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Fright night set list

29 Saturday Oct 2022

Posted by Dennis Pilon in Poprock Themepark

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Aimee Mann, B.A. Johnston, Bee Bee Sea, Clovis Roblaine, Justin Roberts, kiwi jr, Look Park, Pseudonym, Surf School Dropouts, The Amplifier Heads, The Freddie Steady 5, The John Carpenter's The Things, The Orion Experience, Timmy Sean, Vista Blue

Given the everyday horror of the past few years – war, pandemic, the political right – it’s getting hard for a humble, candy-fueled monster holiday to compete. Luckily we still have the music. This post celebrates fright night with a set list of seasonally appropriate tunes covering a good range of monster diversity.

Justin Roberts gets called a kids songster but I think his tunes are for everyone who’s not quite finished growing up. He’s fun and whimsical and not afraid to be silly. And his songs will get stuck in your head like that gum on the underside of your chair at assembly. His “Trick or Treat” captures all the action of the nighttime candy run from a kid’s point of view and thus is an appropriate opening to our proceedings. The Freddie Steady 5 also strike just the right seasonal mood with their spirited cover of P.F. Sloan’s “Halloween Mary.” They take the tune out its original folk rock register to deliver a more pub rock easy-going party feel. Let the party begin!

Justin Roberts – Trick or Treat
The Freddie Steady 5 – Halloween Mary

Alright kids, we know you’re mostly here for the candy but deep down you’re also up for a bit of fright. Time to bring in the monsters. Don’t worry, we’ll ease you in with the pleasant Byrdsian psychedelic  vibes of Pseudonym on “Before the Monsters Came.” Then the elusive and mysterious Clovis Roblaine sounds like he’s cooped up in his castle on a hill at the start of his “Monster Love.” But as he gets going we’re transported to what sounds like a 1970s riff on all those old cartoony drive-in movie monster encounters. Like Rocky Horror but without all the cross-dressing. Then there’s Timmy Sean’s “She’s a Monster” from his poprock musical A Tale From the Other Side where the creature sounds very 50 foot women-ish put through a serious ELO soundtrack filter. So far the monsters are pretty low on terror but come with popcorn.

Clovis Roblaine – Monster Love

One band reliably up for a holiday musical tribute is Vista Blue. “Boy Beast” is the flip side to their Halloween single release “Victor Crowley” and I liked this b-side just a bit more for its imagery and pulsing energy. The band also appear on Radiant Radish’s timely, pumpkin-approved collection Time of the Season. The whole album is great, it’s free, and it also includes a band called The John Carpenter’s The Things doing a mad rush of a song called “Here’s The Thing.” It’s poppy and punky with some great early 1980s synth background runs holding everything together. Aimee Mann’s “Frankenstein” is obviously on point for our theme. Do I really need much of an excuse to include anything by Mann? No. But listen to the sophisticated lyrics here amid a layering in of so many interesting musical adornments. Talent bleeds out of this gal like an open wound. Indie darlings Kiwi Jr. serve up some “Wicked Witches” because it can’t be All Hallow’s Eve without some serious sorcery.

Aimee Mann – Frankenstein

Now if we really want to move into more scary territory we’ve got to get to the zombie and vampire portion of our programming. Modern horror definitely leans on these two players to up the terror quotient. Sal Baglio uses his band The Amplifier Heads to bring The Band back from the dead with his spot-on Band-like reincarnation of their sound on “Zombie Moon.” Warning, things get a bit hairy near the end (as they should). During a zombie apocalypse it’s all too easy to forget your partner’s many co-dependent observations about your shortcomings. Luckily we have B.A. Johnston to keep us focused with “You Will Miss Me When the Zombies Come.” Not that you’ll remember. Ok, on to vampires with The Orion Experience’s disco poprock vamp of a tune “Vampire.” The ‘ooh ooh’s so remind of those creepy Tommy Lee Jones photo shoot scenes from The Eyes of Laura Mars. Tired of those impersonal representations of vampires? Italy’s Bee Bee Sea give them some personality on the rollicking “Vampire George.” I love the Together Pangea vibe on this performance, combining swing with hooks and just a touch of punky swagger.

Our last stop on the fright night scare tour is ghost city, just so the mood will linger. Copenhagen’s Surf School Dropouts are such a curious outfit. Are beaches in Denmark much like California? Because they’ve got the California beach sound down. And just how hard is surf school anyway? Whatever. “Attack of the Ghost Hot Rods!” takes us back into the fun zone of this holiday with goofy lyrics, sound effects, and killer guitar licks. By contrast, Look Park’s “I’m Going to Haunt This Place” is more mellow, a bit maudlin. Haunting really.

Well kids I hope the candy was worth it. Because soon the frights won’t end when the monsters take off the mask. They’ll just be starting.

Poprock Record’s should-be hit singles of 2021

03 Monday Jan 2022

Posted by Dennis Pilon in Poprock Themepark

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Aaron Lee Tasjan, Automatics, Benny Hayes, BPM Collective, Brent Seavers, Caddy, Chris Church, Daisy House, Daryl Bean, David Brookings, Deadlights, Ed Wotil, Friends of Cesar Romero, Geoff Palmer, Hyness, James Henry, James Holt, John Myrtle, Juliana Hatfield, Kurt Hagardorn, Lane Steinberg, Liz Phair, Lolas, Love Burns, Mike Browning, Pseudonym, Richard Turgeon, Richard X. Heyman, Robert Ellis Orrall, Robert Sherwood, Ruen Brothers, should be hit singles, Steve Robinson, Stoeckel and Pena, The Amplifier Heads, The Blendours, The Boys With The Perpetual Nervousness, The Coral, The Eisenhowers, The Jack Cades, The Kickstand Band, The Martial Arts, The Poppermost, The Red Locusts, The Vapour Trails, Tim Izzard, Tim Jackson, Timmy Sean, Tommy Scifres, Vanilla, White Fang

Welcome to our sixth annual collection of should-be hit singles gathered from the artists, albums and tunes featured on Poprock Record in the previous year. You’d think after five tries I would have come up with some kind of rock solid science to make these choices. But, no. Still winging it, going with whatever takes my fancy. I mean, I think you’ll see a pattern: catchy guitar hooks, soaring melodies, earwormy compositions, all accomplished in three minutes or less usually. Putting this list together was particularly challenging this year – positively spoilt for choices! My initial list of possible songs had over 200 selections. The hyperlinks below will take you to the original post about each artist as they first appeared on the blog.

So let’s get to it, Poprock Record’s top 50 should-be hit singles for 2021:

1. The Boys With The Perpetual Nervousness “I Don’t Mind”
2. White Fang “Never Give Up”
3. The Vapour Trails “That’ll Do It”
4. James Holt “Mystery Girl”
5. Brent Seavers “More Than A Friend”
6. Timmy Sean “The College Year”
7. Aaron Lee Tasjan “Another Lonely Day”
8. Ruen Brothers “Cookies and Cream”
9. The Martial Arts “Bethany”
10. Daisy House “Last Wave Home”
11. The Coral “Vacancy”
12. Robert Ellis Orrall “Sunshine”
13. Deadlights “Breaking Down”
14. Love, Burns “Wired Eyes”
15. The Blendours “Tell Me The Truth”
16. Daryl Bean “Keeping Me Alive”
17. Stoeckel & Pena “Why”
18. Richard X. Heyman “Ransom”
19. Automatics “Black Velvet Elvis”
20. John Myrtle “How Can You Tell If You Love Her”
21. The Red Locusts “Another Bad Day For Cupid”
22. James Henry “So Many Times Before”
23. Lane Steinberg “The Invisible Monster”
24. Geoff Palmer “The Apartment Song”
25. Mike Browning “The Little Black Egg”
26. The Eisenhowers “Suffer”
27. The Jack Cades “What Am I Going To Do?”
28. Friends of Cesar Romero “Thinkin’ About Leavin’”
29. The Kickstand Band “Hey Julianne”
30. Pseudonym “Before the Monsters Came”
31. David Brookings “Mania At The Talent Show”
32. Lolas “Pain In My Heart”
33. Tommy Scifres “Thought You Knew”
34. Vanilla “I Shall Be Re-Released”
35. Hyness “Cruelty”
36. Tim Jackson “How Do You Mend A Broken Heart”
37. Caddy “Cost of Love”
38. Chris Church “Know”
39. Tim Izzard “Breaking Me Down”
40. BPM Collective “Catastrophe Girl”
41. Benny Hayes “Don’t Make Me Go”
42. Steve Robinson “Mr Empty Head”
43. The Poppermost “Laziest Fella In The Realm”
44. Liz Phair “Hey Lou”
45. Juliana Hatfield “Gorgon”
46. Robert Sherwood “Blue All Over”
47. Kurt Hagardorn “You Are My Girl”
48. Richard Turgeon “Goodbye to Summer”
49. Ed Woltil “Paper Boat”
50. The Amplifier Heads “The House of Young Dolls”

This year’s list privileges strong, strong hooks. I’m talking the jangleliscious guitar work from the ever reliable Boys With The Perpetual Nervousness on “I Don’t Mind,” the relentless driving guitar riffs animating White Fang’s “Never Give Up,” or the delicious 1960s roll out kicking off The Vapour Trails’ “That’ll Do It.” Or the pumping, plinky piano and organ cocktail that undergirds James Holt’s killer single “Mystery Girl.” Then there’s the more traditional poprock Brent Seavers, springing the earworm in the chorus of “More Than a Friend.” Still, there’s room for variety on this list, from the tender acoustic Aaron Lee Tasjan ballad “Another Lonely Day,” to the Beach Boys homage in Daisy House’s “Last Wave Home,” to a folk rock duet from Steve Stoeckel and Irene Pena on “Why,” to the striking sonic heartbreak embodied in Richard X. Heyman’s touching “Ransom.”

Truly, this list is just a bit a fun, one more chance for me to shine a light on the artists whose work had me hitting replay in 2021. But I’m sure you might make different choices. Feel free to tell me all about them! Either way, don’t forget to find some way – buying music, attending live shows (when it’s safe!), or taking up those opportunities to interact with them online – to support their bottom line. They may not only be in it for the money, but money does allow them to stay in it.

Ring, ring goes the bell …

07 Wednesday Apr 2021

Posted by Dennis Pilon in Poprock Themepark

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2 Wheeled Tricycle, Gentle Hen, hHead, John K. Samson, John McMullan, Rogue Wave, Starky, The Incredible Casuals, Timmy Sean

School is a perennial theme of rock and roll that, on the whole, doesn’t fare too well. Sure, the Beach Boys have that cheery “Be True to Your School” vibe going but they’re an outlier. More typically school appears as a burden, as something to escape from, preferably as soon as possible. The traditional sentiments were ably established in Chuck Berry’s classic “School Days” back in 1957. More recently Australian indie poprockers Starky summed things up with “Theme from High School” from their 2004 debut LP Mirror, Signal, Manoeuvre.

Starky – Theme from High School

Ok, so high school sucks. What about higher education? Is there musical love for technical college or university? Our mix of tunes offers a range of views, as is only appropriate for academe. Rogue Wave conjure up the uncertainty that is the uni experience for many on “College” from 2013’s Nightingale Floors. Things are less cerebral for 2 Wheeled Tricycle’s “College.” Here the issue is more about whether to go or not to, egged on by some nice edgy synth riffs. Gentle Hen vibe some Hayden on “College Town,” a song with a sunny, good times feel and just a hint of darkness.  Timmy Sean spares a moment during his concept album A Tale From the Other Side for his protagonist to reflect on “The College Year” and how decisions taken then impact what comes later, delivered with Sean’s larger than life theatrical pop hooks.  The Incredible Casuals are all about the party experience. On “College Girls” the band execute their unerring rock and roll chops with shimmery guitars and some seriously melodic humming.

Rogue Wave – College

Advancing up the academic ladder, Toronto’s hHead bash out a great melodic rock and roll tribute to higher education on “University.” A more indie Grapes of Wrath or Northern Pikes is what I hear here. Former The Trend songwriter John McMullan has put out a few great solo tunes, like his tell-all expose of legal education on “Law School.” I love the Springsteen organ and the hooky guitar lines all over this song. And McMullan actually did become a lawyer. Winnipeg music veteran John K. Samson knows academe as well as the music biz and captures every grad student’s dilemma on “When I Write My Masters’ Thesis.” Then he updated his musical academic CV in 2016 with “Postdoc Blues.” I guess he got that MA thesis written after all.

hHead – University
John McMullan – Law School

Forget enrolling in some school of rock, you can learn about great music just about anywhere. Like here. Right on this blog. Just scroll back through the posts for your own do-it-yourself degree in poprock.

Breaking news: The Airport 77’s, Peaces, and Timmy Sean

28 Thursday Jan 2021

Posted by Dennis Pilon in Breaking News

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A Tale from the Other Side, Heathens of Love, Peaces, Rotation, The Airport 77's, Timmy Sean

Things may be looking up if these early 2021 album releases are anything to go by. The guitars are blistering, the harmonies are heavenly, and the hooks are earworm def con one. There’s something for a variety of tastes here, from jangle to 1970s CanCon to rock opera. Set these loose on the stereo, cranked.  

The power pop blogosphere is currently going bonkers over The Airport 77’s debut long player Rotation. Well, everything you’ve heard is true and then some. These guys have definitely got the movie beat with their relentless 1970s new wave vibe. Album opener “Christine’s Coming Over” blasts off into obvious The Knack and Cheap Trick territory. But not far into “(When You’re Kissing on Me Do You Think of) James McAvoy” I’m hearing some distinctly west coast Canadian late 1970s rock and roll like Chilliwack, Trooper, or Prism, particularly on the vocals. I love the bass and rhythm guitar interplay on “Shannon Speaks” – so reminiscent of early Costello. Even the remakes sparkle here, like the Springsteen-esque take on Bram Tchaikovsky’s “Girl of my Dreams.” There’s just not a bum track on this record so close your eyes and it’ll be 1979 all over again. But just the good stuff.

The opening of Peaces “Heathens of Love” is so alluring, magnetically pulling you in with its jangly Brydsian charm and indie Traveling Wilburys elan. But from there the song goes on in its own endearing way. As the title track to the band’s debut EP, it perfectly captures the group’s easygoing feel and ear for subtle melody. “40 Days and 40 Nights” sounds bit more Replacements to me while “Sorcerers Get All the Girls” is as hooky as it is fun. And then the marvelous “I Want You Back” caps things off, a stellar bit of pop songcraft enhanced with a deft application of reverb drenched guitar work. My only complaint here that the EP is just four songs. Unhappy reviewer face! Oh well, with this much talent a proper album can’t be far off.

I’ve always thought of Timmy Sean as a man out phase with his musical time. His songwriting is so Beatles-meets-the-Eagles while his production and performance is all 1980s big commercial bang. I say that with love because I’m a fan of that decade’s smooth AM-friendly hit sound (well, some of it anyway). That creative tension remains on Sean’s ambitious new album A Tale from the Other Side, a rock opera that is perhaps a bit more Dennis DeYoung than Pete Townshend. For an instant hook rush, dial in the rollicking early release single “In California.” Or check out the Oasis-y “The College Year.” I’d swear “My Jaded Love” is right off a 1983 playlist from somewhere, Sean so nails the sound and style of that year. The rest of the album is chock full of melody pleasers, like the Beatlesque “Over and Over Again” and swinging “Back to You.” Currently I’m hitting replay on the magisterial should-be hit single, “She’s a Monster” with its wonderful jaunty feel and ELO touches on the background vocals. And I’m also partial to the album’s near closer, the somber, touching, mostly acoustic “I’ve Returned.” As the bells toll and groove runs out on this record I can definitely say A Tale from the Other Side has been worth the ten year wait between Sean solo releases.

The Airport 77’s, Peaces, and Timmy Sean are three good reasons to buy some new music. Amble over to their internet real estate or check out the usual e-music shopping stops and make it so.

Prescribing for pop pandemics

22 Friday Jan 2021

Posted by Dennis Pilon in Poprock Themepark

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Bombadil, Caspar Babypants, Frankie Siragusa, Jake Mann and the Upper Hand, Mike Carpenter and the Album Show, Olin and the Moon, Richard Snow Hattersley, Robyn Gibson, The Beat-less, The Beatles, Timmy Sean

In all the fuss about our present pandemic it’s easy to forget the still lingering effects of past afflictions. For instance, there’s a untreatable malady that ravaged the world for a number of years in the early to mid-1960s that continues to gain new victims to this day. I’m talking about Beatlemania, of course. And while there is no cure, the condition can be managed with strong, regular doses of melodic rock and roll, preferably layered with dollops of jangly guitar and effervescent harmony vocals. Now my Ph.D. doesn’t normally allow me to prescribe in this area but – what the hell – I’m going to recommend the following artists and their music to help manage your condition.

It was finding Frankie Siragusa recent concept album, Goodbye My Love – a reworking of songs Lennon-McCartney gave away but as if the Beatles had intended to include them on Rubber Soul or Revolver – that got me on this Beatlemania jag. What Siragusa accomplishes on the record is pretty impressive, with a little help from indie all-star friends (like members of The Posies, Jellyfish, and others). In the end, the results are not unlike what Apple Jam has done over the years. Stand out tracks for me include the exquisitely McCartney-esque “Goodbye” and the lovely spare “I’ll Be On My Way” but for some reason the more early period-sounding “I’m In Love” is what I gotta feature here. The band here nails the early 1965 feel. The record is the product of creative music company Reimagine Music who just happen to have two other Beatles-themed records, one recreating Rubber Soul (Looking Through You) and the other Revolver (Tomorrow Never Knows). From the former I love Bombadil’s folky deconstruction of “Drive My Car” and Olin and the Moon’s “Run For Your Life.” From the latter Jake Mann and the Upper Hand add a slow grind hypnotic element to “Taxman.”

Frankie Siragusa – I’m In Love
Bombadil – Drive My Car
Olin and the Moon – Run for Your Life
Jake Mann and the Upper Hand – Taxman

I used to think ‘why bother’ trying to cover the Beatles. It’s not like you’re going to improve on what the world’s greatest band could do. But I think that was shaped by growing up in the 1970s. Frankly, I just didn’t prefer what those cover artist were doing (MOR Beatles? Yuck!). But into the 1980s people starting taking Beatles covers in directions I could dig. Sometimes it’s just the subtle changes in harmonies that you can hear on Mike Carpenter and The Album Show’s take on “Baby’s in Black” or The Beat-less strongly Spanish-accented “From Me to You.” By contrast, Richard Snow Hattersley just pushes all the constituent elements of “Another Girl” just a little bit further, a bit more twang, a bit more rootsy feel. And then there’s the occasionally brilliant repositioning of a Beatles classic in a new register, like Caspar Babypants’ more upbeat “Mother Nature’s Son.” No more summer field acoustic guitar noodling for this happy go lucky boy. Similarly Timmy Sean adds a bit Beach Boys piano and vocal oomph to “You’re Going to Lose That Girl.” Or there’s Robyn Gibson’s Byrdsian folk rock version of “There’s a Place.” Once you hear it, it’s like ‘ya, that works!’

The Beat-less – From Me to You
Caspar Babypants – Mother Nature’s Son

The best dose for a spot of Beatlemania is, of course, something from the Fab Four themselves. Let’s assail your symptoms with the Beatles covering themselves, sort of, with this great Live at the BBC recording of “I’ll Be On My Way.” I was a sucker for this version when I first heard it on Beatles bootleg I picked up somewhere in the 1980s.

The Beatles – I’ll Be On My Way

In these troubled times it’s great to rely on some tried and true melodic remedies. Now initial reactions to this treatment might be fevered excitement but you can relax as that usually gives way to a measured contentment in short order.

The single file

13 Thursday Dec 2018

Posted by Dennis Pilon in Poprock Themepark

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Chris Richards and the Subtractions, David James Situation, Gentle Hen, Ken Sharp, Michael Simmons, PoP, Simon Love, The Boys with Perpetural Nervousness, Timmy Sean, Wiretree

Screen Shot 2018-12-13 at 11.04.48 PMTime it was that the choice of an album’s single was both a serious artistic and financial decision. Putting out a single meant committing considerable resources to pressing them up and distributing them to radio stations, reviewers, and nightclubs. Today every cut on an album could theoretically be the single, depending on listener downloads and streams. But artists and record companies do still sometimes make a fuss about ‘the single’ as a way of drawing attention to a soon-to-be-released album. Or just as a way of maintaining interest in the product after its initial drop. For me, the single should be an album’s most potent hook vehicle, the song that will have listeners searching out the record for more. And it’s a way for me to highlight some great songs on the blog that just don’t fit anywhere else!

This single file kicks off with a bit of Dropkick-esque jangle from The Boys with the Perpetual Nervousness and their great single, “Nervous Man.” These guys clearly really know their Scottish strummy poprock. Then we step up the tempo with the driving poprock of “I Should Know” from the David James Situation, a band that sound like a slightly more new-waved Tom Petty to me. From there Chris Richards and the Subtractions lay on the pop sophistication with the hooky, Crowded House-ish “Just Another Season.” Then there’s the shiny uber-AM sheen of Timmy Sean’s “In California,” a brilliant slice of late 1970s-infused, poppy rock and roll. Finally we close out this half of our program with the cool Austin indie sound of Wiretree, showcasing their new single “Rainy Corner,” a song that rests firmly on a strong acoustic-guitar swing with just a touch of Sgt. Pepper mischief thrown in the middle and near the end.

https://poprockrecord.files.wordpress.com/2018/12/07-I-Should-Know.m4aDavid James Situation – I Should Know

In the second half of the show, it’s melody, melody and more melody. On “She’s Got It Bad” Gentle Hen have a great new single, one that vibes a subtle western swing before delivering a song that effortlessly melds influences like Fountains of Wayne and Teenage Fanclub. By contrast, number one on the fun meter is Simon Love’s recent “The Ballad of Simon Love.” The song lurches along with a spot-on Velvet Underground groove while Love displays killer pastiche chops worthy of Beck. It’s a beautifully crafted piece of work with so many cool nuances and musical add-ons. Simon-effing-Love indeed! Musical-influence polymath Ken Sharp is back with a fab new album Beauty in the Backseat. “24 Hours a Day” is the winning single for me, a chirpy, swinging combination of hooks and clever musical twists and turns. Now if you want something that will beg you to hit replay, check out Michael Simmons’ “No More Girls.” This ear worm channels a subtle XTC influence, reimagining the band as a Top of Pops hit machine. Hook bliss! Let’s finish on a rock and roll recovery story. The band PoP almost took off years ago but like so many acts just couldn’t seal the success deal. Now they’re back with a new EP and new material that covers a wide range of influences. I think “The Weight of Something” captures a lot of what they doing: ringing guitars, moody vocals, and some great droney hooks.

https://poprockrecord.files.wordpress.com/2018/12/02-The-Ballad-of-Simon-Love.m4aSimon Love – The Ballad of Simon Love

The Boys with Perpetual Nervousness, David James Situation, Chris Richards and the Subtractions, Timmy Sean, Wiretree, Gentle Hen, Simon Love, Ken Sharp, Michael Simmons, and PoP can all be easily accessed for your music consuming pleasure. Just get clicking.

Spotlight single: Timmy Sean “Western Rodeo”

05 Thursday Jan 2017

Posted by Dennis Pilon in Spotlight Single

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Timmy Sean, Western Rodeo

timmy-sean-song-of-the-weekIt seemed like an interesting gimmick – 52 songs over 52 weeks.  That was Timmy Sean’s promise for 2015.  For just $20 (US), he would produce a song a week for a whole year.  I signed up on the strength of this song alone.  Sean is musically multi-dexterous, with material that pays homage to a broad array of poprockers ranging from Fountains of Wayne to Hall and Oates.  But “Western Rodeo” is a departure in more ways than one.  First, it’s country!  None of the other 51 tracks really go there.  Second, the song’s arrangement and performance are flawless.  I like a lot of the 52 songs Sean served up but for me this single is a cut above.  It has a lovely melancholy acoustic guitar foundation that builds slowly and solidly, adding pedal steel, lead guitar, and great backing vocals, delivering a sonic impact I usually associate with early Eagles or late Byrds material.  Sean is a major talent just waiting to break.

Keep up with Timmy Sean’s latest musical antics by checking his Facebook and website.

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