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Bill Lloyd, Chris Von Sneidern, It's a Musical, Juliana Hatfield, Phoebe Bridgers, Preoccupied Pipers, Stik Pinz, The Lolas, The Popravinas, The River and the Road
Shamelessly exploit an emerging health crisis for some weak blog tie-in? Not our style friends. Think of this as a public service, designed to distract you from the impending end of the world as we know it. As someone once said, if we’re going to have to go, we might as well go out singing!
Not that we should get too excited. Phoebe Bridgers captures a bit of the aura of impending doom that’s all about on her low key but catchy “Motion Sickness.” By contrast, The Popravinas “Almost Sick” almost sounds celebratory in a country ‘my truck died’ sort of way. KC Bowman’s crew of musical friends also have a timely tune in their Preoccupied Pipers guise with the sprightly “Sick Time.” On the other hand, Swedish/German duo It’s a Musical get right to the point with the quirky “The Music Makes Me Sick” (disclaimer: no music on this site will actually make you sick). Another KC Bowman vehicle is the cleverly named Stik Pinz and they sound positively blissed out to get some “Medical Time.” Well, who wouldn’t, under our present circumstances? Can I get a doctor? That might be what Chris Von Sneidern is saying on “Doctor.” Then again, the album is called Big White Lies so who knows. It’s a lovely song and that’s all my prescription guarantees. The Lolas get a little more specific with “Doctor Apache” and they’ve pretty’d up their usual rocking sound with some lovely jangly guitar argpeggiations. Juliana Hatfield has turned out so many great, underappreciated LPs. Like Pussycat, with its topical “I Wanna Be Your Disease.” Working the Americana side of the poprock street, The River and the Road layer in the banjo to earworm up their thematic contribution, “Strange Disease” and it works! Just the musical cure we’re looking for. And for the wrap, how about some Bill Lloyd from his fab 2018 album, Working the Long Game in the form of “What Time Won’t Heal.” Hopefully, if our preparations were effective, you’ve been toe-tapping your way to distraction and forgot all about … what was that news headline?
Chris Von Sneidern – DoctorLolas – Doctor ApacheThe River and the Road – Strange DiseaseBill Lloyd – What Time Won’t Heal
Time to pull together people. Even as we practice some social distancing to survive in the days and weeks ahead, we can always let the music bring us together. Click the links above and bring some money-joy to our performers as they tart up their quarantine quarters, er, I mean, wherever they call home!
This particular turn of the dial takes us all over the musical map, sometimes to the very edge of poprock country. From indie folk-rock to proto-mod to alt country and then some, we have a lot of ground to cover.
On their 2012 debut album The River and the Road were a pleasant folk rock band, hailing from Canada’s major west coast city. But with Headlights, their 2015 release, some kind of transformation occurred. More electric, certainly, though the album also featured a number of strong acoustic numbers. No, something changed in their musical demeanor, kinda like they’d hit the musical gym, bulking up their sound and impact. Case in point – “Mistakes” rips open with a muscular electric lead line that keeps searing into the tune, aided by the full band dropping in at the 8 second mark. This is not really poprock. It’s got more of an edgy indie vibe but still there is something very hooky about the band’s guitar work. “I’m Broke” swings with a strong alt country melody, roughed up just a bit by the band’s more rocking sound. By contrast, “Strange Disease” reverberates with a drone-like banjo backing. And this is just a few highlights – really, the whole album is great. You may think you know what you’re getting with a band like The River and the Road (i.e. four on the floor Americana) but the record keeps pushing its own boundaries.I’m BrokeStrange Disease
When the name of your band is a reference to a 1976 song by another band, which is in turn a reference to a line from a 1965 movie, you’re deep into a very self referential world defined by its own measure of cool. Seattle’s Shake Some Action have been at it a decade now and they sound like a band whose sound has been forged in the fire of 1960s poprock, the late 1970s mod revival a la The Jam, with a healthy dollop of 1980s jangle pop. Their brand new album, Crash Through or Crash, is a sonic treat, all shimmery guitars and hooky reverb-drenched vocals. The opening cut, “Waiting for the Sun,” is a strong single, masterfully arranged to hit all the marks, from the hypnotic lead line to the seductive ‘ahhs’ that announce the chorus. I couldn’t help recalling all those great Mighty Lemondrops records, just for the sheer joy captured here. “Whose Side Are You On” is another tremendous song while “Starting Again” utilizes the Rickenbacker electric 12-string to great effect.
There is nothing precious about Rozwell Kid’s art. The West Virginia band specialize in the sort of ironic, sometimes goofy, sometimes smurky odes to nerdy dudes and their pathetic attempts to be cool. Thus their 2017 release, Precious Art, dials the irony up to eleven on a super collection of slightly off-kilter, buzzed-out guitar tunes. There are highlights galore. “Wendy’s Trash Can” sounds like Weezer meets Fountains of Wayne. “Mad TV” emotes a bit of Bad Books and some of Ken Devine’s solo material to me. “Michael Keaton” channels Weezer and tells a great story. And so on.
Toronto’s First Base are mining the same theme as Tommy and the Rockets and all the other bands whose origin story ultimately links back to the cartoon pop punk of the Ramones. Their bandcamp 
Heyrocco’s “Yeah” kicks off in a fairly standard rocking vein but then pushes the melody pedal at the 22 second mark in a way that really hooks me. The chorus says jump up and down and shake your head with 40 other people crowding the front of the stage. Melody is not Heyrocco’s main thing but when they make it a priority, they do it right. I usually find one tune I really love on their releases. On 2015’s Teenage Movie Soundtrack it was the great swinging slow rocker “First Song” with its Bernard Sumner vocal. “Yeah” is my fave from the band’s 2016 EP Waiting on Cool. Every now and then I hear just a bit of Sugar Ray in this band, which, personally, I think is a very good thing. Also, check out the fantastic demo version of “First Song” below, from the band’s 2013 Greatest Hits of the 1990s.Yeah
I was blasting through the Forty Nineteens new album, Good Fortune, thinking ‘ya, this is nice’ but it wasn’t grabbing me the way a new release needs to if I’m going give the replay button some exercise. Then I hit the very last song and completely changed my mind. “Two Pillows” is single-worthy magic. Great tune, killer arrangement, wonderful performance – I could go on. Laid on a bed of electric piano, the song has a poprock country feel, sharpened by a searing yet melodic guitar solo and great vocals. It made me go back and re-evaluate the whole album.
Poprock Record 