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Holiday poprock

23 Wednesday Dec 2015

Posted by Dennis Pilon in Poprock Themepark

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Best Coast, Bobby Helms, Dropkick, E, Eels, Fountains of Wayne, John Lennon, The Genuine Fakes, The Kings, The Rosebuds, Wavves, Weezer, Yoko Ono

19570000_Captain_Santa_Claus-Bobby_HelmsThe holiday music scene is a bloated market, artificially inflated by the pushback of the start of the Xmas season to sometime shortly after midnight on November 1st. Department stores, malls and elevators everywhere crave more songs to wallpaper two months of shopping with holiday music. Still, despite the saturation, I love Xmas music. My collection has both old and new contributions and a surprising number of b-sides. For instance, a top ten choice for me is the flip side of Bobby Helm’s “Jingle Bell Rock,” a space age number called “Captain Santa Claus.” Santa’s sleigh breaks down, the elves build a rocket ship, you get the picture. But rather than simply being a novelty cash grab, it’s actually a decent song. Another great b-side is the backing track to John Lennon’s “Happy Xmas,” performed by Yoko Ono: “Listen the Snow is Falling.” Ok, that one will be more controversial – but I like it.

The internet is crawling with holiday music playlists and definitive collections of holiday music from every era and style imaginable – so I won’t do something like that here. Instead, I’ll just riff on the theme with a few choice poprock selections.

fountains-of-wayne-i-want-an-alien-for-christmas-1997Many people are familiar with Fountains of Wayne’s “I Want an Alien for Christmas” but I prefer their more subtle ruminations in “The Man in the Santa Suit” from their 2005 rarities and b-sides collection Out-of-State Plates. The song has great hooks but it is FOW’s unerring ability to capture the social ennui of the holidays that sets it apart. Everybody in the song – from the boozy mall Santa-for-hire to the vomitous and unhappy children – is trying but not really succeeding in living up to the joyous demands of the season.

https://poprockrecord.com/wp-content/uploads/2015/12/06-the-man-in-the-santa-suit.mp3  Fountains of Wayne – The Man in the Santa Suit

For a rockier tune, Best Coast and Wavves “Got Something for You” has more of a ‘buzz guitar with dreamy vocals’ vibe. On the poppier side, before he fronted the Eels, Mark Everett was known simply as ‘E’ and offered up more crafted poprock than his band’s later edgier material. “Everything’s Gonna Be Cool This Christmas” harkens back to his E rather than Eels’ days. 220px-ChristmaswithweezerComing back to edgy, Weezer transforms “Come All Ye Faithful” to bring out the great pop elements of the song with a treatment that reminds me of Me First and the Gimme Gimmes’ cheeky punk-pop makeovers of classic poprock songs. For some Canadian content, The Kings were a Toronto band best known for their 1980 hit “This Beat Goes On/Switching to Glide” but on a follow up EP they performed their own holiday number, “This Christmas” which I always thought warranted more attention.

 

https://poprockrecord.com/wp-content/uploads/2015/12/05-o-come-all-ye-faithful.mp3 Weezer – Come All Ye Faithful

https://poprockrecord.com/wp-content/uploads/2015/12/15-everythings-gonna-be-cool-this-christmas.mp3 E – Everything’s Gonna Be Cool This Christmas

https://poprockrecord.com/wp-content/uploads/2015/12/01-this-christmas.m4a The Kings – This Christmas

frozen-the-genuine-fakesTo wrap up, three more recent songs, one by the Scottish band Dropkick, another by Sweden’s The Genuine Fakes, and the last from North Carolina’s The Rosebuds. Dropkick’s “When Santa Comes Around” is from their strong holiday EP, 25th December, while The Genuine Fakes offer up their poprock reinvention of “Do You Want to Build a Snowman,” originally featured in the movie Frozen. The last song here I heard on an holiday themed episode of The Flash and it stuck in my head so much that I tracked it down online: the Rosebuds “I Hear (Click, Click, Click).”

You can find the artists featured in this post here: Fountains of Wayne, Best Coast, Wavves, Eels, Weezer, The Kings, Dropkick, The Genuine Fakes, and The Rosebuds.

Up in smoke: Jeremy Fisher and Darwin Deez

14 Wednesday Oct 2015

Posted by Dennis Pilon in Poprock Themepark

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Darwin Deez, Jeremy Fisher

Jeremy_Fisher_-_Goodbye_Blue_MondayAlong with drugs, hard liquor and sex, cigarettes are a staple motif of the rock and roll imaginary. But poprock has typically taken a lighter approach to vice. Cigarettes appear as metaphors for both desire and dysfunctional relationships, sometimes in the same song. Jeremy Fisher’s amazing 2007 album, Goodbye Blue Monday, features a great cigarette song where the protagonist likens himself to a cigarette for his intended love: “Light me up and get on with it; I’ll be hard to forget; good or bad I’m just a habit.” Hardly seems like a strong way to sell yourself but Jeremy seems to be privileging results here at any cost. The video below became widely popular, even if the single and its album did not race up the charts the way they should have.

        Jeremy Fisher website

darwin-deezOn “Last Cigarette” Darwin Deez’s lead singer strikes a different pose, alternating between telling himself he’s quitting but then opting for ‘one last cigarette,’ with shifts in focus illustrated with clever wordplay. But is the song about breaking up with somebody or just something, e.g. his cigarettes? I’m not sure – the ambiguity is part of the song’s charm.  In any event, this is a standout track from an already impressive new album, Double Down. The band comes to Toronto December 12 for a show at The Drake Hotel.

Darwin Deez website

Poprock versus power pop

27 Sunday Sep 2015

Posted by Dennis Pilon in Poprock Themepark

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Bleachers, Buddy Holly, Marshall Crenshaw, power pop, The Beatles, The Smithereens, the Steve Miller Band

On the blogosphere there is already a clearly demarked niche music genre that combines melodic pop melodies with the classic rock and roll combo of electric guitars, bass and drums: power pop. Said to have been coined by no less an authority than Pete Townsend of The Who, the term ‘power pop’ is now applied to any band with jangly guitars, swooping background harmonies, and a strong melodic hook. My blogroll features two such sites (Absolute Powerpop and Powerpopaholic) and there are many more. So why cast my efforts under a different label like poprock? Well, simply put, I think poprock is a broader, more inclusive term. Or, to put it another way, while all of power pop could be considered a form of poprock, not all poprock would be characterized as power pop.

For many bloggers, power pop has become a kind of music esthetic: a certain kind of guitar sound, a particular combination of instruments and vocals, etc. Poprock, by contrast, is less rigid. It is less a genre than a sensibility, crossing over different styles. Sure it is defined by strong melodies and as a category it would make little sense if it didn’t relate to the rock and roll cannon. But rock and roll itself was a bastard child of multiple influences: south Chicago electric blues, Appalachian mountain fiddle solos and harmony vocals, western swing, and so on. What differentiates its many sub-genres is the balance of influences. Thus poprock takes a bit more of the swing and country than the blues while still set within the classic rock and roll combo. Here I’m thinking of Buddy Holly, the Beatles, the Steve Miller band (in the hits era), Marshall Crenshaw, The Smithereens, and, more recently, Bleachers.

So don’t get me wrong – I love power pop. It’s just that I like a lot of other things too.Bleachers website

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