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Tag Archives: The Feels

Skating party singles

01 Monday Feb 2021

Posted by Dennis Pilon in Poprock Themepark

≈ 1 Comment

Tags

Gavin Bowles, Jenny, Jim Basnight, Kamino, Lucy and the Rats, Michael Penn, Monogroove, The Feels, The Outta Sites, The Umbrella Puzzles, The Veras, Thee Holy Brothers, Weezer, West Coast Music Club

I do remember skating to the AM radio tunes of the 1970s. Even though we were just going round and round in circles there was something about the Steve Miller Band or Cars accompaniment that made it seem cool rather than just cold. So as temperatures continue to dip this winter it’s time to playlist a modern version of the skating party with only the coolest of new singles.

For a moment I thought Jim Basnight’s “Rebel Kind” was a cover of Dino, Desi and Billy’s 1960s hit but turns out it’s much more cool than that. The song was originally by the criminally under-appreciated Vancouver band The Modernettes. Basnight honours the tune with a Replacement’s indie vibe that really connects. This is just one of 21 highlights from his recent covers album, Jokers, Idols and Misfits (check out the fabulous “This Is Where I Belong” for another surefire winner). Ok, sometimes new singles are just new to me, like Kamino’s “Where Do You Want Me?” iTunes unreliably informed me it was a 2020 release but the song actually came out in 1999 on the band’s debut EP Donut. Frankly, it sounds so fresh and contemporary it could be brand new. The song has an analog feel to the instrumentation and a clever melodic dissonance the reminds me of Fountain of Wayne’s best work. Would love to see this group take up where they left off.  Weezer have a brand new album out (OK Human) and as with all their releases I can find at least one absolutely fab single-worthy cut. This time out it’s “Here Comes the Rain” with its dramatic piano hooks and earworm after effects. From the ‘who doesn’t need some low key jangle?’ file The Umbrella Puzzles have a nice little EP built around the striking guitar work on the single, “Slips Through the Cracks.” It’s an amble along little ditty with a surprisingly rich tone on the solo lead guitar that is something special. I’d have bought Gavin Bowles’ This Year’s Modern for the cover alone, he so aces mimicking This Year’s Model right down to the shady brown hue on the backdrop. The title track is an interesting vamp with some Steve Nieve organ and 1940s background vocals. For a very Costello vibe in sound and songwriting check out “Boy From an Unknown Planet” from the same record.

Kamino – Where Do You Want Me?
Weezer – Here Comes the Rain

I raved about The Feels “She’s Probably Not Thinking of Me” as the prototypically perfect poprock single, from the guitar hooks to the melody-echoing background vocals to the overall sound. So it won’t surprise readers that I’m loving the band’s recent new song, “Is Everything Alright?” It’s got a bit of Bleu or Adam Daniel about it and it’s making me itch for a whole album. Jenny are a straight up pop punk outfit that blast through “Rose City” at an enjoyable clip. They know what their audience wants and they deliver with just the right amount of guitar distortion and melodic undercurrent. Lucy and the Rats offer up an updated early 1960s girl group sound, elevating the rock and roll feel on “On Fire.” The guitar sound and plinky keyboards meld so wonderfully with the group vocals. I think the best descriptor for The Outta Sites is neo-1960s. The band has got the sixties chops but aren’t afraid to mix in stuff from other eras. You can hear it on the title track of their recent album Beautiful You, a delightful bouncy mid-sixties-style song combined with a fab late seventies syth lead line. The band’s skill here really reminds me of The Smithereens, particularly on tracks like “This Time.” Now for a departure, I’ve got some neo-folk/gospel with Thee Holy Brothers. The sound is very Bombadil in escaping the bounds of conventional folk, evident on “My Name is Sparkle,” and the album cover is so Brothers Four 1962. I’m not a god guy but I like what these guys are doing all over this record.

The Feels – Is Everything Alright?
Thee Holy Brothers – My Name is Sparkle

I got message from Monogroove to check out their catalogue and I’m glad I did. “The Looking Glass” combines a Beatles Abbey Road vibe with some unerring 1970s pop hooks. A winsome bit of airy melodic goodness. You don’t have to take a ferry across the Mersey to get caught up with the Wirral’s West Coast Music Club, I’ve got their new single right here. “Thinkin’” mines the rock face these guys excel at: jangly, slightly distorted, melodically dissonant tunes, this time with a hint of Crosby, Stills, and Nash on the vocals. I love The Veras not just because they’ve taken my dear grandmother’s name but because their song is on a kind of permanent repeat right now. “Paper Cup Telephone” has a main structure so familiar to listeners who lived through the glam-drenched 1970s but the build up to it is so interesting. Those heavenly background vocals! Such out of this world guitars! And that organ. More please. Our skate ends with something a bit more subdued from Michael Penn. Anything new from this guy is to be treasured since he abandoned us for scoring movies. “A Revival” obviously speaks to the present moment in American politics, with Penn reassuring listeners that change is gonna come. It’s a stark, subtle, yet reassuring testament, with his usual knack for the aching, low-ball hook that keeps coming back to you long after the song has faded out.

The zamboni’s waiting to get on the ice, the ushers are screaming for the kids to exit the rink, and songs continue to rattle around in our heads as we twist our skates off. Funny how music can make the most mundane things seem special.

Poprock Record’s should-be hit singles of 2020

09 Saturday Jan 2021

Posted by Dennis Pilon in Should be a Hit Single

≈ 4 Comments

Tags

Blitzen Trapper, Brandi Ediss, Brett Newski, Brian Jay Cline, Bye Bye Blackbirds, Chris Church, Danny McDonald, Dave Kuchler, Dave Rave and the Governors, David Myles, David Woodard, Ed Woltil, El Goodo, Emperor Penguin, Esther Rose, Geoff Palmer and Lucy Ellis, Greg Pope, Gregory Pepper and his Problems, Hanemoon, Honeywagen, Honeywagon, Irene Pena, Lisa Mychols & Super 8, Lolas, Mo Troper, Mom, Mothboxer, Nicholas Altobelli, Nick Pipitone, Nick Piunti and the Complicated Men, Nite Sobs, Nuevos Hobbies, Papills, Peggy Sue, Peralta, Richard Turgeon, Searching for Sylvia, Steven Bradley, Steven Wright-Mark, Talk Show, The Amplifier Heads, The August Teens, The Click Beetles, The Feels, The Happy Fits, The Memories, The Rockyts, The Top Boost, The Vapour Trails, The Well Wishers, Tom Curless and the 46%

2020 was weird like no weirdness we’d experienced before. Thank goodness the music didn’t let us down. Paraphrasing some 1970s disk jockey, the should-be hits just kept on coming! My top 50 singles for 2020 covers the usual range of styles I jam into the poprock category, from Buddy Holly 1950s to Buck Owens country to various shades of jangle and new wave. I’m not saying these are the 50 best songs of the year, I’m saying these 50 had the hooks to keep me hitting repeat again and again. If Poprock Record were a radio station these tunes would have been in heavy rotation all this past year. The hyperlinks below will take you to the original post about each artist as they first appeared on the blog.

So let’s get to it, Poprock Record’s should-be hit singles for 2020:

1. Mo Troper “Your Boy”
2. Gregory Pepper and his Problems “Unsolved Mystery”
3. Dave Kuchler “Slave to Katy”
4. Emperor Penguin “You’ll Be the Death of Me”
5. Brian Jay Cline “Two Left Feet”
6. Hanemoon “Sunday Afternoon”
7. Danny McDonald “Cordyline”
8. Chris Church “Something’s Coming Fast”
9. Peralta “In Your Mind”
10. Steven Wright-Mark “Underground”
11. Brett Newski “Grow Your Garden”
12. Lolas “Wrecking Yard”
13. Peggy Sue “Motorcade”
14. Searching for Sylvia “SEMA (Sunday Evening Misery Attack)”
15. The Vapor Trails “Behind You”
16. The Well Wishers “We Grow Up”
17. The Top Boost “Tell Me That You’re Mine”
18. The Click Beetles “Don’t You Call My Name”
19. The Memories “Second Try”
20. The Bye Bye Blackbirds “Watch Them Chime”
21. Lisa Mycols and Super 8 “Honey Bee”
22. Nite Sobs “I Could Tell You”
23. Nick Pipitone “Hear Me Out Thienville”
24. David Myles “Loving You is Easy”
25. El Goodo “Home”
26. Steven Bradley “Pre-Emptive Strike”
27. The Happy Fits “No Instructions”
28. Greg Pope “Jump Back from the Light”
29. Mom “I Want You to Feel What I Feel”
30. The Amplifier Heads “Man on the Edge of a Ledge Contemplating a Jump”
31. Blitzen Trapper “Masonic Temple Microdose #1”
32. Dave Rave and the Governors “I Don’t Think So”
33. The Rockyts “Break My Heart Again”
34. The Feels “She’s Probably Not Thinking of Me”
35. Nuevos Hobbies “No Puedo Esperar”
36. David Woodard “Grand Scheme of Things”
37. Esther Rose “Keeps Me Running”
38. Talk Show “This Monologue”
39. Geoff Palmer and Lucy Ellis “Swim”
40. Irene Pena “Own Sweet Time”
41. Ed Woltil “When We Fall in Love”
42. Papills “What to Call It”
43. The August Teens “Crestfallen”
44. Richard Turgeon “Higher”
45. Nick Piunti and the Complicated Men “Bright Light”
46. Tom Curless and the 46% “Just Wanna Talk”
47. Brandi Ediss “Bees and Bees and Bees”
48. Mothboxer “Accelerator”
49. Honeywagen “For Love”
50. Nicholas Altobelli “Ghost”

So many great songs! So hard to make distinctions amongst them … But this year’s chart topper Mo Troper has got something really special going on with “Your Boy.” The track is a case study in should-be hit single construction and execution, from the opening guitar hooks to the silky smooth pop vocal to the exquisite synthesis of musical elements, like the plinky piano, the dash of distorted guitar here and there. The song is the earworm equivalent of a Dutch masters miniature painting. A very close second this year came from the boundlessly talented Canuck Gregory Pepper and his Problems with “Unsolved Mystery.” I can’t get enough of Pepper’s creative songwriting and unique approach to instrumentation. The song is a hook cocktail, a nonstop aural assault of vocal and instrumental melody. Former Soul Engines member Dave Kuchler slots into number 3 with an amazing comeback single, “Slave to Katy,” a song that ripples with Springsteen organ and hooky guitar leads. This is melodic heartland rock and roll at its best. Releasing an album and three EPs in 2020, Emperor Penguin definitely win the productivity award. But I’d have been happy if they’d just released one song, the Byrdsian “You’ll Be the Death of Me.” Rounding out the top 5 Brian Jay Cline “Two Left Feet” gives the harmonica a work out on a great driving poprock number. And I could go on about the remaining 45 should-be hits but for more on the rest of the list hit the hyperlinks for my original write-ups on each.

This year’s special mention award goes to Mondello for his wonderfully quirky one-off single “My Girl Goes By.” After taking 20 years putting together his debut album one year later there’s no sign of a sophomore slump with this follow up single. From the Tijuana horns to the unique guitar work to the way the hooky swinging chorus emerges out the discordant and offbeat body of the song, it’s magic. More? Yes please!

2020 has been devastating for artists that rely on live performances to make ends meet. Now more than ever it’s crucial that we all pull together to support music and the music-makers financially. Give what you can, buy directly from artists whenever you can, and share links for the music you discover with your friends and acquaintances.

Song of the day: The Feels “She’s Probably Not Thinking of Me”

24 Saturday Oct 2020

Posted by Dennis Pilon in Spotlight Single

≈ 1 Comment

Tags

She's Probably Not Thinking of Me, The Feels

Christian Migliorese has been doing a punky poprock thing for at least a decade and half, both with his current outfit The Feels and on prior recordings as The Tattle Tales. But his efforts reach their zenith on his brand new 45, the poptastic “She’s Probably Not Thinking of Me.” From a rather straightforward punk-influenced opening riff the song suddenly opens up at the 20 second mark like a Busby Berkley dance number with marvelous background vocals and magnetic hooks. The whole thing comes off like a wonderfully ragged mid-period Fountains of Wayne number. Somebody tell me there’s a whole album of this stuff on the way because Fall 2020 desperately needs to feel this good for at least 38 minutes (divided amongst ten or so carefully crafted increments). This song is a guaranteed instant-replay single.

The Feels barely mar the pristine surface of the internet with just a Bandcamp page and Facebook site that hasn’t been updated in six years. Maybe we can change that by sending this song flying up the charts.

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