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Singles for a snowy day

07 Wednesday Dec 2022

Posted by Dennis Pilon in Poprock Themepark

≈ 1 Comment

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Bruce Foxton, Dan Israel, Grant Lindberg, Jack Skuller, Kingdom of Mustang, Love Burns, Murray Atkinson, Passion Fruit Boys, Richard Turgeon, Richard X. Heyman, Robert Sherwood, Russell Hastings, Scott Robertson, Sean Trelford, Sunshine and Rain, The Andersons!, The Laughing Chimes, The Persian Leaps, The Sighs, The Wends, Travel Lanes, Ward White

Pictures of a snowy day are invariably idyllic but the reality can be much less so. All the more reason to supercharge your season with a blast of melody and some serious riffage. Here are 21 relatively new tunes to soundtrack your snow day.

Cambridge UK native Sean Trelford was only 14 when he recorded his debut album Care Home Party during lockdown in 2020, though the record is only just coming out now. Wow. This LP conjures up a bleak though still pleasing atmosphere of world weary solitude and an injured heart that seems beyond teen years. “Dearest One” is the smoothest slice of dire-sounding popcraft here and a great start to the album. Another impressive young talent that has a debut album out is Scott Robertson of Vapour Trails fame. Not surprisingly Footprints in the Butter is crammed full of enticing, intriguing and exciting jangle. The riffage here is so 1967! “Out of Service” starts with an alluring low-key reverby lead guitar line before opening up with harmony vocals that sound very Byrds or Monkees. On album number 4 Into Beautiful Blue Charlottesville, Virginia band Kingdom of Mustang take their self-described ‘alterna-poprock’ into a more XTC-meets-Crowded House territory. “All I Can Do” delivers the delightful melodic quirks we’d expect of those influences, wrapped in a timely lyrical message that ‘everyone laugh’ as a form of coping. On Ice Cream Chords musical refugee from the 1970s Ward White turns on the Cars filter, just to make what he’s doing even more interesting. The record has White’s standard seductive David Bowie/Bryan Ferry vocal attack but on “Mezcal Moth” this combines with a song style that is very Elvis Costello circa Imperial Bedroom. The result are pop magic in a three minute, 51 second dose. Nashville’s Passion Fruit Boys sound like a new wave version of Americana, combining a country-ish songwriting base with a 1980s synth pop finish. “Glad You Came” throws out a distinctive set of guitar riffs to lure you in, buffeted by dreamy keyboards and a Cactus Blossoms vocal delivery.

It’s pretty hard to improve on The Hollies, most especially their star single “Bus Stop.” Terms like ‘pop perfection’ originated with songs like this for good reason. But sometime Odds singer/axeman Murray Atkinson reinvents the song in a dramatic and exciting way, adding modern textures and a creative arrangement that both totally work. More remakes along these lines would not go amiss in my record collection. With Draw the Lucky Card Jack Skuller steps out from behind his similarly named band moniker The Skullers to officially go solo. The result is an eclectic a mix of indie rock and melody-infused singer-songwriter material. I hear a strong Squeeze imprint on “Asking for a Friend” songwriting-wise, with a very Josh Rouse vocal delivery. Jersey City’s Sunshine and Rain sound so Darling Buds or The Primitives to me. And that’s definitely a good thing. We’re going back a few years to the band’s 2018 album Beneath the Stars to rescue their utterly poptastic should-be hit single “It’s All in Your Mind.” Get ready to hit replay a few times on this. Turin, Italy’s The Wends were briefly Smile and put out the jangle-fabulous single “What a Heart is For.” The name change alters nothing in their winning melodic chemistry. Relive the 1980s UK sibilant guitar revival via their new EP It’s Here Where You Fall. Robert Sherwood writes about music like a spurned true believer with an intellect that is ruthless in its dissection of his unearned musical roots and a heart big enough to still love them. Those influences are all over his new single “Coming Home.” The song starts out with deceptive simplicity, it has an almost dirge-like quality. But then he layers in some serious XTC/Peter Gabriel-like complexity that is utterly captivating. More please!

Not satisfied with releasing a killer album earlier this year (It Should Have Been Tomorrow) Love, Burns is back with late autumn EP Fade in the Sun. The effort leans country but in a indie rock artist-does-country sort of way. The choice for single has to be “Pencils.” The melding of hooky lead guitar lines with the sonorous keyboard backing perfectly suit the Lloyd Cole vocals to a T. It’s been a while since we’ve heard from Philadelphia’s Travel Lanes. New single “I Might Need Help” is in the ballpark of Tom Petty and Fastball, it sounds both classic and not exactly like anybody else. Prelude to a new album? Let’s hope so. I’ve been a bit slow to notice powerpop super group The Andersons! and their album debut Family Secrets. With jangle giants Derrick Anderson and Robert Rist involved how could the results not be solid? The whole record is a treat but I’m singling “Falling Out” as the must-hear song. There’s a Difford and Tilbrook feel to the tune but a totally Big Star coating on the performance. The Sighs’ 1996 single “Make You Cry” was an instant replay classic for me. So when I discovered I missed their most recent album release from 2019 I knew I had to make up for lost time. The title track from Tearing My Heart Again is another soft rock pop delight in an Outfield or Hooters style. He’s the hardest working man in Minnesota show business with 17 albums to his name and no signs of slowing down. Dan Israel’s new album is Seriously and I’m showcasing opening cut “Happy for Now.” It’s got a late 1970s SoCal vibe, think Jackson Browne or Walter Egan.

The Sighs – Tearing My Heart Again

San Francisco’s Richard Turgeon is a one-man rock and roll machine, pumping out timeless west coast-themed ‘new vintage rock,’ as one reviewer dubbed it. His new single “Without You” rings out with Turgeon’s signature guitar sibilance and country rock harmony vocals. The song sounds like summer to me. Turning to stars of yesteryear, it must be great to have been part of a legendary band. But you know what’s better? Having something new that lets people know you’re not just living in the past. Bruce Foxton nails that brief on his new album with Russell Hastings, The Butterfly Effect. There are a lot of great tunes here but I’d single out “She Said,” a winning slab of jangle-infused song-writing and performance. Grant Lindberg’s got a new free single playing over on Bandcamp. “Anything But You” is a bit dreamy, with a poppy Weezer feel to the proceedings. Like the crack dealer, this free sample is designed to get you hooked. I think it will work. The Laughing Chimes follow-up to their critically-acclaimed debut album In This Town is just an EP worth of tunes, Zoo Avenue, and like its predecessor it’s a jangle-fest. Your taster selection is title track “Zoo Avenue,” a track vibing early REM so hard it’s like I’m 19 all over again. Another special dose of jangle is delivered by St. Paul, Minnesota’s The Persian Leaps. The band usually offers up its own distinctive, original brand of hooky material but this time they’ve got a cover with a unique story. “Maybe Time Will Let Me Forget” is a lost gem from an obscure 1967 band, The Coachmen, who happened to include future folk pop giant Dan Fogleberg and Jon Asher, uncle to Persian Leaps driving force Drew Forsberg. The original is quaint but this remake really fulfills its potential.

Rounding out this snow session is what I’ve crafted as a double-sided single from Richard X. Heyman’s stellar new album, 67,000 Miles an Album. Heyman’s roots stretch back to the 1960s via legendary work with The Doughboys and a relentless release of top notch solo records. The guy appears to be unstoppable. “Crave” and “When the New Dawn Comes” cover both sides of the powerpop canon, the former charging forward sixties-rock-style while the latter sparkles and shines melodically in a more mellow way.

Richard X. Heyman – Crave
Richard X. Heyman – When the New Dawn Comes

Snowed in? Relax. You can set your locked-in time to music with a raft of these snow-proofed singles.

Photo featuring exclusive Poprock Record model Rob Elliott courtesy Swizzle Gallery.

Poprock Record’s should-be hit singles of 2021

03 Monday Jan 2022

Posted by Dennis Pilon in Poprock Themepark

≈ 3 Comments

Tags

Aaron Lee Tasjan, Automatics, Benny Hayes, BPM Collective, Brent Seavers, Caddy, Chris Church, Daisy House, Daryl Bean, David Brookings, Deadlights, Ed Wotil, Friends of Cesar Romero, Geoff Palmer, Hyness, James Henry, James Holt, John Myrtle, Juliana Hatfield, Kurt Hagardorn, Lane Steinberg, Liz Phair, Lolas, Love Burns, Mike Browning, Pseudonym, Richard Turgeon, Richard X. Heyman, Robert Ellis Orrall, Robert Sherwood, Ruen Brothers, should be hit singles, Steve Robinson, Stoeckel and Pena, The Amplifier Heads, The Blendours, The Boys With The Perpetual Nervousness, The Coral, The Eisenhowers, The Jack Cades, The Kickstand Band, The Martial Arts, The Poppermost, The Red Locusts, The Vapour Trails, Tim Izzard, Tim Jackson, Timmy Sean, Tommy Scifres, Vanilla, White Fang

Welcome to our sixth annual collection of should-be hit singles gathered from the artists, albums and tunes featured on Poprock Record in the previous year. You’d think after five tries I would have come up with some kind of rock solid science to make these choices. But, no. Still winging it, going with whatever takes my fancy. I mean, I think you’ll see a pattern: catchy guitar hooks, soaring melodies, earwormy compositions, all accomplished in three minutes or less usually. Putting this list together was particularly challenging this year – positively spoilt for choices! My initial list of possible songs had over 200 selections. The hyperlinks below will take you to the original post about each artist as they first appeared on the blog.

So let’s get to it, Poprock Record’s top 50 should-be hit singles for 2021:

1. The Boys With The Perpetual Nervousness “I Don’t Mind”
2. White Fang “Never Give Up”
3. The Vapour Trails “That’ll Do It”
4. James Holt “Mystery Girl”
5. Brent Seavers “More Than A Friend”
6. Timmy Sean “The College Year”
7. Aaron Lee Tasjan “Another Lonely Day”
8. Ruen Brothers “Cookies and Cream”
9. The Martial Arts “Bethany”
10. Daisy House “Last Wave Home”
11. The Coral “Vacancy”
12. Robert Ellis Orrall “Sunshine”
13. Deadlights “Breaking Down”
14. Love, Burns “Wired Eyes”
15. The Blendours “Tell Me The Truth”
16. Daryl Bean “Keeping Me Alive”
17. Stoeckel & Pena “Why”
18. Richard X. Heyman “Ransom”
19. Automatics “Black Velvet Elvis”
20. John Myrtle “How Can You Tell If You Love Her”
21. The Red Locusts “Another Bad Day For Cupid”
22. James Henry “So Many Times Before”
23. Lane Steinberg “The Invisible Monster”
24. Geoff Palmer “The Apartment Song”
25. Mike Browning “The Little Black Egg”
26. The Eisenhowers “Suffer”
27. The Jack Cades “What Am I Going To Do?”
28. Friends of Cesar Romero “Thinkin’ About Leavin’”
29. The Kickstand Band “Hey Julianne”
30. Pseudonym “Before the Monsters Came”
31. David Brookings “Mania At The Talent Show”
32. Lolas “Pain In My Heart”
33. Tommy Scifres “Thought You Knew”
34. Vanilla “I Shall Be Re-Released”
35. Hyness “Cruelty”
36. Tim Jackson “How Do You Mend A Broken Heart”
37. Caddy “Cost of Love”
38. Chris Church “Know”
39. Tim Izzard “Breaking Me Down”
40. BPM Collective “Catastrophe Girl”
41. Benny Hayes “Don’t Make Me Go”
42. Steve Robinson “Mr Empty Head”
43. The Poppermost “Laziest Fella In The Realm”
44. Liz Phair “Hey Lou”
45. Juliana Hatfield “Gorgon”
46. Robert Sherwood “Blue All Over”
47. Kurt Hagardorn “You Are My Girl”
48. Richard Turgeon “Goodbye to Summer”
49. Ed Woltil “Paper Boat”
50. The Amplifier Heads “The House of Young Dolls”

This year’s list privileges strong, strong hooks. I’m talking the jangleliscious guitar work from the ever reliable Boys With The Perpetual Nervousness on “I Don’t Mind,” the relentless driving guitar riffs animating White Fang’s “Never Give Up,” or the delicious 1960s roll out kicking off The Vapour Trails’ “That’ll Do It.” Or the pumping, plinky piano and organ cocktail that undergirds James Holt’s killer single “Mystery Girl.” Then there’s the more traditional poprock Brent Seavers, springing the earworm in the chorus of “More Than a Friend.” Still, there’s room for variety on this list, from the tender acoustic Aaron Lee Tasjan ballad “Another Lonely Day,” to the Beach Boys homage in Daisy House’s “Last Wave Home,” to a folk rock duet from Steve Stoeckel and Irene Pena on “Why,” to the striking sonic heartbreak embodied in Richard X. Heyman’s touching “Ransom.”

Truly, this list is just a bit a fun, one more chance for me to shine a light on the artists whose work had me hitting replay in 2021. But I’m sure you might make different choices. Feel free to tell me all about them! Either way, don’t forget to find some way – buying music, attending live shows (when it’s safe!), or taking up those opportunities to interact with them online – to support their bottom line. They may not only be in it for the money, but money does allow them to stay in it.

Almost summer singles mixtape I

23 Wednesday Jun 2021

Posted by Dennis Pilon in Poprock Themepark

≈ Leave a comment

Tags

Answering Machine, B.U.D., Bombardier Jones, Daily Worker, Electric Looking Glass, Goodman, Jeremy Porter and the Tucos, Laura Stephenson, Mattiel, Ramirez Exposure, Robert Sherwood, Rooftop Screamers, Ten Tonnes, The Floor Models, The Forty Nineteens, The Rose Petals, The Shambles, The Uptights, Weezer, Your Academy

It’s so close you can almost taste the vodka cocktails. Summer! And that means music to accompany those warm breezes, surf and sand, and lazy, hazy days of scorching heat. To that end, let me present an almost summer bevy of selections for your mixtape, uh, I mean, playlist. In this first of two installments, we offer up 20 suggestions for high rotation seasonal singles.

Let’s get started with my hometown, Vancouver, and some nice ringing guitar from The Uptights on “The Pulse.” The song is from the longplayer Back Again, which came out right near the end of 2020. I love the organ that really comes to fore as the song progresses. 4000 kilometres away (but still in Canada!) Waterloo’s B.U.D. rises from the ashes of Goldfinch in a new solo project from Omar Elkhatib. There’s not much not to like here. Crunchy guitars, punchy synths, and a solid swinging hook anchors “What’s the Point of This (If I’m Not Into It).” A promised follow up EP has yet to materialize but a few more singles have arrived, like the rollicking fun “Popstar Rock N’ Roll.” Ok, enough Canadian content (for now), we’re off the NYC and a bit of a boundary tester for this blog from Laura Stephenson. “After Those Who Mean It” is just a heart-wrenching acoustic number from an artist who normally rocks it up a bit more. There’s something searing and so melancholy about this performance. I can be such a sucker for a good sad song. In Memphis, Your Academy offer a pick-me-up with “Starlight,” a great guitar poprock tune with a slight country feel, from their recent self-titled debut. Now I say ‘debut’ but the band are all veterans of the local music scene and it shows all over this tight record. Brooklyn’s Answering Machine also have a debut album out (well, actually, it’s been out for a year …). Verdict? Bad Luck is more of the eerie melodic rock goodness that appeared on previous EPs and stand-alone singles. For me, the stand out song here is “Marie.” The lead vocal has the soulful country ache of Neko Case cast against a driving lead guitar hook and surging rock and roll beat. It would be a killer cut live in concert, no doubt.

Now, generally speaking, I’m not a live album guy. But when I saw the cover of The Shambles Live at the Casbah with its obvious nods to The Beatles Second Album (Long Tall Sally in Canada) I thought it warranted a needle drop. The opening cut was the band grinding through their first single from 1993, “(She’s Used to Playing With) Fire,” and from the opening rhythm guitar I was hooked. The performance is anything but a shambles: loose yet solid, exciting, with great harmony vocals. The album was assembled from various shows at this location early in the new millennium and it showcases the band’s strong material and serious live chops. Another California band effectively working the retro rock and roll scene are The Forty Nineteens. Their new album The New Roaring Twenties vibes those classic 1960s rock and roll outfits (e.g. Rolling Stones, CCR) while still giving off a bit of 1980s indie (a la The Replacements), depending on which track you pick. I was torn about whether to choose the rockin’ Joe Walsh-ed vocal on “I’m Always Questioning Days” or the more melodic package that is “It’s the Worst Thing I Could Do.” I went with the latter, with its pumping piano and judicious use of jangle guitar. Throwback Suburbia’s drummer had an interesting idea. Write some songs and then ask a gang of different artists to sing on different tracks for a new band, Rooftop Screamers, and a new album, Next Level. It’s a project idea that can easily lose its focus but Mike Collins makes it work, largely because the songwriting is so consistently good. Case in point: “Buckle Up,” featuring Jellyfish vocalist Tim Smith. The song has the sleek pop aura of a top rank Crowded House single. I fell hard for the ear candy that was Ten Tonnes “Better Than Me” from his 2018 self-titled debut. Recently he reignited that spark with the glammish “Girl Are You Lonely Like Me?” with its shuffle beat and emotional vocal, kinda like The Vaccines or Haircut 100 in therapy. The kid’s got swing and killer sing-along background vocals. For those of us who can’t get enough of the Bryds, a very special record is due out soon from an exquisite jangle-friendly band, The Floor Models. You can get a taste of their fab back catalogue from the 2013 retrospective Floor Your Love but here I want you to enjoy their indie-fied version of “Lady Friend,” a teaser from their soon-to-be-released album, In Flyte Entertainment: A Tribute to the Byrds.

The Floor Models – Lady Friend

Jeremy Porter and the Tucos’ “Dead Ringer” is straight ahead melodic Americana, reminding me of the more upbeat moments on that first Peter Case solo album back in 1986, particularly vocally. I love the synth snippet that kicks in at 3:10 in the final few moments of the solo. It’s featured on their new longplayer, Candy Coated Cannonball, and it’s just one of many highlights. Given that Ramirez Exposure’s latest album is named after an environmental newsletter that advocated the end of humanity as a solution to environmental crisis, the contents are surprisingly chirpy. Opening track “Bridges and Roads” is light and sunny, but it is the title track “Exit Times” that really grabbed my attention with its cool electric guitar arpeggiations and dreamy vocals. Sometimes I imagine NYC as just teeming with bedrooms for making pop music. Like the work from Goodman. I’ve featured this talented, almost totally one-man-band before and every new release reveals new depths and influences. On his new record Goodman Versus the Nostalgia Machine he is like Ray Davies reborn, piling up catchy tunes with clever commentary. “Bitter. Alone. Again” shimmers with sneaky, subtle hooks and vocals that add emotional colour and depth. From the mean streets of Baltimore Bombardier Jones offers us the cool vocal delivery of a Steve Miller. “Great Ideas” from Dare To Hope is just a straight up AM radio goodtime single, circa 1975. Love the spare piano solo to bursts on the scene two thirds in. Cotton Mather guitarist Harold Whit Williams has a side project that might conjure up the ‘s’ word for any remaining red diaper babies out there. It’s called Daily Worker. Now you don’t have to be a card carrying anything to enjoy what he’s doing here. I mean, check out the shuffling strut behind “I Got Hypnotized” with its creative mix of acoustic guitar rhythm, sixties organ, and tasty lead guitar. The rest of Hometown Hero is a winner too, with a Harrisonian soft rock flair competing with a Plimsoulsian new wave vibe.

You’d swear contemporary LA band Electric Looking Glass were giving it to you straight from 1968 Haight Ashbury in San Francisco. It’s not like they’re hiding their influences with an album title like Somewhere Flowers Grow. But it really is there in the music too. Opening cut “Purple, Red, Green, Blue and Yellow” kicks off with a solid blast of psychedelic pop guitar before opening up into a great bit of Turtles/Jefferson Airplane hippie poprock. Moving back to the future, there is something so cool about the brooding New Order-ish riff kicking off and driving Mattiel’s recent single, “Those Words.” I really enjoyed the rough-hewn rock and roll sound of the band’s last effort Satis Faction and this new song suggests there more where that came from. The band’s vocalist/songwriter Mattiel Brown really delivers on both here, with a striking performance and timely lyrics. Some bands like a real challenge, like writing a song about American President Warren G. Harding. Who, you might ask? He’s no Washington, Lincoln, Roosevelt, or Kennedy but The Rose Petals manage to turn out a western style performance a la True West or Rank and File all about Harding’s many foibles. It’s the opening track on the band’s engaging debut LP American Grenadine. Now for a complete change of mood, there’s Robert Sherwood. On Mr. Sherwood he showcases a bevy of light pop sketches that remind me Roddy Frame’s Aztec Camera. Sherwood does wonders with interesting vocal harmonies and spare but intriguing lead guitar work. On “Blue All Over” and the rest of this highly listenable record there’s more than a hint of a genius song arranger bearing similarities to Richard X. Heyman or the Eels’ Mark Everett. Ok, big finish time and what better band to close things out by taking us over the top than Weezer? Seems like an army of haters are out there just waiting for Rivers and Co. to stumble but the band just keeps on delivering the goods. The playful Van Weezer is no exception. “The End of the Game” cleverly rides the edge of rawk bombast with love while delivering the band’s signature knock-out hooks. And there’s more to love here – my blog writing friends can’t agree on what track they love the best.

The pent up energy for a perfect summer this year is swelling all out of control. People are desperate for fun. Here at Poprock Record we take our public service role seriously. So relax, we’ve got your music sorted. And even more is on the way with part II, coming soon.

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