Tags
*repeat repeat, Allan Kaplon, Andy Bell, Bats, Beachheads, Bill DeMain, Bill Lloyd, Bloody Norah, Buzzard Buzzard Buzzard, Chris Castino, David Woodard, Dazy, Edward O'Connell, Fjord Mustang, Flipp, Frank Royster, Freddie Steady Krc, Freedy Johnston, Goodman, Grrrl Gang, Jane's Party, John Larson and the Silver Fields, Kevin Robertson, Kurt Lanham, Lawn, Limblifter, Linda XO, Lisa Mychols & Super 8, Marc Jonson, Martin Luther Lennon, Moonlight Parade, Murray Atkinson, Novelty Island, Phil Thornalley, Pictish Trail, Push Puppets, Ramirez Exposure, Richard Turgeon, Richard X. Heyman, RIcky Rochelle, Rogers and Butler, Sky Diving Penguins, Sloan, Stephen Schijns, Steve Robinson and Ed Woltil, Suburban HiFi, Superchunk, Tamar Berk, Teenage Tom Petties, Televisionaries, The Bleeding Idahos, The Demos, The Kryng, The Minders, The Proctors, The Rallies, The Rubs, The Stroppies, The Telmos, The Toms, The Wends, U.S. Highball
It was another busy year for melody-drenched rock and roll. Releases were coming fast and furious and frankly I could barely keep up. Still, I managed to get 82 posts up on the blog in 2022 and write over 64,000 words on the loosely-defined rock and roll sub-genre I call ‘poprock.’ I couldn’t write about everything that crossed my desk or what others may have necessarily thought was review-worthy, I just covered what caught my ear or worked itself into some kooky theme I cooked up. So let me be clear, what appears here is a completely arbitrary exercise in personal taste and discretion. I’m sure others may have a somewhat different set of worthy tunes that deserve more attention. And that is totally cool. The point is to celebrate the artists and perhaps give people another shot at checking them out.
So here it is, Poprock Record’s top 50 should-be hit singles from 2022:
1. Grrrl Gang “Pop Princess”
2. The Bleeding Idahos “The Beat Said”
3. Dazy “Rollercoaster Ride”
4. Bloody Norah “Shooting Star”
5. Allan Kaplon “Restless One”
6. Televisionaries “Over and Out”
7. John Larson and the Silver Fields “Reversible Heart”
8. Push Puppets “There’s No-one Else Like Lynette”
9. Tamar Berk “Your Permission”/“Tragic Endings”
10. Freddie Steady Krc “Bohemian Dandy”
11. The Toms “Atmosphere”
12. The Proctors “You and Me and the Sea”
13. The Minders “Home”
14. Richard Turgeon “Better With You”
15. Flipp “You Can Make It Happen”
16. Bill DeMain “Lone Ranger”
17. Limblifter “Haystack Rock”
18. Stephen Schijns “I Met Her Yesterday”
19. The Rubs “When I Dream About You”
20. Edward O’ Connell “Golden Light”
21. Superchunk “Endless Summer”
22. The Kryng “Get”
23. Freedy Johnston “There Goes a Brooklyn Girl”
24. Phil Thornalley “Fast Car”
25. Lawn “Down”
26. The Stroppies “The Perfect Crime”
27. Beachheads “Jupiter”
28. Martin Luther Lennon “jfkha”
29. David Woodard “Stupid Kid”
30. Linda XO “California Girl”
31. Richard X. Heyman “When the New Dawn Comes”
32. Buzzard Buzzard Buzzard “Break Right In”
33. Sloan “Magical Thinking”
34. Teenage Tom Petties “Boxroom Blues”
35. The Demos “Streetlight Glow”
36. Suburban HiFi “In Her Reverie”
37. Moonlight Parade “Amsterdam”
38. Ricky Rochelle “In a Dream With You”
39. The Telmos “What She Knows”
40. Marc Jonson and Ramirez Exposure “Tape Recording”
41. Sky Diving Penguins “Run Boy”
42. Novelty Island “Jangleheart”
43. Goodman “Au Pair”
44. Pictish Trail “Melody Something”
45. Kevin Robertson “Tough Times (Feel Like That)
46. U.S. Highball “(You’ve Got To) Activate a Carrot”
47. The Wends “What A Heart Is For”
48. The Rallies “Must Be Love”
49. Jane’s Party “It’s Been Years”
50. Frank Royster “Open Door”
There were so many great songs put out this past year, I was spoiled for choice. And choosing wasn’t easy. Sometimes I cheated a little. Grrrl Gang’s “Pop Princess” technically came out before 2022 but I only got around to writing about it this last year. What a tune! It’s a perfect example of the kind of excitement a great single can generate and, really, why I write this blog. People need to hear it! Or there’s the fresh indie hooks driving The Bleeding Idahos’ “The Beat Said” and Bloody Norah’s “Shooting Star.” Dazy had a knock out AM radio earworm with “Rollercoaster Ride.” And then there was veteran songster Allan Kaplon coming on like The Highwaymen at first only to let loose the Rockpile hooks in the chorus of “Restless Ones.” There were new faces and old favourites and surprises aplenty. Click on the links to go to the original posts featuring each song.
I had to create a few new categories this year, just to capture all that was good and groovy about 2022. The post-Covid covers album phenomenon continued and most were great fun. But some were particularly inspired. And then there were a lot of acoustic guitar-dominant tunes out this past year that I felt really needed to be singled out in a category I’ve dubbed folk pop.
So, without further ado, here are Poprock Record’s most inventive covers from 2022:
1. Kurt Lanham “I Want to Hold Your Hand” (The Beatles)
2. Lisa Mychols and Super 8 “I Can’t Explain” (The Who)
3. Bill Lloyd “The World Turns Around Her” (The Byrds)
4. Andy Bell “Light Flight” (Pentangle)
5. Murray Atkinson “Bus Stop” (The Hollies)
And here are Poprock Record’s top folk pop singles from 2022:
1. Fjord Mustang “Health Class Field Trip”
2. Rogers and Butler “Oh Romeo”
3. Bats “Golden Spoon”
4. *repeat repeat “Hm Feels Like”
5. Steve Robinson and Ed Woltil “Make Amends”
6. Chris Castino “Chinese Whispers”
I do love making lists but the choices do not amount to any big heavy pronouncement on anything – just my bit of fun and chance to celebrate these artists a little bit more. Check them out and see if you don’t agree, they’re seriously good!
Photo courtesy Fred Rockwood.
Today’s duo of bands are like opposite ends of the Beatles influence circa 1966, with Rochester NY’s The Demos handling the sweet vocal harmonies and melody-driven tune-age while Sacramento California’s The Decibels grind out a bit more of the rockin’ jangle side of the equation. Both bands benefit from strong songwriting and some pretty inspired and unpredictable performances.
The Demos debuted with a low key EP, 2008’s Your Girl Has Fun Without You. The band’s essential elements are all there in the opening track, “I Gotta Know” with its spare guitar work and layered vocals. Overall, the EP reminds me of more recent fab work from The Rallies. 2011’s full album Lovely fleshed out the band sound a bit, sounding slightly reminiscent of Farrah on tracks like “Nervous.” And check out the full on ELO vocal palate cushioning “Don’t Wake Me Up Again” – breathtaking! 2016’s Paramount Clouds EP takes things in more Rooney-ish direction, particularly with the keyboard focus on “I Don’t Mind.” Personally, I think the 2018 If You Only Knew EP may just be The Demos strongest outing, representing another slight departure style-wise changing up the keyboard and vocal delivery. Should-be hit singles “Make It Better” and “If You Only Knew” vibe a host great bands like Guster or Sunday Sun without losing any of their own originality. The spooky background vocals on “Make It Better” alone are worth the price of admission! The EP also features a nice reinterpretation of the previously released “Nervous.” Oh for the days when a ferry could taxi me over Lake Ontario to see this band.
The story of The Decibels is like a script right out of indie rock and roll Hollywood. Promising band release a handful of great records to critical acclaim but poor sales. They break up. Then they’re brought back together for a one-off show and fan demand pushes them to reunite but, alas, poor health stalls the comeback. But somehow, years later, the band returns with new material and new lease on rock and roll life! The Decibels roared back into action in 2019 with not one but two new records, both critically acclaimed. Big Hits (plus twelve more!) was a rehearsal session of the band’s live act (focusing on cover tunes), originally taped to help them prepare to record new original material. But the record company liked the sound so much they insisted on releasing it. It was so the right decision. Compared to their other 2019 long-player, the feel of Big Hits (plus twelve more!) is a bit edgier, with a punky live vibe. It’s amazing to hear how they bring new life to songs like “Pictures of Matchstick Men” by picking up tempo (frankly, I found the original Status Quo version a bit plodding). The album is full of highlights like the glorious “Sometime in the Morning,” the melodically rocking “Ship Went Down” and “There’s a Place,” the vocally clever “Try and Stop Me” and the very 1979 stripped-down new wave sound of “Cover Girl.”
Of course, none of this is meant to suggest that their other 2019 release, Scene, Not Herd, is anything less than stupendous. The album is brimming with radio-ready should-be hits like “Hey Emily,” “I Need to Tell Her” and “Misery.” The renewed band sometime come off like a more indie version of The Wonders, the fictional group from the film That Thing You Do. At other times you could be forgiven for thinking The Plimsouls had got back together on tracks like “The Only Reason Left” and “Thinking About You.” And here’s a bonus if you just discovered The Decibels – there’s a pretty special back catalogue awaiting your attention! For instance, the band’s 1997 debut Create Action is a janglicious mix of 1960s-meets-1990s swinging tunes. Check out “Change,” “Something Good to Go By” and “Can’t Play Tag Alone,” the latter sounding like a compressed greatest hit of the 1966 mod rock and roll sound.
Poprock Record 