwithstanding John Lennon’s claim that we’re all still effing peasants, demand for a ‘lord of all lords’ who can rule the shire, extract a bit of surplus from the serfs, and go all bro with his nobles on regular trips to the holy land to kick some infidel ass has declined precipitously since that whole ‘free labour’ thing came in with capitalism. That must be a contributing factor to Overlord’s declining musical productivity of late. Since the release of the band’s last long-player The Well Tempered Overlord in 2016 there’s been just one single, 2017’s “Up For Anything.” Oh for the good old days of feudal leisure!
Well chin up loyal subjects, your continuing fealty is about to be rewarded. Overlord is back with a song as good as any of their past curio poprock classics. I mean, who opens with fabulous accordion? Ok, They Might Be Giants. But who else? Overlord gateway-drug your way into “I Don’t Want to Sing This Song Again” with some alluring accordion work before breaking out a masterful melodic performance, perhaps vibing a bit of Teenage Fanclub but mostly just giving us that good old hooky, verbally-clever stuff we love them for. My only concern is the possible subtext here. Does not wanting to sing this particular song mean Overlord is really saying ‘so long’? Banish the thought. Even in the darkest ages I’m a bit of a musical optimist so I’m going with ‘early single from a fab new soon-to-be released album’ as my judgement of this one-off release.
For a medieval holdover, Overlord are working the social media with a modernist élan. Check them out on their internet manor, Facebook and Bandcamp pages to get all latest ‘hear ye, hear ye’s.
York UK’s Bull are back with a revitalized version of “Green,” a song featured prominently on their self-released 2014 long-player She Looks Like Kim, and it is definitely worth a second listen. The original was certainly delightful, the guitar and vocals were a bit more up front in the mix, and the whole thing had a solid indie feel. But the new version smooths some of the rougher edges, turning the Turtles-esque background vocals way up and tweaking the jangly poprock hooks. The release is part of the band’s new major label deal with EMI so I imagine an album of new material can’t be far away. What direction it will take is anyone’s guess. The 2014 album was a bit punky and loose but this “Green” remake suggests something tighter and hookier might be on the horizon.
If you need a nearly mid-summer pick me up, a song featuring a deliciously addictive hook that will have you hitting replay again and again, have I got the song for you! Kyoto, Japan’s The Mayflowers have nailed multiple generations of the Liverpool sound with equal parts La’s and Beatles on this should-be hit single, “Maybelline.” The opening riff clearly echoes The La’s “There She Goes” (which itself echoed earlier 1960s styles) while the song’s broader melody arc reminds one of The Who’s “The Kids Are Alright,” without sounding derivative The guitars here are exquisite, sibilant and shimmering, while the vocals layer up perfectly. The song originally appeared on the band’s 2012 album Plymouth Rock, recorded at Abbey Road studios, but is also included on the recent 2019 The Best of Mayflowers: From the Beginning, a good introduction to the breadth of their seven album catalogue.
Maybelline
This startling new direction from Vancouver’s The Top Boost has a bit of the Beatles For Sale era country-style Beatles, The International Submarine Band and Buck Owen’s distinctive lead guitar player Don Rich. The band has always had a special new wave jangle going but this single suggests they won’t be contained in any neat genre boxes. “Tell Me That You’re Mine” takes off with a rollicking pace that doesn’t let up, riding some easygoing country hooks and nice pedal steel guitar. B-side “Early Morning Days” is no slouch either, offering up a slower, more measured dollop of shimmering guitars and heavenly harmonies. These guys are definitely going places. Just where I’m not sure but with records like these I’m happy to be surprised.
Mondello was a break-out indie darling in 2019 with a story of musical struggle straight out of rock and roll central casting. Boy works for 20 years on an album of songs (Hello, All You Happy People) that finally sees the light of day and finds an appreciative audience amongst those who value slightly eccentric DIY-plus power pop. What a happy ending! Well, now he’s back with a new single and it’s a killer. Get ready for a slightly more polished AM radio-friendly Mondello on this outing, which features a horn section, anthemic chorus, and excerpts from a 1960s surrealist Italian sex movie for a video. Seriously, the execution of this single is nothing short of masterful, reminiscent of that very British reinvention of the sixties that occurred in the 1980s with Elvis Costello and Wreckless Eric, among others. Give this baby a few listens and see if you don’t agree it’s earworm central. “My Girl Goes By” definitely confirms Mondello is no one-indie-hit wonder.
It’s hard to believe how much Graham Gouldman has given us. Back in the 1960s he wrote such iconic hits as “For Your Love” for the Yardbirds and “Bus Stop” for The Hollies and a host of other great songs. Then in the 1970s he was one of the four talented guys that made up 10cc, contributing to hits like “I’m Not in Love” and “The Things We Do For Love.” I remember being so blown away by “For Your Love” when first heard it on Vancouver FM radio station CFMI’s annual ‘BC 500’ marathon of the top rock and roll songs in 1980 that I immediately hopped a bus to Kootenay Loop to visit a used record shop that specialized in re-issued oldies 45s. I’d barely gotten home with the single when CFMI played “Heart Full of Soul” and I was back on the bus! Over the decades Gouldman has accumulated an impressive catalogue of material, covered expertly by himself and others.