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Singles for a snowy day

07 Wednesday Dec 2022

Posted by Dennis Pilon in Poprock Themepark

≈ 1 Comment

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Bruce Foxton, Dan Israel, Grant Lindberg, Jack Skuller, Kingdom of Mustang, Love Burns, Murray Atkinson, Passion Fruit Boys, Richard Turgeon, Richard X. Heyman, Robert Sherwood, Russell Hastings, Scott Robertson, Sean Trelford, Sunshine and Rain, The Andersons!, The Laughing Chimes, The Persian Leaps, The Sighs, The Wends, Travel Lanes, Ward White

Pictures of a snowy day are invariably idyllic but the reality can be much less so. All the more reason to supercharge your season with a blast of melody and some serious riffage. Here are 21 relatively new tunes to soundtrack your snow day.

Cambridge UK native Sean Trelford was only 14 when he recorded his debut album Care Home Party during lockdown in 2020, though the record is only just coming out now. Wow. This LP conjures up a bleak though still pleasing atmosphere of world weary solitude and an injured heart that seems beyond teen years. “Dearest One” is the smoothest slice of dire-sounding popcraft here and a great start to the album. Another impressive young talent that has a debut album out is Scott Robertson of Vapour Trails fame. Not surprisingly Footprints in the Butter is crammed full of enticing, intriguing and exciting jangle. The riffage here is so 1967! “Out of Service” starts with an alluring low-key reverby lead guitar line before opening up with harmony vocals that sound very Byrds or Monkees. On album number 4 Into Beautiful Blue Charlottesville, Virginia band Kingdom of Mustang take their self-described ‘alterna-poprock’ into a more XTC-meets-Crowded House territory. “All I Can Do” delivers the delightful melodic quirks we’d expect of those influences, wrapped in a timely lyrical message that ‘everyone laugh’ as a form of coping. On Ice Cream Chords musical refugee from the 1970s Ward White turns on the Cars filter, just to make what he’s doing even more interesting. The record has White’s standard seductive David Bowie/Bryan Ferry vocal attack but on “Mezcal Moth” this combines with a song style that is very Elvis Costello circa Imperial Bedroom. The result are pop magic in a three minute, 51 second dose. Nashville’s Passion Fruit Boys sound like a new wave version of Americana, combining a country-ish songwriting base with a 1980s synth pop finish. “Glad You Came” throws out a distinctive set of guitar riffs to lure you in, buffeted by dreamy keyboards and a Cactus Blossoms vocal delivery.

It’s pretty hard to improve on The Hollies, most especially their star single “Bus Stop.” Terms like ‘pop perfection’ originated with songs like this for good reason. But sometime Odds singer/axeman Murray Atkinson reinvents the song in a dramatic and exciting way, adding modern textures and a creative arrangement that both totally work. More remakes along these lines would not go amiss in my record collection. With Draw the Lucky Card Jack Skuller steps out from behind his similarly named band moniker The Skullers to officially go solo. The result is an eclectic a mix of indie rock and melody-infused singer-songwriter material. I hear a strong Squeeze imprint on “Asking for a Friend” songwriting-wise, with a very Josh Rouse vocal delivery. Jersey City’s Sunshine and Rain sound so Darling Buds or The Primitives to me. And that’s definitely a good thing. We’re going back a few years to the band’s 2018 album Beneath the Stars to rescue their utterly poptastic should-be hit single “It’s All in Your Mind.” Get ready to hit replay a few times on this. Turin, Italy’s The Wends were briefly Smile and put out the jangle-fabulous single “What a Heart is For.” The name change alters nothing in their winning melodic chemistry. Relive the 1980s UK sibilant guitar revival via their new EP It’s Here Where You Fall. Robert Sherwood writes about music like a spurned true believer with an intellect that is ruthless in its dissection of his unearned musical roots and a heart big enough to still love them. Those influences are all over his new single “Coming Home.” The song starts out with deceptive simplicity, it has an almost dirge-like quality. But then he layers in some serious XTC/Peter Gabriel-like complexity that is utterly captivating. More please!

Not satisfied with releasing a killer album earlier this year (It Should Have Been Tomorrow) Love, Burns is back with late autumn EP Fade in the Sun. The effort leans country but in a indie rock artist-does-country sort of way. The choice for single has to be “Pencils.” The melding of hooky lead guitar lines with the sonorous keyboard backing perfectly suit the Lloyd Cole vocals to a T. It’s been a while since we’ve heard from Philadelphia’s Travel Lanes. New single “I Might Need Help” is in the ballpark of Tom Petty and Fastball, it sounds both classic and not exactly like anybody else. Prelude to a new album? Let’s hope so. I’ve been a bit slow to notice powerpop super group The Andersons! and their album debut Family Secrets. With jangle giants Derrick Anderson and Robert Rist involved how could the results not be solid? The whole record is a treat but I’m singling “Falling Out” as the must-hear song. There’s a Difford and Tilbrook feel to the tune but a totally Big Star coating on the performance. The Sighs’ 1996 single “Make You Cry” was an instant replay classic for me. So when I discovered I missed their most recent album release from 2019 I knew I had to make up for lost time. The title track from Tearing My Heart Again is another soft rock pop delight in an Outfield or Hooters style. He’s the hardest working man in Minnesota show business with 17 albums to his name and no signs of slowing down. Dan Israel’s new album is Seriously and I’m showcasing opening cut “Happy for Now.” It’s got a late 1970s SoCal vibe, think Jackson Browne or Walter Egan.

The Sighs – Tearing My Heart Again

San Francisco’s Richard Turgeon is a one-man rock and roll machine, pumping out timeless west coast-themed ‘new vintage rock,’ as one reviewer dubbed it. His new single “Without You” rings out with Turgeon’s signature guitar sibilance and country rock harmony vocals. The song sounds like summer to me. Turning to stars of yesteryear, it must be great to have been part of a legendary band. But you know what’s better? Having something new that lets people know you’re not just living in the past. Bruce Foxton nails that brief on his new album with Russell Hastings, The Butterfly Effect. There are a lot of great tunes here but I’d single out “She Said,” a winning slab of jangle-infused song-writing and performance. Grant Lindberg’s got a new free single playing over on Bandcamp. “Anything But You” is a bit dreamy, with a poppy Weezer feel to the proceedings. Like the crack dealer, this free sample is designed to get you hooked. I think it will work. The Laughing Chimes follow-up to their critically-acclaimed debut album In This Town is just an EP worth of tunes, Zoo Avenue, and like its predecessor it’s a jangle-fest. Your taster selection is title track “Zoo Avenue,” a track vibing early REM so hard it’s like I’m 19 all over again. Another special dose of jangle is delivered by St. Paul, Minnesota’s The Persian Leaps. The band usually offers up its own distinctive, original brand of hooky material but this time they’ve got a cover with a unique story. “Maybe Time Will Let Me Forget” is a lost gem from an obscure 1967 band, The Coachmen, who happened to include future folk pop giant Dan Fogleberg and Jon Asher, uncle to Persian Leaps driving force Drew Forsberg. The original is quaint but this remake really fulfills its potential.

Rounding out this snow session is what I’ve crafted as a double-sided single from Richard X. Heyman’s stellar new album, 67,000 Miles an Album. Heyman’s roots stretch back to the 1960s via legendary work with The Doughboys and a relentless release of top notch solo records. The guy appears to be unstoppable. “Crave” and “When the New Dawn Comes” cover both sides of the powerpop canon, the former charging forward sixties-rock-style while the latter sparkles and shines melodically in a more mellow way.

Richard X. Heyman – Crave
Richard X. Heyman – When the New Dawn Comes

Snowed in? Relax. You can set your locked-in time to music with a raft of these snow-proofed singles.

Photo featuring exclusive Poprock Record model Rob Elliott courtesy Swizzle Gallery.

Spring singles hullabaloo

18 Tuesday May 2021

Posted by Dennis Pilon in Poprock Themepark

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Bob of the Pops, Chris Catalyst, Daisy House, David Woodard, Frank Brown, Girlatones, Hayley and the Crushers, Hearts Apart, Henry Chadwick, Johnathan Pushkar, Los Straightjackets, Major Murphy, Nova Waves, Robyn Gibson, Ryan Allen and his Extra Arms, Silver Torches, Talk Show Host, The Coral, The Embryos, The Fratellis, The Lousy Pop Group, Travel Lanes

Spring always comes a bit later than I reckon it should in my part of the geographical woods. But it is definitely here – at last – and that can only mean one thing: dance party. Even if I’m only dancing with myself I can still restock the singles bar with a load of exciting new singles!

The Fratellis have always been a bit off-the-beaten indie rock and roll track, utilizing uncommon, sometimes old-timey song structures. Their new album is no exception. Just one listen to title track “Half Drunk Under a Full Moon” had me hooked with its cinematic airy piano opening and striking lyrical imagery. I’m imagining my own b-side to that single would be “Lay Your Body Down,” a lovely throwback, could-be sing-a-long. Henry Chadwick is back with a new single “Tomorrow is Today,” a sleek modern slice of poprock. The song is so nicely put together, an effortless swirl of alternating sonic blasts of textured guitar and vocals, reminding me a bit of Ben Kweller and Mark Everett. A nice surprise arrived a few weeks back with a new single from Daisy House, a band on indefinite hiatus since 2018. “Last Wave Home” is what the band does best, evoking the magic of that mid-1960s California sun, sand and surf with a Beach Boys’ feel for melody and harmonies. The Go Go’s will be joining the Rock and Roll Hall of Fame and rightly so, as their influence is unmistakable across a wide range of music and genders. I mean, check out Go Go’s vibe all over Hayley and Crushers rockin’ single, “Kiss Me So I Can.” The guitars are so Jane and Charlotte while the vocals really ace a Belinda delivery. And it’s a great tune as well. Major Murphy move in a new, darker direction with the title track on their new record Access. The song has an ominous undercurrent that is both hypnotic and catchy. The vocal harmonies that dominated their last album are back but put to slightly different harmonic purposes. The end result is captivating and unnerving, in a good way.

The Fratellis – Lay Your Body Down

I’ve been remiss in getting something written about Girlatones. “One Chord Too Many” came out about a year ago but my philosophy is that it’s never too late to sing a single’s praises. The song is very guitar pop, a bit of Belle and Sebastion meets the Byrds. My choice for b-side would be the fantastic 1960s-emoting “2 Young 2 Forget,” written in a style reminiscent of all those songs the Rolling Stones gave away (e.g. “Too Much in Love”). The lead guitar is so spot on 1966 jangle! Seattle’s Silver Torches sneak up on us with “Love Someone,” a song that ambles along until it suddenly blasts off in the chorus, fattening up the vocals and the sense of emotional release. Very movie montage-ish, cue hero overcoming whatever is holding them back. Travel Lanes’ Frank Brown put out a nice little EP a few months back entitled This One’s For You. Low-key, unassuming, the songs are just delightful small group sketches. I’m particularly partial to the rollicking, jaunty “Summer,” with a vocal delivery that reminds me of Dan Israel. Robyn Gibson’s amazing Bob of the Pops cover albums series has worked its way up to volume 5 with no loss of momentum or quality. Basically, Gibson takes both classic and forgotten singles of 1960s and 1970s yesteryear and reworks them into a slightly different 1960s register from their original. For instance, his cover of Marmalade’s 1971 song “Cousin Norman” moves away from the country rock feel of the original, putting it into a late 1960s beat group style. The result is a fresh take that gives the song swing and puts the melody more up front. This next group initially caught my eye for their name. The Lousy Pop Group is just so disarming, beating crabby reviewers to the punch. But the LGP are not lousy at all. “When I’m With You” is a great piece of lofi jangle, combining a Smiths-ian songwriting feel with a more low-key vocal and guitar delivery.

This party could use a bit more no-holds-barred rocking out so to that end we turn now to Italy, of course. Seriously, there’s some superior gritty but melodic rock and roll coming out of that country lately and Hearts Apart embody that. “Waste Time” is driven by its rough and ready rhythm guitar work and some nice call and response vocals. The rest of their almost released EP, Number One to No One, is more of the good same. My local punk popsters, Toronto’s Talk Show Host, never fail to please. The new record is the stylishly designed Mid-Century Modern and the two advance singles back me up. “Blood in the Sand” dials down the punk in favour of flooring the pop pedal, with plenty of catchy ‘oh ohs’ to fuel some audience sing-along-ing. Chris Catalyst has some great crashing guitars contrasting his polished vocal harmonies on “Divide and Rule” from his latest LP Kaleidoscopes. Something very Revolver going on here, filtered through a 1980s British power pop filter. I love the flexibility of Chicago’s The Embryos. One minute they’re vibing the Bryds and Teenage Fanclub, the next they’ve got a Church-meets-The La’s thing going. With their new stand-alone single, “Rattlesnakes,” they seem to be defining their own unique synthesis of all these influences. The song also has some killer organ fills and lead guitar lines. Ryan Allen and his Extra Arms reliably churn out highly-listenable full-band rock and roll. But his most recent EP Digital Hiss includes a hypnotic, largely acoustic-guitar driven ditty “Can You Take My Thoughts Away.” The song uses an economy of words and instrumentation but still manages to deliver an Elliott Smith level of performative punch. The song has a tension that seems poised to break out of its low key shell at any moment, even though it holds its powder.

Nova Waves are an interesting band for a host of reasons. They live in three different countries, and thus must send tapes around the world so each member can add their own something to the mix. The results vary, from revivalist 1960s rock to carefully crafted indie pop. “Radio Sound” is from their new album Going the Distance and captures this range, with an Apples in Stereo pristine pop sound, punctuated with 1969 Beatles ‘la’s la’s’ and guitar embellishments. The Coral also have a new album, Coral Island. I can’t decide my initial fave song, split between the obvious single “Change Your Mind” and the should-be sleeper hit “Vacancy” with its crazy good organ. There’s something very laid back 1970s California country rock mixed with The Zombies keyboard work all over this album. Johnathan Pushkar loves the Beatles and that influence is all over his new record Compositions. Yet with this outing he also moves more decisively into Fountains of Wayne territory with at least half the songs, particularly “Gonna Be Alright” where his phrasing and song structure is very Chris Collingwood. Another guy vibing a bit of FOW is David Woodard on this recent EP Butterfly Effect. It’s there on the opening to “the last word” but Woodard quickly takes the song in his own direction. The track has a low key hook so subtlely placed that its only on repeated listenings that it really gets into your head. Now, to wrap up, we’ll skip the vocals. A good instrumentals band makes it look so easy. You just replace the vocal melody with some twangy guitar right? But the magic is all in how you do that, the choice of guitar tone and timbre, how you lean into the melody line, the phrasing, etc. Nashville’s Los Straightjackets are the current masters of this genre and they showcase their considerable chops on an infectious reworking of The Hollies “Bus Stop.” Hard to add anything new to either the song or the original version but LS manage to cast some new light on the song’s melodic nuances. Magic stuff, for sure.

Johnathan Pushkar – Gonna Be Alright

Twenty new should-be hits for your spring dancing playlist. Shake your tailfeather on over these bands’ internet locales and get better acquainted with they’ve got on offer beyond these great songs.

Melody central: Batteries Not Included, Young Guv, Travel Lanes, and The Overtures

10 Tuesday Mar 2020

Posted by Dennis Pilon in Poprock Themepark

≈ 7 Comments

Tags

Batteries Not Included, BNI, Hey Hey Hey, ON, Once in a World, The Overtures, Travel Lanes, Youn Guv

Screen Shot 2019-11-28 at 10.09.06 AMMelody central stands at the junction of pop and rock, with hooky guitar lines and heavenly background vocals to spare. It’s one stop shopping for your melody-coated rock and roll needs. Today’s melody-ers hit the beat with just the right balance between old time inspiration and a contemporary indie elan.

Screen Shot 2020-03-10 at 4.35.08 PMBandcamp has this ‘if you liked’ feature that runs across the bottom of the page of any artist you might be checking out. I find so many great acts there! Like Chicago’s Batteries Not Included. Just looking at their website live show pics, these guys seem like the ultimate party band to me. Rockin’ together since 1980, sporadically releasing an LP and EP, BNI boast opening for a wide range of classic sixties bands (e.g. Spencer Davis, Lovin’ Spoonful) and more recent indie poprock outfits (e.g. The Smithereens) over the years. Still, while remaining active, they’ve never really broken out big. A quick spin through their latest long player, Hey Hey Hey, is proof their stick-to-it-ness is not misplaced. What fun, happy tunes! “Winning Ticket” shimmers with early Romantics hookyness. “Count on Me” is so early 1960s Buddy Holly meets Bobby Fuller. And then there’s tracks like “Fall for You,” “Bit by Bit,” and “I Knew” which vibe the fresh, crisp melodic rock and roll sound of the Paul Collins’ Beat. This is a no-risk purchase if you’re looking for a hooky no-nonsense poprock record.

Screen Shot 2020-03-10 at 4.36.11 PMToronto-cum-Brooklyn’s Young Guv has a double album that practically lunges out of the speakers with its raucus, jangly opening cut, “Patterns Prevail,” vibing Teenage Fanclub on speed. Perhaps that’s not surprising as Young Guv’s main man is Ben Cook, sometime leader of punk bands Fucked Up and No Warning. Well, he has taken a turn down the melody mile on this latest release as things start out hooky and just don’t let up from there. “Roll with Me” sounds very uptempo Elliott Smith. Then “Every Flower You Meet” gets a solid Matthew Sweet groove on. “Luv Always” steps on the jangle pedal hard. And so on. Personally, I love the hooky lead guitar line anchoring “Exceptionally Ordinary” – very Primitives – and the Jayhawks aura lingering over “She’s a Fantasy.” The second half of the album turns down the amps and goes a bit pop-soul but remains divine. Guv I & II is available bundled together or sold separately. Is there anything Young Guv’s Ben Cook can’t do?

Screen Shot 2020-03-10 at 4.37.35 PMI can hear all sorts of classic influences on Travel Lanes’ new record ON: Tom Petty, the Replacements, a bit of Elvis Costello and, of course, the Beatles. Indeed, you can hear all those elements permeate the kick off track, “True and Tried.” Then things turn in a slightly different direction with the country, pub rock feel of “Answer My Prayers” and the dynamite pedal steel on “It’s Time.” It’s funny, while Frank Brown writes and sings the songs, there is a strong ‘band’ sound to this record. Songs like “Routine,” “Big Heart,” and “Lover’s Lane” are played with the ease and comfort of a Rockpile-esque sense of boozy togetherness. This is group that really knows how to play and they play together so well. ON is an album listener’s treasure: you’re gonna listen to it again and again.

Screen Shot 2020-03-10 at 4.42.19 PMThe Overtures bill themselves as the ‘UK’s finest 60’s tribute act’ and the fact they’ve been hired by the likes Paul  McCartney and Elton John kinda backs up their bona fides. But with their new album Once in a World they cast aside the ‘merely a cover band’ label to offer up a raft of original tunes – and the result is brilliant, and not just in the jangle sense of that term (though, yes, it is that too). Frankly, with this band’s back story and image, I was worried that taking a crack at more original material might just produce something that was too derivative. And, hey, the British invasion and Beatles influences are all over this record, for sure. But this album is a winner, chock full of simply great tunes performed by a band with killer chops. Exhibit A: album opener “Till Your Luck Runs Out” has guitar sounds that are very Searchers but in their comeback 1980 new wave guise. Then the obvious should-be hit single arrives with “Once in a World” and it’s a timeless slice of poprock. Seriously, it could 1980s Squeeze (if they’d picked up an electric 12 string!) or it could be any number of great melodic rock tracks released just this last year. Other songs harken back to the 1960s and 1970s: “The Hollow Bells” sounds very Hollies-Bryds-Turtles, “She Belongs to Yesterday” has a lovely, hooky British invasion lead guitar line, “Red Dolls House” could be a great lost Elvis Costello tune, “Find Out What You Mean to Me” is a Cavern-era Beatles workout – I could go on. Really, there are so many highlights on this album, you’re going to want the whole thing. My personal fave is “She Shines a Light” with its seductive lilting hooks. You can pick up a physical copy of the album from the good people at Kool Kat Music!

https://poprockrecord.files.wordpress.com/2020/03/01-till-your-luck-runs-out.m4aTill Your Luck Runs Outhttps://poprockrecord.files.wordpress.com/2020/03/11-she-shines-a-light.m4aShe Shines a Light

A trip to melody central saves you the bother of searching all these hooks on your own time. That’s why you should pay it forward and hit the links to get closer to the merch available from Batteries Not Included, Young Guv, Travel Lanes, and The Overtures now

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