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Poprock Record’s should-be hit singles for 2023

01 Monday Jan 2024

Posted by Dennis Pilon in Poprock Themepark

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Arthur Alexander, Benji Tranter, Bill Lloyd, Billy Tibbals, Buddie, Cal Rifkin, Canadian Invasion, Chris Church, Dan Kibler, Dave Kuchler, Dazy, Dignan Porch, Dropkick, Eyelids, Good Shade, Gosh Diggity, Hardwicke Circus, Hovvdy, Hurry, J. Matthews, Jean Caffeine, Juliana Hatfield, Justin Levinson, Kevin Bowe and the Okemah Prophets, Kurt Hagardorn, Miss Chain and the Broken Heels, Mo Troper, Moon Mates, Nite Sobs, Rachel Angel, Ransom and the Subset, Ratboys, Steve Marino, Strange Neighbors, Taking Meds, The Amplifier Heads, The Blusterfields, The Decibels, The Exbats, The Flashcubes, The Goa Express, The Jangles, The Kind Hills, The McCharmlys, The Midnight Callers, The Newds, The No Ones, The Parallax Project, The Rockyts, The Scarlet Goodbye, The Summertimes, The Talking Kind, The Tearaways, The Tubs, Thomas Charlie Pederson, Thomas Walsh, Tony Marsico, Turn Turn Turn, Worriers

2023 was another banner year for melodic rock and roll. Here at Poprock Record we could spotlight only a small portion of what was go on. Still, we kept busy, writing 58,000 words over 77 posts about literally hundreds of artists. And we liked them all – that’s why we wrote about them. But some tunes had real staying power for our team of singles inspectors. So today we single out 50 should-be hit singles from 2023, songs that deserve another listen and a shot at chart glory. Click on the hyperlinks to hear each song and read the original write ups.

Getting to the main event, here are Poprock Record’s top 50 should-be hit singles from 2023:

1. Strange Neighbors “Hotline Psychic”
2. Taking Meds “Memory Lane
3. The Decibels “Why Bother With Us”
4. Good Shade “When Will You See”
5. The Goa Express “Portrait”
6. Billy Tibbals “Onwards and Upwards”
7. Strange Neighbors “Whoa! Is Me”
8. Ransom and the Subset “Perfect Crime”
9. The Tubs “I Don’t Know How It Works”
10. Buddie “Class Warfare”
11. Dignan Porch “Electric Threads”
12. The Tearaways “Easier Done Than Said”
13. Chris Church “One More Change to Get Over You”
14. The McCharmlys “Love Me Too”
15. Eyelids “That I Can See You Better”
16. The No Ones “Phil Ochs is Dead”
17. Canadian Invasion “Catch a Falling Knife”
18. Thomas Charlie Pederson “Yesterdays and Silly Ways”
19. Kevin Bowe “Put Me Out of Your Misery”
20. The Summertimes “Inside”
21. Gosh Diggity “Blast Off”
22. The Midnight Callers “Girl On the Run”
23. Parallax Project “Mary Houdini”
24. Dan Kibler “Don’t Go for the Money”
25. The Kind Hills “Let Youth Take Over”
26. Cal Rifkin “Break My Heart”
27. Ratboys “Morning Zoo”
28. Hurry “Like I Loved You”
29. Thomas Walsh “A Good Day For Me”
30. The Newds “The Street Leads to the River”
31. Dave Kuchler “She’s Rather Be With Me”
32. Hardwicke Circus “Everyday I Find Luck”
33. Worriers “Trust My Gut”
34. Tony Marsico “Rocket Girl”
35. Jean Caffeine “I Don’t Want to Kill You Anymore”
36. The Exbats “Like It Like I Do”
37. Dazy “Forced Perspective”
38. Miss Chain and the Broken Heels “Storms”
39. Bill Lloyd “Keep the Place Clean”
40. Kurt Hagardorn “Tractor Beam”
41. Nite Sobs “Julie Ann”
42. Turn Turn Turn “Power”
43. The Rockyts “I Get High”
44. The Blusterfields “Fear of Depths”
45. Dropkick “Telephone”
46. The Scarlet Goodbye “Angel Dust”
47. The Amplifier Heads “When We Go Home Again”
48. Steve Marino “Satisfy You”
49. Justin Levinson “I Need Somebody Now”
50. Moon Mates “Not Today”

New York’s Strange Neighbors grabbed me early in 2023 with their killer 45 “Hotline Psychic” and never really let go. The lyrics are so spot on, the chorus is mesmerizing, while the instrumental break threatens to break out into Blondie’s “Rapture.” The band is so good they placed another tune in my top 10, the delightful jangler “Whoa! Is Me.” Then Taking Meds and Good Shade seemed like two sides of a very good coin with songs that featured surging insistent hooks that simply demanded replay. The Goa Express tipped toward punk but without sacrificing melodic depth. And The Decibels returned with the modern beat group sound they own. There’s variety in this list, proving genre is no barrier to delivering poprock hooks.

Moving on, here are Poprock Record’s most inventive covers from 2023:

1. Juliana Hatfield “Don’t Bring Me Down” (Electric Light Orchestra)
2. Mo Troper “Citgo Sign” (Jon Brion)
3. Arthur Alexander “It’s Not Love Anymore #2” (The Sorrows)
4. The Jangles “Here Without You” (The Byrds)
5. The Flashcubes “Have You Ever Been Torn Apart?” (The Spongetones)

Covers remained fertile ground for music veterans and indie new-comers alike this past year. Juliana Hatfield delivered a whole album of ELO songs, mixing things up with a nicely curated collection of chart hits and deep cuts. Mo Troper introduced a new generation to the genius of Jon Brion with his album tribute, Troper sings Brion. Arthur Alexander covers himself, sort of, with his ace reinvention of the Sorrows’ “It’s Not Love Anymore #2.” And both The Jangles and The Flashcubes covers really revive some great songs for the here and now.

Rounding out our lists, here are Poprock Record’s top 5 folk pop singles from 2023:

1. Rachel Angel “I Can’t Win”
2. Talking Kind “Trouble”
3. Hovdy “Jean”
4. Benji Tranter “Speed Camera”
5. J. Matthews “Wanderlust”

While most of our coverage is pretty poppy we do shift into the folk lane from time to time where the melodies are strong or I just have a particular interest.

Another year, another slew of great songs. Click on the links to remind yourself how good a year it really was and make sure to let the artists know what you think in cash and/or commentary.

Photo courtesy of Raymond Clarke Images on Flikr.

Around the dial: The Small Breed, Electric Beauty, Turn Turn Turn, and Best Bets

26 Thursday Jan 2023

Posted by Dennis Pilon in Around the Dial

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Best Bets, Electric Beauty, The Small Breed, Turn Turn Turn

Our first turn around the dial of the new year is like a melodic guitar rock testimonial, combining old with new sounds, the rough with the smooth. But it’s the superior song-writing on display here that will keep you from adjusting your set.

Those mourning the recent passing of David Crosby will want to catch up with Dutch band The Small Breed. Their most recent album Remember a Dream utterly nails the pop psychedelia that was such a part of the late 1960s west coast American music scene, with splashes of sunshine pop and other influences too. Title track “Remember a Dream” is a dynamite scene setter. The music is so sixties but the vocals remind of more contemporary groups like Django Django.  “Picturesque Pictures” puts a dreamy Moody Blues flute front and centre. Then “Wanda Your Angel” dials things down, offering up some captivating acoustic guitar with a vocal that evokes Billy Bragg at his most tender. “She’s So Lovely” has things take a rather baroque turn. I hear a bit of Madness lurking in this song and all over the more mannered “Finders Keepers.” And then there’s the crowd-singing should-be hit, “Mirror Man.” This one jumps out and says ‘hear me!’ Remember a Dream is wonderful mixture of old and new, clearly treasuring the psychedelic sixties but refusing to remain limited to the decade in terms of influences. Definitely a trip worth taking.

The members of Electric Beauty have been around and back again. Veterans of countless musical ventures over the decades this current project is about having fun and it shows on their self-titled debut. The songs have all got the earnest yet easygoing feel of players comfortable with each other. Check out the vocal on “Cindy’s Gone Away,” it’s so raw and unfiltered but it works fabulously with the straight up poppy rock and roll accompaniment. I also love the lead guitar line that hooks you into “Modern Lovers.” It’s so classic. Again the vocal here has a directness I associate with likes of Dion or Del Shannon (in non-falsetto mode).  “Something for No One” strikes a different note, an almost spacey instrumental I could see slipping into a 1980s SciFi movie. “Lonely at the Top” counterposes a lyric Crenshaw or Springsteen could pull off with subtle organ runs and some great rumbly guitar. “The Awakening” is another cinema-worthy, other-worldly instrumental. Electric Beauty is an album that will fit you like a favourite old sweater: familiar, comfortable, enjoyable. Welcome back boys.

Cindy’s Gone Away
Modern Lovers
Lonely at the Top

With a name like Turn Turn Turn you might expect churning Brydsian jangle or burning social commentary a la Peter Seeger. But this Minnesota trio manage to do both and neither on their brand new LP New Rays From an Old Sun. Opening cut “Stranger in a Strange Land” covers off the first theme. One minute in and that trademark Byrds/Tom Petty signature guitar drone lands in the first instrumental break. Both “Hymn of the Hater” and “7 Kids” nod toward social issues, in a decidedly Americana style. But what we have here is so much more than this or that influence. Overall this record is a gorgeous blast of harmony vocals and songs with mellifluous hooks. Everything is built on the strength of the song-writing – and it is impressive. Some are just a bit of fun. “Powder” hums along like a Monkees deep cut. And who doesn’t like a whistle solo? Others are more serious. “If You’re Gonna Leave Me” launches in like a great soul classic without losing its pop precision. “My Eyelids Weigh Mountains” could easily be mistaken for something by The Band in their prime while “Schisandra” is just so Bryds. This album is a winner from start to finish, so crisply produced, so joyously sung and played. Seriously, a veritable aural delight for your ears.

When we last left the boys in New Zealand’s Best Bets their debut EP Life Under the Big Top had that ever-so-nice Grapes of Wrath guitar band sound. But how things have changed with their most recent LP On An Unhistoric Night. The sound is rougher and rockier, exuding pure party band. It’s there with the cranked lead guitar lines on “The Point” and “Crystal Mausoleum” and really takes off with the mosh pit frenzy-fueled “Wrong Side of the Sun.” Definitely getting The Buzzcocks vibe on “King Cnut” and “Whataworld” while “Look Back with Mike” is reminiscent of a more Replacements atmosphere. “The Minor Leagues” is the obvious should-be hit single, it balances polish with a rough hewn guitar charm. You get a sense of what a great live band this troupe must be listening to “Always on the Losing Side” with it very sixties garage feel. Or there’s “European Cars” which simply motors along with a manic energy, conjuring a Nick Lowe “Heart of the City” drive. The albums wraps with a bit of departure, the more mid-tempo “That Movie Never Got Made.” The subtle guitar hooks and anguished vocals really elevate the song. Spending some time with this album I’d have to say Best Bets are definitely aptly named.

From the radio to the record store, that used to be the trip. Now you don’t even have to leave home to own these (should-be) hits.

Photo courtesy C.P. Storm.

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