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Poprock Record’s 25 must-have LPs for 2021

08 Saturday Jan 2022

Posted by Dennis Pilon in Poprock Themepark

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Aaron Lee Tasjan, BPM Collective, Brent Seavers, Bruce Moody, Chris Church, Daryl Bean, Doublepluspop, Drew Beskin, Dropkick, Fishboy, Greg Townson, Henry Chadwick, James Henry, Ken Sharp, Lane Steinberg, Lo Talker, Lolas, Matthew Milia, Mike Browning, Nicholas Altobelli, Rich Arithmetic, Rich Mattson and the North Stars, Richard Turgeon, Richie Mayer, Robert Ellis Orrall, Ruen Brothers, Rumble Strip, Sorrows, Spygenius, Steve Robinson, Steve Rosenbaum, The Armoires, The Blendours, The Boys With The Perpetual Nervousness, The Brothers Steve, The Cudas, The Friends of Cesar Romero, The Speedways, The Unswept, Tommy Ray, Underwater Sunshine

In our social media-saturated universe it seems that your 15 minutes of fame has been reduced to just 15 seconds. Who going to give up the time to listen to a whole album, let alone gaze longingly at the cover (like we used to do) while it plays? That means today’s albums have really got to have something special going on, like great tunes, engaging styles, and hooks that seem to improve with repeated listenings. Those are the standards we applied to the 2021 album releases we encountered this past year, resulting in a list of 25 must-have LPs we think you should get to know. But wait, that’s not all. We’ve also helpfully culled the racks for top EPs, covers albums, and long lost albums that finally saw the light of day in 2021. Forget the Columbia House Record Club, we’ve got all the long-players you need and then some. Hyperlinks take you to the original review.

So let’s get the show rolling with Poprock Record’s 25 must-have LPs for 2021:

1. James Henry Pluck
2. Brent Seavers BS Stands For
3. The Boys with The Perpetual Nervousness Songs from Another Life
4. Lane Steinberg The Invisible Monster
5. Ruen Brothers Ultramodern
6. Aaron Lee Tasjan Tasjan! Tasjan! Tasjan!
7. Greg Townson Off and Running
8. Rich Arithmetic Shiftingears
9. Richie Mayer The Inn of Temporary Happiness
10. Drew Beskin Problematic for the People
11. Rob Ellis Orrall 467 Surf and Gun Club
12. Nicholas Altobelli Technicolor Hearts
13. The Friends of Cesar Romero War Party Favors
14. Steve Robinson Swallowing the Sun
15. The Brothers Steve Dose
16. Lolas All Rise
17. Lo Talker A Comedy of Errors
18. The Armoires Incognito
19. Tommy Ray! Handful of Hits
20. Chris Church Game Dirt
21. Matthew Milia Keego Harbor
22. Henry Chadwick We All Start Again
23. Rich Mattson and the Northstars Skylights
24. Ken Sharp Miniatures
25. Fishboy Waitsgiving

Putting James Henry as my number 1 album choice for 2021 might surprise a few blog watchers but frankly I don’t know why Pluck isn’t topping all the indie charts. Maybe it’s the subdued cover art or perhaps the album just falls between the genre cracks, I don’t know. But if you love those highly listenable 1980s Squeeze or Crowded House albums, this guy is for you. Each song should be stamped ‘earworm warning’ as a positive public health measure. Take it from me, Pluck is a relentless hook machine. 5 stars for sure. Other choices – Brent Seavers, The Brothers Steve, Lolas, Chris Church – are perhaps more predictable. Hey, they’ve delivered before and here they deliver again. Genre-wise, Lane Steinberg and Fishboy undoubtedly raise boundary issues but damn they are fine albums with subtly hooky tunes. And the rest? Well they’re all defined by content that is mucho killer, nada filler.

Next up, Poprock Record’s top five EPs for 2021:

1. Daryl Bean Mr. Strangelove
2. The Blendours Go On Vacation
3. BPM Collective Catastrophe Girl
4. The Cudas Alien Vacation
5. Rumble Strip Let’s Roll

Can’t spare the time for a full album experience? These extended play releases will meet your need for more than a single but not quite a long-player. But fair warning, these concentrated blasts of melodic goodness may leave you wanting for more. They’re that good.

Then, there’s Poprock Record’s top five covers albums for 2021:

1. Richard Turgeon 10 Covers Volume Two
2. Mike Browning Class Act
3. The Speedways Borrowed and Blue
4. The Unswept Power Pop for all the People
5. Spygenius Blow Their Covers

The pandemic moved just about everyone to put out an album of covers. But they’re actually pretty hard to nail, ranging in quality from elevated karoke to the unrecognizable. The trick is to rework the unique creative spark in the song, making it both recognizable and different at the same time. Turgeon’s a master of song reinvention, taking up tunes others wouldn’t dare to try (from the likes of The Monkees, The Mamas and Papas, and the Bryds, among others) and succeeding. Browning applies his own distinctive poprock chops to material from the sixties to the eighties that lets you fall for the classics all over again. Ditto 3, 4, and 5 – they love the songs and it shows.

And finally, Poprock Record’s 5 best long lost albums of 2021:

1. Sorrows Love Too Late … the real album
2. Steve Rosenbaum Have a Cool Summer
3. Bruce Moody Forever Fresh!
4. Doublepluspop Too Loud, Too Fast, Too Much
5. Underwater Sunshine Suckertree

The idea that a band could put all the work into writing, playing and recording an album and then not have it released almost seems like a crime in my book. Numbers 4 and 5 had their work ‘misplaced,’ only to accidently resurface recently and get released. Numbers 2 and 3 were indie artists whose various DIY and professional recordings never got gathered together for a proper release, until the rise of recent niche music markets made it viable. And number 1 is a remarkable story of a band that wouldn’t let their record company/producer’s mangled version of their album stand. So instead they rerecorded it, this time getting it right. That the Sorrows could make their rerecording of Love Too Late sound so 1981 is a testament to their talent and sheer doggedness.

Ok, one last category, Poprock Record’s best ‘best of’ album of 2021:

Dropkick The Best of Dropkick

Sometimes greatest hits collections really hit the mark. The Best of Dropkick is one of them. It’s a comprehensive overview of this great band’s career, packaged with attractive artwork, and at a very nice price.

Well we stretched the 25 album limit but it really was the only way to be fair to all these super LPs and EPs. I think this post demonstrates that while classic era of the album may be over, there’s still lots of tremendous long-playing records out there. If you love them, support them, whether its live or Memorex.

Lego records graphic courtesy art/design student _Regn.

Breaking news I: The Tubs, The Toms, Roller Disco Combo and The Brothers Steve

13 Wednesday Oct 2021

Posted by Dennis Pilon in Breaking News

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Roller Disco Combo, The Brothers Steve, The Toms, The Tubs

So much news is breaking that we have to divide this installment into two parts. There’s more to love this fall and we’re here to help you love it with plenty of bands whose names start with ‘the’ or clearly own a pair of roller skates (or simply a brand new key).

What leaps out at you from The Tubs debut EP Names is the addictive jangle and vocalist Owen Williams freakish similarity to Richard Thompson. I mean, wow, I’d swear Thompson had thrown over his folk roots for a new sound, if the song titles didn’t tell me different. It’s there strongly on the opening cut, “Illusion,” with its super guitar-slashing peppiness, as well as “The Name Song” with its Futureheads kind of guitar intensity. The EP’s single “Two Person Love” also counterposes a solid rhythm guitar against some discordant lead work in an original and ear-catching way. The band also put out a debut single last year that doesn’t appear on this release, “I Don’t How It Works,” and that’s a shame because it’s a winner. But hey, you can just buy both and create your own special maxi-EP release.

Producer/engineer/songwriter/musical sideman to the stars Tommy Marolda is certainly a bit of an over-achiever. But power pop fans probably don’t know much about his professional work, they know him for his legendary 1979 one-man-band DIY album The Toms. The record is widely seen as a masterpiece of form and substance. But Marolda didn’t stop there – he’s continued to put out the occasional single or album. Like now – The Toms are back with another long-playing installment of Beatles-infused, indie poprock on Tomplicated. The album is 16 cuts long and you might as well relax and let it wash over you. The overall effect is a delightful distillation of 1960s melodic rock and roll, with a touch of psychedelic pop on “Pinball Replay,” some folk rock on “Too Many Yesterdays,” even a Beatles-ish jangle on “Hang On.” Last year’s advance single is the obvious radio should-be hit, “One Girl Parade,” but I’d vote “The World is Flat” and “Sunday Clothes” as close follow ups. Then there’s the very Lennon-ish “Daylight Wasting Time” circa 1967 or the lovely sunshine pop single “It Doesn’t Matter to Me.” Tomplicated is a love letter our musical past – you can definitely hear the influences – but it speaks with a timeless accent.

Four years after their debut album Things Under Control, Roller Disco Combo are back with a new EP, The Sun After the Rain. The Barcelona band offer up something familiar but also some new themes. “Indonesian Breakfast” is a discordant Teenage Fanclub workout but “Holes in the Grass” immediately shifts our gaze to a more folk rock feel. Then “Dear Mean” kicks off with fattened up jangle guitar and a melodic heft worthy of XTC. “City Lights” also rings the jangle bell but eases into an almost country vibe. Meanwhile “Happy Song” has an Americana feel going on. Altogether The Sun After the Rain showcases a band still exploring just how far they can take their influences and the results are very pleasing indeed.

Dose must be the one of the most anticipated ‘second’ albums to come out this year. The Brothers Steve blew up 2019, coming out of nowhere with their debut album (appropriately entitled #1) to make power pop ‘best of’ lists across the blogosphere. Now they’re back with another installment of their unique brand of melody-infused rock and roll and it is no disappointment. This time the album’s sonic structure is built around the acoustic guitar, which forms the base sound of most of the tracks. It’s there underneath the party vibe kicking off the album with “Get On Up” with its Stonesy ‘who hoo’ background vocals. Then comes the obvious single, “Next Aquarius” with its propulsive acoustic guitar driving the song forward like so many classic Kinks songs. The acoustic base anchors “She Will Wait,” a track with some clever melodic surprises, and the ear-wormy “Sugarfoot.” But another clear influence here is 1970s glam, with “Wizard of Love” a perfect evocation of Marc Bolan and T. Rex, and 1970s boogie rock on “Better Get Ready.” The 1960s influence should not be discounted. It’s there on “Griffith Observatory” with its Beach Boys meets 1950s song stylings alternating with a more new wave sensibility, and “Love of Kings” which vibes a more California 1960s Mamas and Papas sound. And then there’s “Electro Love” which sees sixties influence funneled through a New Pornographers filter. In the end, Dose is much more than its many influences, it’s a blast of timeless melodic poprock joy. Get ready to soundtrack your next party with this must-have release.

The news is out, all over town. But you don’t need to be running round. Just click on the hyerlinks to go right to the source and get your musical updates.

Top photo: Larry Gordon

Poprock Record’s 25 must-have LPs for 2019

15 Wednesday Jan 2020

Posted by Dennis Pilon in Poprock Themepark

≈ 3 Comments

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*repeat repeat, Berwanger, Bombadil, Dan Israel, David Brookings and the Average Lookings, Johnny Stanec, kiwi jr, Lolas, Martha, Matthew Milia, Mondello, Nick Eng, Pernice Brothers, Richard Turgeon, Scandinavia, Sofa City Sweetheart, Telekinesis, The Boys with Perpetual Nervousness, The Brothers Steve, The Cactus Blossoms, The Golden Seals, The John Sally Ride, The Maureens, The Vapour Trails, Trip Wire

Screen Shot 2020-01-13 at 11.39.35 AMPoor Myrtle. She’s only got Muzak® to keep her company through the long shift at work. If only she had access to this great new list of must-have LPs from 2019, helpfully assembled by Poprock Record, she might actually close that Henderson account and get off early. The lesson? You can take an oldies fixation too far. You don’t have to live in the past to love that retro sound. This year’s best-of round up of LPs from 2019 is definitive proof that everything old can be new again!

Just a word of caution – there’s no science to the list and rankings below. Here are just 25 albums and 10 EPs that caught my ear this past year and kept me coming back for more. There was something about each, their combination of elements (songwriting, instrumentation, performance), that I thought really worked as a coherent whole. And that’s saying something in our world of social media distractions and a renewed music biz focus primarily on singles.

So let’s begin with Poprock Record’s 25 must-have LPs for 2019:

  1. Bombadil Beautiful Country
  2. Matthew Milia Alone at St. Hugo
  3. The Brothers Steve #1
  4. The Maureens Something in the Air
  5. Richard Turgeon Go Deep
  6. The Golden Seals Something Isn’t Happening
  7. Pernice Brothers Spread the Feeling
  8. *repeat repeat Glazed
  9. Martha Love Keeps Kicking
  10. Scandinavia Premium Economy
  11. The Vapour Trails See You in the Next World
  12. The Cactus Blossoms Easy Way
  13. Johnny Stanec Things Were Better, When
  14. The John Sally Ride Nothing Doing
  15. The Boys With Perpetual Nervousness Dead Calm
  16. Telekinesis Effluxion
  17. David Brookings and the Average Lookings Scorpio Monologue
  18. Mondello Hello, All You Happy People
  19. Nick Eng Long Shot
  20. Sofa City Sweetheart Super (b) Exitos
  21. Dan Israel Social Media Anxiety Disorder
  22. Berwanger Watching a Garden Die
  23. Lolas Bulletproof
  24. kiwi jr Football Money
  25. Trip Wire Once and Always

Screen Shot 2020-01-15 at 2.26.05 PMI really like the variety covered in this list. There’s everything from jangle (4, 11, 15, 25) and country (12) and Dylanesque stylings (21), to keyboard contemporary (8) and acerbic social commentary (10, 23) and straight-up Beatlesque poprock (17, 19). And there’s a lot of sweetness, like Mondello’s impressive 20 year labour of love (18). My number one album, Bombadil’s Beautiful Country, embodies this commitment to diversity. It’s got an overall indie-folk vibe but the songwriting and playing are so sophisticated that somehow the label fails to capture all of what’s going on. Believe me, it’s a 37 minute journey through a myriad of lyrical and musical delights. Close behind at #2 Matthew Milia’s Alone at St. Hugo represents an amazing synthesis of melodic rock influences, from the Beatles (obviously) to the more mellow Fountains of Wayne moments. It’s an tone setter – put it on and drift away! At #3 was #1. Confused? #1 was the name of the debut album from the power pop veterans behind The Brothers Steve and it did not disappoint. The record is like a veritable hit machine. I can only imagine that this was what it was like to get your hands on a new Beatles record in the 1960s: immediately engaging, inventive yet relatable, and with nary a bum track. And I could go on about every entry on this list … but instead just click on the links to go my original posts about the bands and you can judge them for yourself.

Next up, Poprock Record’s 10 must-have EPs from 2019:

  1. David Molter Foolish Heart
  2. Omicrom J Trauma You Should Have Thought About That
  3. David Woodard Everything in Between
  4. Brett Perfect Patterns
  5. Project: Ghost Outfit Project: Ghost Outfit
  6. Super 8 Head Sounds
  7. scienceisfiction Don’t Everyone Thank Me at Once
  8. Ducks Unlimited Get Bleak
  9. Jean Caffeine Love. What is It?
  10. Lost Ships All of the Pieces

The revival of the EP is very much in the spirit of the times as performers try to woo listeners to fork over for music in an era of YouTube shuffles and streaming. Personally, I’m usually left feeling that most are just bloated maxi-singles or Readers Digest condensed albums. But these ten show just how punchy an EP can be! Content-wise, I’ll just say this about my number 1 choice: wow. Dave Molter got his musical start in the 1960s (as evident on the record!) but waited until his 70s to put out Foolish Heart. What you get are five gems polished to poprock perfection: hooks, harmonies, the whole deal.

One last thing: a special mention for Aaron Lee Tasjan’s Karma for Cheap: Reincarnated. The original record was my number 1 album for 2018 and this reinvention beautifully reimagines all those great tunes in often stark and stripped down ways. If you liked the original, you’re gonna love the remake.

Poprock Record’s should-be hit singles of 2019

09 Thursday Jan 2020

Posted by Dennis Pilon in Poprock Themepark

≈ 2 Comments

Tags

*repeat repeat, Aaron Lee Tasjan, Army Navy, Berwanger, Big Nothing, Bombadil, Brett, Bryan Estepa, Dave Molter, David Woodard, Dead Rituals, Deadbeat Beat, Drew Neely and the Essentials, Ducks Unlimited, Ezra Furman, Fruit Bats, Hollerado, Johnny Stanec, Juliana Hatfield, Lucille Furs, Martha, Matthew Logan Vasquez, Matthew Milia, Mike Adams at his Natural Weight, Nick Lowe, Omicrom J Trauma, Pernice Brothers, Perspective A Lovely Hand to Hold, Propeller, Richard Turgeon, Ryan Hamilton and the Harlequin Ghosts, Space Dingus, Taylor Knox, Telekinesis, The Boolevards, The Brothers Steve, The Cerny Brothers, The Cudas, The Dave Anderson Project, The Golden Seals, The Maple State, The Maureens, The Mommyheads, The Needs, The Rallies, The SmartHearts, The Well Wishers, Trolley, U.S. Highball, Wyatt Blair

Screen Shot 2020-01-09 at 11.14.44 AM2019 had plenty of jangle, hooks, harmonies and melody to spare. From an initial list of over 200 songs I’ve managed to whittle my should-be hit single list to just 50 chart toppers for this year. Man, it was hard. Because I only post music I like this whole exercise is a bit like choosing your favourite child. Well, IMHO, the 50 songs featured here all have a strong earwormy quality to them. But let me know if you agree or disagree! Hit the links below to find each artist as featured in my original blog post this past year.

So, without further ado (drum roll please!), here is Poprock Record’s should-be hit singles for 2019:

  1. The Golden Seals “Something Isn’t Happening”
  2. Juliana Hatfield “Sugar”
  3. The Well Wishers “Feeling Fine”
  4. Bombadil “The Man Who Loves You”
  5. Matthew Milia “Abruptly Old and Caffeinated”
  6. The Brothers Steve “She”
  7. The Maple State “Germany”
  8. Aaron Lee Tasjan “Songbird”
  9. Johnny Stanec “Secret World”
  10. The Maureens “Can’t Stop”
  11. Telekinesis “Like Nothing”
  12. Omicrom J Trauma “Leave You Alone”
  13. Matthew Logan Vasquez “Ghostwriters”
  14. Hollerado “Straight to Hell”
  15. *repeat repeat “Pressure”
  16. Space Dingus “Parchment Squire, Paper Knight”
  17. Taylor Knox “City at Night”
  18. Fruit Bats “Ocean”
  19. Berwanger “Bad Vibrations”
  20. The Cerny Brothers “American Whore”
  21. Pernice Brothers “Skinny Jeanne”
  22. Wyatt Blair “I’ll Keep Searching for You”
  23. Mike Adams at his Honest Weight “Do You One Better”
  24. U.S. Highball “Summer Boy”
  25. The Rallies “All Over Town”
  26. Richard Turgeon “Loneliness”
  27. Perspective, A Lovely Hand to Hold “One Wrong Turn”
  28. Deadbeat Beat “Baphomet”
  29. Bryan Estepa “Another Kind of Madness”
  30. Ezra Furman “In America”
  31. Nick Lowe “Blue on Blue”
  32. Lucille Furs “Paint Euphrosyne Blue”
  33. Brett “Wisdom Tooth”
  34. Martha “Heart is Healing”
  35. The Dave Anderson Project “Welcome”
  36. Drew Neely and the Heroes “Chasing Danielle”
  37. Dave Molter “Tell Me That You Love Me”
  38. The Boolevards “Take Me to the Top”
  39. Army Navy “Seismic”
  40. Trolley “I’ll Never Tell”
  41. Ducks Unlimited “Anhedonia”
  42. The Needs “I Regret It”
  43. The Cudas “The Kids Want Hits”
  44. Propeller “There Goes a Day”
  45. Dead Rituals “Run”
  46. David Woodard “Nine Hundred Ninety Nine”
  47. Ryan Hamilton and the Harlequin Ghosts “Feels Like Falling in Love”
  48. Big Nothing “Waste My Time”
  49. The Mommyheads “Wake Up a Scientist”
  50. The Smarthearts “The Man from the Company”

As you can see, the list is a bit all over the map. There’s hints of country and folk and a lot of rock and roll. Because I’m working a broad poprock vein (as opposed to a more narrow power pop) my list crosses lines that other melodic rock blogs might not. That means the pop folky Bombadil and Fruitbats can sidle up to the more edgy melodic punk of Ezra Furman or country rock of The Cerny Brothers. But most of the entries fall neatly into my definition of ‘poprock’ – as in, melodic rock and roll characterized by plenty of hooks and harmony vocals. It’s all there in my number one song from The Golden Seals “Something Isn’t Happening” with its swinging acoustic guitar base, various hooky lead guitar lines, and catchy vocal melody. Or you can hear it in the addictive guitar drone driving Juliana Hatfield’s great single, “Sugar.” Same goes for The Well Wishers’ fantastic poprock reinvention of Fleetwood Mac’s 1977 sound on “Feeling Fine.” And I could just go on dropping superlatives on every entry on this list. Instead, click on the links and check out my original posts about all these artist.

All these artists have instruments to keep in tune and studio time to pay for, not to mention all the time they take away from paying work to write the songs and practice performing them – all in aid of getting this exciting music out there for us to enjoy. Help them thrive by getting out to see them live and buying their music.

Singles going Santa

17 Tuesday Dec 2019

Posted by Dennis Pilon in Poprock Themepark

≈ 2 Comments

Tags

American Suitcase, Army Navy, Jagger Holly, Kool Kat Kristmas Vol. 3, MonaLisa Twins, Sofa City Sweetheart, Sunshine Boys, The Brothers Steve, Todd Herfindal

Screen Shot 2019-12-17 at 4.38.06 PMIt’s been blasting in your ears for last two months I know: festive music! Typically the same 20 songs or so. But I refuse to Grinch out on holiday music simply because we’ve become tired of the classics and not-so-classic that dominate the airwaves and the shops. So as my [insert appropriate holiday commitment here] present to you, dear reader, I’ve scoured the poprock-o-sphere for some fresh holiday tune-age. And I’m happy to report there’s still a whole lot of great stuff to choose from!

Screen Shot 2019-12-17 at 4.44.50 PMLet’s start with a brand new blast of melodic punky goodness from Jagger Holly. “Mistletoe” appears on the band’s just released seasonal LP It’s Christmas Somewhere. Overall, the record is defined by a Ramones-esque approach to crunchy speed rock and roll where the band takes on classics like “Santa Baby” while also offering up a host of original tunes. I chose “Mistletoe” because it slows the generally frenetic tempo a bit and showcases the band’s impressive stylistic range, tapping a more indie 1980s melodic rock vibe. With their album #1 The Brothers Steve already gave us a pretty spectacular present this year. But was that enough? No. So in time for the holidays they’ve cooked up a double-sided holiday single entitled Christmas Magic (even though neither song has that title!). Personally, I love “Listen Up! It’s Christmastime” with its oh so subtle ear wormy chorus and warm cocoon of background vocals enveloping the whole track. It’s got the sound of a classic poprock holiday tune to me! The Austria-cum-Liverpool MonaLisa Twins initially made their name as a YouTube cover tune sensation, though recently they’ve released albums of original material too. And they’re actually twins. Their records have an amazing vibe! Rootsy with Merseybeat accents and those spine-tingling blood harmonies. Their plainly-named seasonal record is Christmas, and it contains all the usual tunes with a key exception: “Walking in the Air.” The song is known to Brits from appearing in the Howard Blake-scored animated film of Raymond Briggs’ children’s book The Snowman. Child soprano Aled Jones’ version is a bit choiry for my tastes. The MonaLisa Twins transform the song into a rootsy, indie classic! I would have loved to hear the Everly Brothers cover this.

https://poprockrecord.files.wordpress.com/2019/12/02-listen-up-its-christmastime.mp3The Brothers Steve – Listen Up! It’s Christmas Timehttps://poprockrecord.files.wordpress.com/2019/12/08-walking-in-the-air.m4aMonaLisa Twins – Walking in the Air

Screen Shot 2019-12-17 at 4.46.32 PMDespite the un-Christmas-y climate, Los Angeles native Todd Herfindal gets right into the spirit, ramping up the jangle on a trio of jingle tunes with a maxi-single entitled Christmas Star. The title track sparkles guitar-wise with heartfelt vocals in the verses giving way to some shimmering harmonies in the chorus. Hard to choose between this one and the Fountains of Wayne swing of “Santa’s Got Something for You” as my fave.  So why choose? Consider it a ‘double A-sided single’ with something extra. Chicago’s Sunshine Boys step on the stereotypical Christmas bells pretty hard as this song opens but what follows is an amazing tune, an instant sing-a-long. “I Love Christmastime” is a bit poignant, a smile-inducer for sure, with candy cane jangle lead guitar lines and a cool subtle organ layering in the background. Another instant classic, IMHO. Norwegians American Suitcase offer up tune that sounds like a country-era Byrds holiday moment with “Christmas Blues #2”: a catchy lead guitar line lures you in to a sweet tune, cloaked in holiday harmonies and hooks. A pleasing addition to any holiday mix.

https://poprockrecord.files.wordpress.com/2019/12/18-christmas-blues-no-2.mp3American Suitcase – Christmas Blues #2

Screen Shot 2019-12-17 at 4.47.28 PMNow for something a bit different, Sofa City Sweetheart’s “O Come, O Come, Emmanuel” from their holiday EP Christmas on the Sofa. While I’m not one for traditional carols as my go-to holiday songs typically, what works here is how the stark simplicity of the piano and vocals resonate in a truly beautiful and touching performance. The EP is full of other highlights as well, like the engaging instrumental “Boogie Woogie Midnight.” LA’s Army Navy also got into the holiday music game with “Stay In,” a lushly acoustic-driven poprock treat, with clever lyrics and a nice vocal counterpoint to lead singer Justin Kennedy with The Like’s Charlotte Froom. The tempo is very cozy-by-the fire hipster, in a good way. My last recommendation is a bit of a cheat – I usually limit myself to nine suggestions but the ninth this time is actually an album! But Kool Kat Kristmas Vol. 3 is worth bending the rules for. This is a solid collection in terms of songwriting and performance quality, consistency, and listenability (from a poprock perspective, of course). Highlights include Evert Almond’s Beach Boys-inflected “Have a Very Very Very Merry Christmas,” Nick Frater’s perennial parental threat “Christmas is Cancelled,” Richard Turgeon’s Pansy Division-esque “Skippin’ Christmas,” The Stan Laurels’ dreamy “Noche Buena,” and the big guitar sounds of Ed Ryan’s “Noel (You Gotta Sing).” You can put this one on and just hit play – it’s that good.

It is my belief that melody makes the world a little less dark, so I do hope my little blog has given you the gift of some happy moments this year. And to all the featured artists, I hope it has filled your bank account with some financial love. With that in mind, hey readers, click on the artist links and let the spirit of giving begin! Merry happy everyone, wherever you are and whatever you believe.

Breaking news: The Brothers Steve, Bleached, Joe Sullivan and In Deed

27 Saturday Jul 2019

Posted by Dennis Pilon in Breaking News

≈ 2 Comments

Tags

#1, Bleached, Don't You Think You've Had Enough, Everest, Growing Up Schlockstar, In Deed, Joe Sullivan, The Brothers Steve

Screen Shot 2019-07-27 at 1.42.02 PMA very exciting batch of genuinely breaking bands and songs on this post that bridge the Atlantic, going the distance from California to Michigan to Uppsala, Sweden.

Screen Shot 2019-07-27 at 1.43.31 PMThe Brothers Steve debut album #1 is a concentrated dose of poprock goodness. This baby is all killer, no filler, beginning to end. From the double A-side blast of “Angeline/Carolanne” to the hip-shaking good time feel of “She” to the tongue-in-cheek hooky hilarity of “We Got the Hits.” And it sounds especially sweet on blue vinyl! I love the mix of acoustic guitars, electric leads and sweet harmonies. Check out the mix on “C’mon Pappy” with its 1970s English power pop sound, particularly the vocal stylings. “Songwriter” ups the crunch with a great driving beat, adding just a hint of a “Paperback Writer” refrain on the chorus. “Carry Me” pushes the jangle pedal hard while the vocals have a lovely Byrdsian swirl. “Good Deal of Love” is my current fave, a track that would not sound out of place on any Marshall Crenshaw album. “Sunlight” has listeners exiting the album on a sunny, acoustic guitar-drenched mellow vibe. With three-quarters of the melody rocking heroes from Tsar in the band, perhaps it’s not surprising how strong this debut is. And yet it’s a clear departure from their earlier work in style and delivery. Look for this on my top album list this year, a ‘you-can’t-go-wrong’ album recommendation from Poprock Record.https://poprockrecord.files.wordpress.com/2019/07/08-good-deal-of-love.mp3Good Deal of Love

Screen Shot 2019-07-27 at 1.44.35 PMLos Angeles’ Bleached advance from the punky beach esthetic that defined the sonic palate of their earlier work to a more confident glossy poprock sound on their new record, Don’t You Think You’ve Had Enough? It’s immediately apparent on the opening track “Heartbeat Away” – now the vocals are upfront and taking charge of the tune, to great effect. But that can’t prepare you for “Hard to Kill,” a delicious slice on late 1970s ska-influenced new wave. The track practically leaps out of the speakers, oozing Parallel Lines-era Blondie riffs and vocal mannerisms. The album is full of retro-brushed delights, from the Go-Go-ish “Somebody Dial 911” to the dreamy “Silly Girl” to the more straight-up melodic rock and roll vibe of “Rebound City” and “Valley to LA.” This is another full play recommendation. In a world of seemingly interminable single-teasing, Bleached have dropped an album that is worth putting on repeat at your next party.

Screen Shot 2019-07-27 at 1.45.42 PMJoe Sullivan’s Growing Up Schlockstar is more than a sequel to his 2014 debut Schlockstar, it’s a clear advance on what were already recognized as formidable talents as a songwriter and performer. The record teems with familiar sounds: a Glen Tilbrook-esque turn of phrase and delivery, a bit of Jeremy Messersmith’s understated wordplay, and riffs clearly paying homage to bands ranging from the Beatles to Queen. And the hooks! They’re slathered all over tracks like “Mr. Positivity,” “Greenfield Acres” and “Time Machine.” Fans of clever lyrics are going to love “Gifted and Talented,” “Cheerleader” and “Space Princess.” Anyone who can effortlessly name check Starbuck, Captain Kirk and Jean-Luc Picard in a song should get extra points!

Screen Shot 2019-07-27 at 1.46.31 PMEverest is actually the 2019 American re-release of In Deed’s 2018 record. Still, I think the band from Uppsala, Sweden can rest on their laurels a bit as Everest was their first release in 16 years. Luckily, it’s fantastic! From the attention grabbing opener “Another Start” (with its distinctive Killers-like guitar opening) and throughout the breadth of the album, it quickly becomes clear this is a group full of surprises. Indeed, the very next song on the record marks a striking shift in sound and tempo: “Five Times a Day” is a more melody driven tune, delivered with acoustic guitars and a lush vocal-focused sound reminiscent of work from Holland’s Sunday Sun. At other times In Deed channel a modernized mid-1960s beat sound on tracks like “Don’t Need, Don’t Care” and the jangle-heavy “According to You” or shift to a late 1980s UK poprock sound a la the Darling Buds or The Primitives on “Heart Attack.”  Sometimes they just melodically rock out with great driving numbers like “Song to You” and “Flavour of the Month.”

For artists to ‘break out’ people have to break with some cash. Visit The Brothers Steve, Bleached, Joe Sullivan and In Deed online to help make this happen.

Photo credit: Larry Gordon.

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