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Poprock Record’s should-be hit singles of 2018

03 Thursday Jan 2019

Posted by Dennis Pilon in Should be a Hit Single

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Aaron Lee Tasjan, Arthur Alexander, Astral Drive, Ben Talmi, Bill Lloyd, Billy & Dolly, Bird Streets, Brad Peterson, Caddy, Cape Cartel, Car City, Cupid's Carnival, Daisy House, Daniel Romano, Danny Wilkerson, David James Situation, Dot Dash, Even, Extra Arms, Freedom Fry, Gentle Hen, Glen Robinson, Greg Pope, Henry Chadwick, Hurry, J. Eastman and the Drunk Uncles, Jeremy Messersmith, Jim Shorts, Michael Simmons, Michael Slawter, Modern Space, Nick Piunti, Oberon Rose, Richard Turgeon, Rob Bonfiglio, Ruler, Sofa City Sweetheart, Starbelly, Summer Magic, Super 8, The Connection, The Essex Green, The Maureens, The Spindles, The Tearaways, The Wellgreen, Vegas with Randolph, William Duke, Wiretree, Wyatt Blair

screen shot 2019-01-03 at 12.43.02 pm2018 was a freakin’ fantastic year for poprock! How do I know? Every year-end I put together a playlist of tunes released that year. In 2016 it consisted of 58 songs clocking in at just over 3 hours. By 2017 that list expanded to 98 songs running over 5 hours. This year the list exploded to 175 songs going on for over 9 hours! My list of should-be hit singles had to expand to a top 50 just to accommodate all this talent. Hit the links below to find each artist as featured in my original blog post this past year or to go to their bandcamp or Facebook page if I didn’t write them up.

So, without further ado, here is Poprock Record’s should-be hit singles for 2018:

  1. Daisy House “Open Your Eyes”
  2. Oberon Rose “No Stranger”
  3. Ruler “Unhindered Pace”
  4. William Duke “Carole and the Silver Screen”
  5. Aaron Lee Tasjan “End of the Day”
  6. Car City “(Don’t) Give Up On Love”
  7. Greg Pope “Forget About You”
  8. Modern Space “Flip for It”
  9. Summer Magic “Attraction Corridors”
  10. Bill Lloyd “Satellite”
  11. Arthur Alexander “I’ll Get Your Love Someday”
  12. The Spindles “I Want My Baby Back”
  13. Starbelly “Lay Low”
  14. The Essex Green “Sloane Ranger”
  15. Michael Simmons “No More Girls”
  16. Astral Drive “Summer of ‘76”
  17. Caddy “Miracle Turn”
  18. Danny Wilkerson “How She Lost Heart”
  19. Bird Streets “Betting on the Sun”
  20. David James Situation “I Should Know”
  21. Ben Talmi “Chances”
  22. Nick Piunti “No Return”
  23. Michael Slawter “Summer’s Kind”
  24. Henry Chadwick “I Can Stick Around”
  25. Cupid’s Carnival “She Don’t Care”
  26. Super 8 “Your Love is my Blanket”
  27. Jeremy Messersmith “Monday, You’re Not So Bad”
  28. Freedom Fry “Past Lives”
  29. Cape Cartel “More”
  30. Gentle Hen “She’s Got It”
  31. Daniel Romano “Anyone’s Arms”
  32. Hurry “Waiting for You”
  33. J. Eastman and the Drunk Uncles “No Political Agenda”
  34. The Connection “The Girl is Trouble”
  35. Even “Out of the Woods”
  36. The Tearaways “I Could Love You Forever”
  37. Richard Turgeon “Look Away”
  38. Dot Dash “Unfair Weather”
  39. Brad Peterson “Whispering”
  40. Rob Bonfiglio “Passenger Seat”
  41. The Maureens “20 years for the Company”
  42. Extra Arms “Why I Run”
  43. Wiretree “Rainy Corner”
  44. Jim Shorts “James Tailored”
  45. Vegas with Randolph “Women in Airports”
  46. Billy & Dolly “Everything is Off”
  47. The Wellgreen “Take What You Get”
  48. Glen Robinson “Get You Down”
  49. Sofa City Sweetheart “Stop the Thinking”
  50. Wyatt Blair “Gotta Get Away”

For the second year running Daisy House tops my list of should-be hit singles. I have simply run out of superlatives to describe the musical genius of this band. Great songwriting, a killer 1960s vibe, flawless production and performance – it just doesn’t get any better than this. Do yourself a favour and head over to Bandcamp to download their whole catalogue. Oberon Rose came a close second with what must be one of the coolest singles rolled out this year. Ruler ruled my playlist for a good part of 2018, with “Unhindered Place” just one of the great songs on his album. I love the way William Duke’s guitar sounds like a jangle waterfall on his hooky masterpiece “Carole and Silver Screen.” And Aaron Lee Tasjan is a real find – so many possible selections – but more on that with my upcoming ‘20 must-have LPs for 2018’ post. I could go on … (but click on the links to get the full story).

I hope you enjoy these fifty songs enough to click on over to some of the artists’ web real estate and help them along career-wise. 2019 promises to be another hungry year for many of these mostly struggling artists – so do your part: buy their music and go see them live when they come to your town.

Around the Dial: Brad Marino, Tommy Sistak, Nick Eng, Hurry and Hyness

05 Monday Mar 2018

Posted by Dennis Pilon in Around the Dial

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Brad Marino, Hurry, Hyness, Nick Eng, Tommy Sistak

towerThis turn around the dial is all about singles in their glorious yet circumscribed catchiness, ideally maxing out at just a few minutes of focused bliss. Today’s contributors vibe some solid poprock credentials, drawing from the post-1950s pop tradition, all things Beatles, stripped down new wave and various 1980s indie hooks.

Let’s begin with Brad Marino. His work with The Connection is stellar, melodic yet hitting all the rock and roll marks. Not surprisingly, his solo single is piece of poprock magic, oozing a late 1970s compressed new wave sound akin to The Ramones, Rockpile and, more recently, Tommy and the Rockets. Tommy Sistak reaches a bit further back with “You Can’t Change Me,” a track that sounds so British beat group circa 1964. What I love about this song are the clear 1950s influences on the sound and songwriting. Reno native Nick Eng goes straight for a Beatles 65 sound with his single “Reminiscing.” The song is catchy, with great Beatlesque background vocals and Harrison-worthy guitar licks.

Shifting gears into indie mode, it’s been fascinating to see Hurry shed its links with the punky garage sound of some of its earlier material (and Matt Scottoline’s earlier band, Everyone Everywhere) for a more unabashed melodic aura. It was strongly apparent with the hooky “When I’m With You” 2016’s Guided Meditation and is reinforced with “Waiting for You” from their latest Every Little Thought. This is ear worm central. Rounding out this batch is some good old fashioned 1990s-reminscent alienated indie with pop undertones. Hyness hail from Ontario’s Kitchener-Waterloo and “Choke” might give you some idea of what it’s like to live there. Extra points for succeeding with a Smith’s cover! “Hand in Glove” works here because the guitar work is sufficiently trebly and the vocals are yearning without aping Morrissey. There is something very Tracy Thorn in the delivery.

Hit singles can lead to quality albums which can lead to stadium tours, purchased islands, and conspicuous consumption documented by unreliable tabloids. But we’re getting ahead of ourselves. Why don’t we just settle for a hit single? Check out Brad Marino, Tommy Sistak, Nick Eng, Hurry and Hyness online to help make that happen.

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