As we move around the dial on this post we cover a wide range of sound, from retro stylings, to melodic pop, to guitar hooks, to a cool hipster vibe.
Laurie Raveis and Dennis Kole are Raveis Kole, a late-blooming, retro-sounding blast of 1960s cool. Title track “Electric Blue Dandelion” really captures it all with its pronounced musical swagger, rapturous ‘ahhs’ on the background vocals, and very Janis-bluesy lead vocals. But note their fun side – Chris Isaak’s smouldering “Wicked Game” lightens up considerably in their rhumba-inspired make-over. Electric Blue DandelionWicked Game
Moving into more clear poprock territory, The Hangabouts deliver a great duet with Molly Felder on “Sinking Feeling,” a song that exudes shades of Glen Tilbrook of Squeeze or Aimee Mann. Check out the nice Strawberry Fields Forever organ solo about half way through. This song and the very Fountains of Wayne “Evelyn Wood” are featured on the band’s latest release, Kits and Cats and Saxon Wives.
From the opening strains of “Slow it Goes” I knew I’d found some kind of lost super-group. Turns out the band Eyelids is comprised of current and former members of such indie stalwarts as the Decembrists, Guided by Voices and Drive-By Truckers. So, talent to spare, obviously. Just listen to the super cool, hooky guitar work that opens “Camelot” or “Don’t (Please) Come Around.” But while the hooks may grab you, the songs stick in your head because they’re really well-written tunes, expertly played. Their latest LP is Or.
Our final turn of the dial takes us to New York City’s EZTV, a band that brings the dawn of country rock into the indie hipster mainstream on albums like 2015’s Calling Out and their most recent High in Place. These guys have clearly spent some time with their International Submarine Band and Byrds records. But rather than going the homage route, they’ve taken the influences in new directions, overlaying new harmonic dimensions onto the basic late 1960s sound, particularly vocally. Two illustrative examples, one from each album, make the case. “That’s Where You Belong” is closest to influences like the Byrds while “Reasons to Run” breaks with tradition more clearly.