Category Archives: Spotlight Single

Spotlight single – The Primitives “I Won’t Care” / “Everybody Needs Somebody to Hate”

04 Thursday May 2023

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Oh happy day, a new single from The Primitives is here! Coventry’s most reliable sixties-infused jangle band has a double A-sided single out and both tracks are super pleasing. “I Won’t Care” sounds like any current hooky poprock band, Tracy Tracy’s light and breezy vocals here are riding a propulsive guitar backing. There’s an Ivy-like sophisticated polish to the overall sound. Flipside “Everybody Needs Somebody to Hate” has guitar-player extraordinaire Paul Court on vocals working his way through a song defined by an updated Buddy Holly-esque Bo Diddley beat. Right now the songs are only available direct from the band’s Big Cartel record label but I imagine they’ll be coming to other e-retailers soon. Of course the big question is, are the band just teasing us before a new album comes our way? It’s been six long years since 2017’s New Thrills and we could use some even newer ones from a band that clearly has a few more to offer.

Fill out your Primitives recent back catalogue from their Bandcamp site and get the latest goods from Big Cartel direct.

Spotlight single: Ransom and the Subset “Perfect Crime”

01 Wednesday Mar 2023

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It’s been a long time since Seattle’s Ransom and the Subset’s last album release – you’ve got to go back to 2014’s No Time to Lose. And I was late to that party, only catching on to the band in 2017. But I am on top of the latest band news, their brand new single is “Perfect Crime.” This song has got a textured pop goodness baked into its DNA, making all the various musical adornments just more ear candy. From the opening that jumps right in, to the drop-out quiet build-up in the verses, to the alluring ‘bah de bah’s in the chorus that draw you in, this song is a ride where you won’t care if you miss your stop. The sound has a smooth pop sheen I associate with Sam Roberts or Ben Folds, with some great lead guitar break out moments and organ backing. No doubt a special guest appearance from ace session guitarist Jay Graydon didn’t hurt (he played on Steely Dan’s “Peg”). The single is the first release from the band’s new album Perfect Crimes, due out in April, and it certainly bodes well for what is to come.

Give “Perfect Crime” a spin at the band’s Futureman Records Bandcamp page that can be found here.

Photo courtesy Joe Haupt Flikr page.

Spotlight single: The Primitives “Don’t Know Where to Start”

02 Wednesday Nov 2022

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Your November pick-me-up is a fabulous new single from The Primitives. It’s been 4 plus years since the band’s last EP New Thrills and, frankly, we could use some. “Don’t Know Where to Start” kicks off like an early 1960s sock hop hit, all drums and snaky organ work. But 17 seconds in that distinctive jangly Paul Court guitar slides in to liven up the proceedings. From there it’s all ‘get those shoes onto the dance floor’ hustle. Tracy Tracy is in fine form vocally and the organ runs are like a special guest star on this track. The single’s b-side “Till I’m Alive” features a vocal turn from Paul Court and it’s pretty understatedly groovy, balancing Court’s lowkey gravelly vocals with a beat that just won’t quit. The bass guitar lines really pop throughout the song, giving it a solid bass and drum heft. These tracks are paired with a live version of “Panic” and a fuzzy acoustic rendition of “Don’t Know Where to Start” on an extended single version of the release, due out in January digitally. Can a new Primitives long-player be far off? Positive vibes people, let’s keep sending those positive vibes (and $).

While we wait, let’s explore some lesser-known Primitives cuts. These are songs I haven’t found included on any official album releases or compilations LPs. “Always Coming Back” was the b-side to “Lose the Reason” but didn’t make the cut for Spin-O-Rama album that came out a bit later. Upon release the band described the song as akin to Bobbi Gentry or Nancy Sinatra joining the Velvet Underground and covering the Beatles. Personally, I think the lead guitar has a very CCR tone. Then there’s the airy, somewhat acoustic “Never Kill a Secret” that appeared on the Coventry-area sampler The Alternative Sounds. Sort of an English take on early 1970s California sunshine pop. Finally, I love the vibe all over the band’s cover of The Aislers Set’s “Been Hiding” for the Girlsville benefit compilation Be Gay, Do Crime! The band give the song a classic Primitives treatment.

Don’t know where to start? Start here (and then work your way back through that fantastic Primitives catalogue here).

Spotlight single: Scott McCarl “I’ll Be On My Way”

17 Wednesday Aug 2022

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Scott McCarl’s got a dream rock and roll story if ever there was one. After playing in numerous bands in the late 1960s and early 1970s he sends a demo of songs to Raspberries leader Eric Carmen – only to get invited to join the band! As it happened, Starting Over turned out to be ‘game over’ as the group split shortly after its release. But McCarl got the full ‘joining the band’ treatment: co-writing 5 of the album’s 11 cuts, singing lead on one track, and getting to tour with the group. So despite the Raspberries demise McCarl would appear to have had all the chops for a solo career. All of which makes his subsequent meagre solo offerings more than a little bewildering. There was the fabulous Mersey-drenched Play On that came out on a small independent label in 1997. But that’s it – sort of. Now there’s a new version of Play On that’s come out with a very different running order and mix of songs, drawing on recording sessions from 1970, 1981, 1995-6, and 2021. The whole album is really good and has a consistent vibe despite its multi-decade gestation. Drop the needle anywhere on the LP and dig that sixties-influenced songwriting and performance. Still, I felt I had to single out “I’ll Be On My Way” for your special attention. No, not the Lennon/McCartney song that Billy J. Kramer and the Dakotas covered. This one is by Billy Sullivan, who also plays the ripping, jangly lead guitar lines.

Wow, talk about making a guitar sing! And McCarl’s vocal is so in the very pleasing 1980s sixties-revival mode. You can (and should) pick up the album from McCarl’s Bandcamp page, where you can also find a breakdown of the songs, when they were recorded, and who played what. Who knows, maybe there are more cuts lurking in the McCarl vaults for a new Play On … and On.

Spotlight single: Marc Jonson and Ramirez Exposure “Tape Recorder”

31 Tuesday May 2022

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Now here’s two great tastes that sound great together. On “Tape Recorder” one of the truly great should-have-been rock and roll stars Marc Jonson teams up with sunshine pop purveyor Ramirez Exposure to deliver a ringing ode to Jonson’s hero Dion. The whole thing is a delightful slice of sunny southern-California boardwalk pop. From the opening wash of Beach Boys background vocals,  to the discernable Cayucas lilt, to the non-stop thread of jangle tying it all together, the song shimmers with positive vibes. The track is like confectionary for your ears. It’s the first release from their upcoming long player Turning On the Century! and you’d be hard pressed to make a better launch than this. So if you’ve been missing the feel of a beach breeze in your hair, the sand beneath your feet, or perhaps a stroll down the boardwalk at twilight, just hit play and let Marc Jonson and Ramirez Exposure take you there.

Marc Jonson has an amazing back catalogue of recorded tunes stretching back to the 1970s, some of which can be found on Bandcamp, some elsewhere. Ramirez Exposure is Victor Ramirez in band form with two fabulous albums accessible here.

Spotlight single: The Kik “Ik Sta Klaar Voor Jou”

23 Saturday Apr 2022

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Rarely does a television theme song become an earworm for a good reason. But The Rembrandts “I’ll Be There For You” theme-song for Friends never seemed to get old, despite opening the show every week for 10 seasons. Listening to it now it is a curious mix of old and what were then contemporary 1990s sounds. I mean, at the time the guitars sounded retro but from today’s vantage point they sound much less so. That’s where Dutch band The Kik come in with a cover version that dials up the Merseybeat and makes a number of other subtle changes to the performance of the song that gives it a more authentic retro 1960s vibe. Of course, the biggest change here is language – the band perform the song in Dutch. It sounds great and hey, it’s not like English speakers don’t know what the song is about after all these years. Beyond the language changes, the guitars immediately stand out as more jangly, the organ work is more to the fore in the mix, and the band omit the distinctive handclapping that defined the The Rembrandts’ version. Maybe it’s just me but these changes free the song from its limited use in the series, sounding more like a song proper rather than abridged snippet featured in the show. Even the seldom heard bridge shines.

“Ik Sta Klaar Voor Jou” appeared on The Kik’s album of cover tunes from 2017 entitled Hertaalt! (translation: Repeats!) which featured songs from the Beatles, Oasis, REM, The Kinks and more, all sung in Dutch. You can check out all the covers at their bandcamp page as well as some great new releases too.

Spotlight single: The Bleeding Idahos “The Beat Says”

28 Friday Jan 2022

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The Bleeding Idahos are from the Hammer, actually. That’s Hamilton, Ontario. In Canada. Emerging from the ashes of indie rock and roll outfit The Zilis, this new project has bit more melodic heft, a tad more shimmer in the guitars. Their first single “The Beat Said” is built around an earworm of a lead guitar hook that slides into the song out of a razor sharp slash of a rhythm guitar chord. It pops up repeatedly in the song, accenting what is otherwise a buoyant, head-bopping good time. B-side “Tony Danza Goodbye” is also pretty special, working up an American Graffitti-style, neo-1950s vocal aura that is all Saturday night at the drive-in with your baby. Of course with these two disparate contributions it’s hard to know just where this band is going but hey, that just makes me even more curious. We’ll find out more soon as this two-song single is the first of three two-for-one single releases promised by the band on their Facebook page, all contributions to a forthcoming album to be entitled Resilience, Vol. 1. I, for one, can’t wait to hear more.

The Beat Says
Tony Danza Goodbye

You can find The Bleeding Idahos on Facebook or in many of the usual places digitally downloadable music is sold.

Spotlight single: Phil Dutra “It’s Not Enough (Falling For Your Love)”

17 Wednesday Nov 2021

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Phil Dutra’s got an ear for the poprock everyman, appealing to all ages and various style partisans. His songs could easily slip into heavy rotation on any 1980s Top 40 radio station. Truly catchy retro pop indeed. Of course, I imagine Dutra’s work taking off in a different time because there have been eras when the charts have managed to find a place for all tastes, usually on the basis of the triumph of melody and solid songwriting over technique and fads. Dutra belongs to this venerable tradition. His latest “It’s Not Enough (Falling For Your Love)” oozes ‘classic song’ from every pore. From the early 1980s jangly guitar work to the juxtaposition of subdued verses and soaring choruses, Dutra gives new life to a recognizable formula. All that’s missing is the top-down convertible, a highway, and a car stereo blasting this tune. Trust me on this one, everyone could use a bit more of Phil Dutra in their lives. Cuz classic never really gets old.

Phil’s got a website and a Bandcamp page. Drop by, he’s a friendly guy.

Spotlight single: Miniature Tigers “Anything Else”

02 Tuesday Nov 2021

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I fell hard for Miniature Tigers’ 2016 single “Crying in the Sunshine.” It had such an original mix of dreamy vocals, percussive keyboard impact, and deliciously sly melodic hooks. For a long time I just kept hitting repeat again and again. So I don’t know how I missed the band’s 2019 release Vampires in the Daylight. It’s another delightful collection of synthy, indie dream pop, one part of Family of Year, another part Sitcom Neighbor. Highlights for me include title track “Vampires in the Daylight,” “Better Than Ezra” and “Manic Upswings.” But my fave is undoubtedly the slow-burn jangly ear-worm “Anything Else.’ Kicking off with a catchy fingerpicking allure not unlike Magnetic Fields’ “Acoustic Guitar,” the song slowly builds intensity in an almost meditative fashion. And it’s not just the obvious, superior hooks that make this song work, it’s the varied choices for subtle instrumental ornamentation dotted here and there. Halfway through I was convinced the track was perfect montage music for that part in the movie where the protagonist is broken and not sure if they make any heroic recovery. Either way, whether the hero lives or thrives, the listener gets to be a winner. I say, hit play on this dreamy wonder and get carried away.

As we drift, Miniature Tigers are drip releasing new singles and working on a brand new album. Get ready to dream big time. Updates can be found on the band’s Facebook page.

Spotlight single: Overlord “I Don’t Want to Sing This Song Again”

01 Friday Oct 2021

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A new single from Overlord is cause for much excitement over here a PRR headquarters. We’ve loved their past work with a monastic intensity. But let’s face it, it’s been a tough few centuries for overlords. Notwithstanding John Lennon’s claim that we’re all still effing peasants, demand for a ‘lord of all lords’ who can rule the shire, extract a bit of surplus from the serfs, and go all bro with his nobles on regular trips to the holy land to kick some infidel ass has declined precipitously since that whole ‘free labour’ thing came in with capitalism. That must be a contributing factor to Overlord’s declining musical productivity of late. Since the release of the band’s last long-player The Well Tempered Overlord in 2016 there’s been just one single, 2017’s “Up For Anything.” Oh for the good old days of feudal leisure!

Well chin up loyal subjects, your continuing fealty is about to be rewarded. Overlord is back with a song as good as any of their past curio poprock classics. I mean, who opens with fabulous accordion? Ok, They Might Be Giants. But who else? Overlord gateway-drug your way into “I Don’t Want to Sing This Song Again” with some alluring accordion work before breaking out a masterful melodic performance, perhaps vibing a bit of Teenage Fanclub but mostly just giving us that good old hooky, verbally-clever stuff we love them for. My only concern is the possible subtext here. Does not wanting to sing this particular song mean Overlord is really saying ‘so long’? Banish the thought. Even in the darkest ages I’m a bit of a musical optimist so I’m going with ‘early single from a fab new soon-to-be released album’ as my judgement of this one-off release.

For a medieval holdover, Overlord are working the social media with a modernist élan. Check them out on their internet manor, Facebook and Bandcamp pages to get all latest ‘hear ye, hear ye’s.