Tag Archives: The Menzingers

Autumn midway mixtape II

10 Friday Nov 2023

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It may be getting cooler but there’s still time to catch a ride on a dilapidated wooden chute-the-chute or duck parts flying off a few demolition derby wrecks. You may need music for that. We’ve got your midway mixtape re-up ready right here.

Young Declan McKenna broke out big in 2015 with the mesmerizing single “Brazil” when he was barely breaking 16 years old. Since then he’s exceeded the one-hit wonder expectations of the British music press to ride a reliable wave of lyrically and musically challenging songs. His new album What Happened to the Beach is being readied for a 2024 release but a double-A sided single is out now and it’s pretty impressive. “Sympathy” has shades of early 1970s Bowie’s melodic intensity with some glam dance-slam going on while “Nothing Works” could be covered by Grouplove tracking back to a more new wave time. The latter song has just an echo of Maxine Nightingale’s “Right Back Where We Started From” buried in the tune like an Easter egg. Another artist moving on from a musically precocious adolescence is New Jersey’s Juniper. Her previous two albums covered retro girl group groups from the 1960s to 1980s but her most recent single is something else again. “I Was Thinking About You” defies such easy categorization, combining inventive horn work with a Talking Heads kind of folk/pop sensibility. B-side “Ride Between the Cars” is special too, a light and frothy bit of pop songcraft worthy of Marti Jones. LA’s Tony Marsico has played punk (The Plugz), indie rock (Cruzados), and in the background for a host of stars as a bass man for hire. But on his recent single “Rocket Girl” he unleashes a poppy rock and roll sound in league with Greg Kihn, Tommy Tutone and The Romantics. A full album in this style would not go overlooked around here. Lost and Found brings together a collection of 1990s tracks from Philadelphia’s Buzz Zeemer that didn’t make the record store racks. So many great tunes here (e.g. “Sometimes” and “Shelly Don’t Mind”) but I’m singling out a bit of an outlier, the country-ish “Answer My Prayers.” It’s as if Buck Owen’s main lead guitar man Don Rich had sprung back to life to anchor this tune. Sydney Australia’s Gavin Bowles and the Distractions have got their new long-player Phoning It In out in shops and we’re spoiled for choice in terms of what to feature. Here I’m drawn to “Here Comes the Heartache” with its unexpected melodic twists and turns and strong 1979 vibe.

The new Jean Caffeine single “I Don’t Want to Kill You Anymore” is hilarious and earworm infectious. Disguised as an homage to early 1960s girl group twee pop, Caffeine roughs everything up, from the guitar to the deadpan, almost punk sensibility of the vocal. This is one perfect feminist rock and roll statement, both hard-hitting and hooky. From the on-the-spot handclaps, to lyrics like ‘you put the whore in horrible,’ to the speed-up at the end of the record, Caffeine has produced a 3 and half minute masterpiece. York’s Bull uncork the party again with “Start a New,” a single full of swing and enough friendly bonhomie to make you want to sing along. There’s a definitely a Kinks-meet-The Pixies feel here. Santa Monica’s The Popravinas bring their candy-coated poprock back with new song “3 Month Situation.” There’s a more Brydsian country feel to this outing, though still plenty in common with the likes of The Connection and Tommy and the Rockets. The Jellybricks are teasing us with a single from their as yet unnamed new album. “Monday’s Never” is a ferocious slice of poppy rock, inspired by The Cure’s “Friday I’m In Love” but going its own way. It’s the kind of song that imprints on you more and more with every play as you hear more of the melodic nuance. The killer hooky chorus doesn’t hurt either. Kitchener Ontario’s Hyness go dark on “Driveway” with a song that lumbers along, drilling its hooks deep into your skull. The effect is hypnotic and meditatively pleasing but then brightens up in the chorus like clouds breaking to let through some sun. One of series of slow-drip release singles and that means a new album (yay!) cannot be far off.

The Jellybricks – Monday’s Never

Belfast’s Jet Black Tulips keep going from strength to singles strength. Their new double A-sided 45 is a blast of two distinct flavours of Britpop. “Young Love” rides a big guitar Oasis sound, sonorous and stadium fist-pumping good while “Dance to the Courteneers” is more Cast-acoustic fresh and poppy. A full album from this crew is going to be something else. Caleb Nichols is surely one of the most exciting and inventive artists to emerge over the past decade, comfortable in multiple genres and fiendishly creative. Last spring they dropped the EP She Is Not Your Shadow, a four song blast of bristling pop energy. Opening cut “Waylaid” struts along riding seductive guitar work and striking horn shots. There’s a Shins level of pop confidence happening here. Listening to Burner Herzog’s “Patient Zero” from his new record Random Person reminds me Rogue Wave. It’s the understated vocals and acoustic rhythm guitar dominating the mix. But it’s also the air of mystery shrouding everything. On “Thinking of You” Finnish power pop masters The Bablers dial into their Revolver-era time machine to nail the Beatles groove. It’s there in the guitar attack and oh-so smooth vocals. Right next door in Sweden Psychotic Youth offer us a few rougher edges on “Go.” From their new album Happy Songs, the song channels a more Ramones vein of punky poppy rock. Just one of 15 delightful party-worthy rock and roll tearaways.

We’ve written about theCatherines many times before. This new exclusive b-side “Where Do You Stand?” is a timely sentiment in our war-torn times, combining the band’s familiar fuzzy jangle with an urbane pop melody. Scranton, Pennsylvania’s The Menzingers deliver some heartfelt hooky Americana on their new album Some Of It Was True, nowhere more than on the should-be single “Come On Heartache.” There’s a touch of The Mavericks/Los Lobos sound here that I’m really liking. Geoff Palmer’s new album An Otherwise Negative Situation is an irrepressible capsule of explosively poppy rock and roll, one part Ramones, one part bubblegum. There just so many great tunes here. But I’m always one for outliers, like “Ignite” which leans heavily in a Nick Lowe/Ian Gomm direction. I’m also partial to “Backseat Driver” with its many melodic twists. The Golden Apples presser for their new album Bananasugarfire promises us fuzzed out guitars and joyful lyrics and that is what they deliver on  “Waiting for a Cloud,” a surging splash of sparkly guitar work and vocals with a smile. West Kirby’s (Merseyside) West Coast Music Club shift the mood on their recent single “There She Goes Again” offering up a melancholy melody. The atmosphere is rather sparse and cool, like a starlit sky in autumn.

Damn Dazy. You’ve delivered again. Another absolutely addictive earwormy single. “Forced Perspective” chugs along with a Sugar Ray-meets-Beck laid back swing, only to step on the hooks in the chorus. You can’t help but join in.

The carney’s are getting a last look in on the public before closing up shop for the season. Make your last visit a musically-accompanied one.

Photo courtesy Thomas Hawk Flikr collection.

Springing for singles I

23 Sunday Apr 2023

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Sunshine and blooming buds can no longer be contained. Time to spring a new load poppy rock and roll singles on you. Whether you’re clearing the garden or chasing new love right now, you’ll need some tunes. Here’s your first instalment of 21 seasonally-approved spring singles.

Let’s get started with what one wag called the ‘savage pop’ of North Carolina’s Paint Fumes on “Starting Over.” It’s got a rough and ready veneer hiding more than a glimmer of pop goodness. These are rock and roll hooks par excellence. And there’s more of the good same all over the band’s just released fourth album Real Romancer. From the delightful surprise file, a new single from Vancouver’s Odds. The band broke out big in the 1990s, then went on hiatus for a while, returning post-2007 with a series of unjustly over-looked new releases. The latest single “Crash the Time Machine” sounds like vintage Odds, all striking lead guitar lines and deadpan Northey vocals. Time to let your Odds flag fly, the band website promises a whole new album soon. It’s funny how labels stick. Scranton’s The Menzingers are regularly described as a punk band but you’d be hard pressed to single out the punk element of their new single “Bad Actors.” Ok, maybe it’s there in the vocal delivery but, on the whole, this new single is just solid poprock, the melody guiding the rocking backdrop into solid potential audience sing-along territory. How does one capture what Eytan Mirsky is? Is he just a magisterial vocalist? Seriously, I could listen to this guy sing the New York Times crossword. Lately he’s proven to be a crack song-writing collaborator too, taking lyrics from friends and acquaintances and cooking up up dynamite material like “Lost in the Jet Stream.” In some ways it’s signature Mirksy – those organ trills! But the guitar work is pretty special too. Vienna’s Good Wilson offer us some very jazzy guitar vibes on “Undecided Changes.” Think Steely Dan in space mode. Or a bit like The School Book Depository and The Golden Seals.

My blogging friend Eclectic Music Lover introduced me to Copenhagen’s Thomas Charlie Pederson, specifically “Yesterdays and Silly Ways” from his latest LP Employees Must Wash Hands. He describes the sound as chamber pop (read EML’s detailed breakdown of the album here) and that nails it, the song is very like The Zombies on tracks like “Care of Cell 44” from Odyssey and Oracle. Philadelphia’s Canadian Invasion are hiding in plain sight, releasing music with seeming impunity. Perhaps they hope to seduce the American empire from within with song? Their latest Your Favorite Lies EP might just do that with killer tracks like “Catch a Falling Knife.” Who marries an addictive violin solo and echoes of FOW’s song-writing? Geniuses, that’s who. Speaking of genius marriages, everybody’s fave Beatlemaniac TexMex combo The Krayolas have a bit of old and new out on their new EP King of Pop. There’s a great cover of The Monkees (“Pleasant Valley Sunday”), some totally new material, and a remix of “Catherine,” originally featured on 2008’s La Conquistadora. The latter is pretty stunning, a perfect distillation of all that this great band can do and has done over its decades-long history. Just catching “In Flames” from Roller Disco Combo on my phone shuffle I had to stop short, thinking it was a new single from Farrah. No joy on the Farrah reunion but plenty of smiles for RDC’s new EP The Sun After the Rain. Cleveland music legend Randy Klawon has cooked up a magic bit of 45rpm popcraft on “Marlo Maybe,” with help from former Raspberries drummer Jim Bonfanti. The style reminds me of tracks like Paul Davis’ early 1980s hit “65 Love Affair” in that it reinvents nostalgic pop motifs for a new era.

Thomas Charlie Pederson – Yesterdays and Silly Ways

Every since J.D. McPherson relaunched the neo-1950s sound for a new millennium a host of acts have been trying to tread the same boards. But few nail the atmosphere quite like The McCharmlys. “Love Me Too” breaks out of the speaker like the soundtrack to a classic 1950s movie montage sequence. The fine balance between rapier-quick lead guitar lines and the band’s commanding lead vocalist gives this tune its particular charge of excitement. This is doo wop on steroids, with a dab of Debbie Harry and Amy Macdonald thrown in. We’ve featured Floridian guitar virtuoso Kurt Lanham and his inventive covers of classic pop hits a few times (“I Want To Hold Your Hand,” “Jenny 867-5309”) but he also writes and sings on his own original material. Like “Pallas” from last year’s LP Lanham. The song has got a languid bit of swing in the playing, buffeting the melodic vocal lines and varied guitar tones. Mellow but definitely ear-wormy. Back to Denmark for a moment, it was such a hard choice to decide on a cut from Mansfield’s repertoire. Both “Tell It Like It Is” and “Please, Shine a Light” from their 2020 debut album Star Crossed Lovers are a special blend of Merseybeat and Oasis influences but “Chasing After You” from their new EP Come Rain or Shine brings a decidedly Jake Bugg swagger into the mix. How about a dose of both? Today’s artists like to spread themselves over multiple projects, undoubtedly to satisfy their creativity and increase the chances that something will land with the public. See Benji Tranter’s resume for exhibit A. He’s a member of psych-folk group The All Night Chemist and power pop trio Ski Lift while also a collaborator with Show Boy. His recent solo effort Songs to Make You Happy is a definite departure from his group work, going for a more full-on folk effect. I really get a sense of Elliott Smith déjà vu from “Speed Camera.” Husband and wife duo Skoopski add to their continuing inventory of inventive stand-alone singles with “Double.” The song shifts from a stark, stripped-down, almost off-Broadway feel to a more full blown indie workout. I love the lead guitar tone that threads its way through the tune.

The McCharmlys – Love Me Too
Kurt Lanham – Pallas

Live fast, die young might sound romantic to aspiring artists but the reality is just loss, for a whole lot of people. What might have been won’t be. Zev was an up-and-coming indie artist still finding his own unique sound when he died in a car accident earlier this year at just 16. But just listen to his promise. On “Parachute” he owns a Velvet Underground groove like he’s camped out at Lexington Avenue and 125th Street. It’s got a touch of psychedelia in the chorus and some prophetic lyrics:

‘that young boy with no parachute looks a lot like me’
‘that young boy’s gonna die’
‘someone save him’

Still, my fave from his handful of songs is “4th of July.” What a neat slice of cool guitar pop. It’s hard not hear a Ben Kweller influence here. Vicenza, Italy’s Hearts Apart shift between spare verses and a combustable poprock sound in the choruses of “You’re All Around.” They’re clearly building up to something, an album perchance? There is something going on in Rochester, New York these days. The range of bands putting out amazing sixties inspired new material is incredible. The Low Spirits have got the garage angle covered. It’s like the Leaves or the Troggs time-travelled and got into a modern studio to cut a few tunes. “Outta Sight” is so the 1966 garage rock brief. What a party band these guys must be. Speaking of partying, the Teenage Tom Petties are back with a great double-sided single. A-side is “Posters” and I like it. But I like the B-side more, “My First Beer.” It’s strummy and, as the band say “95 seconds of pure first-beer-buzz, all climaxing in a messy-as-hell solo before passing out in the garden.” Really, couldn’t have summed it better. Heading now to the American Pacific northwest we pull a few tracks from Patty and Oh’s debut album Out of Everything. The record’s first single “Useless Love” is pretty cool. Like Jonathan Richman if he’d focused on getting a hit single. But I’m skipping over that for “Heard Some Kind of Light.” I love the computer-ish keyboard work. It’s got a sprightly pop feel, yet with some eclectic David Byrne notes. B-side? I’d choose “New Flavor of Gum.” It’s great guitar pop elevated with endearing keyboard tones and layered background vocals.

https://safesuburbanhomerecords.bandcamp.com/track/my-first-beer

I was going to call a wrap on this instalment of spring singles sampling with K. Campbell’s recent song “Smoke.” And it is a great track. But then I stumbled across Campbell’s even more recent release “Neil and Joni” and I had to shift gears. Two iconic Canadian songsters celebrated in one song? What’s not to love? And the additional accent vocals here from Mandy Kim Clinton really add something consequential.

Spring singles are a thing and this is just phase one. Return here for more seasonally-attuned songs soon.

Top image courtesy Mark Amsterdam Flikr collection: ‘Citroen car dealer brochure 1963’

March Music Express

11 Thursday Mar 2021

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Pick up this fantasy compilation I’ve entitled March Music Express and here’s what you get: twenty should-hits, all original artists, and melody for days. It’s a collection that rocks when it wants to, throws in some jangle to make your heart sing, and even goes mellow when the moment calls for it. I’m telling you, K-Tel never treated you this good. March Music Express has all the hooks and none of the groove cramming. Just hit play and let it ride!

Let’s start side one with some sophisticated pop. Dolour offer up a very smooth ambience on “Televangelist,” a keyboard-heavy single wrapped in breathy background vocals with some swing in the beat. There’s something I find so captivating about Brian Bringelson’s vocal treatment on “Losing Train of Thought” from his recent album, Desperate Days. Shades of Gerry Rafferty and Paul Kelly covering a long lost 1970s AM radio pop song. Brooklyn’s The Suns kick off “When You’re Not Around” sounding like some wayward Mersey cover band though the song quickly develops its own distinctive feel. The Mersey vibe’s still there, but now its cast in a more 1968 mold. The song is from the band’s recent EP Big Break, a brief excursion into the 1960s-infused rocky pop numbers. I love the urgency established early in William M. Michael breakneck, rollicking “Miles Away” from his EP Modern Sounds in Pop Music. The feel is very 1980s western Rank and File or True West. Detroit’s Dave Caruso creates such pretty pop songs on his recent album Radiophonic Supersonic, reminding me of 10cc mixed with more than a little Macca. “The Drop” perfectly captures his careful attention to song arrangements, juxtaposing some crunchy rhythm guitar with low key sweet vocals.

Oslo, Norway’s Death By Unga Bunga offer a striking a mix of influences, a bit of metal ‘tude, a dash of 1970s glam, and lurking behind their in-your-face guitars is usually an ear-worm quality set of hooks. Take their new release Heavy Male Insecurity. The first singles – “Egocentric” and “Faster Than Light” – are slow burn hook machines. But I find myself drawn to album deep cut “Trouble” with its subtle, alluring chorus. Looking for something completely original? Scotland’s Pictish Trail has an endearing, inventive indie sound that is something else. Just check all the elements at work on “Bad Algebra,” from the ping pong speaker effect on the opening guitar, to the softly understated vocals, to the explosive outbreak in the chorus. And the guy’s website is pretty hilarious too. Tampa Bay’s The Easy Button claim a musical lineage to Weezer but I hear more Fountains of Wayne on their new single, “Waiting Room.” Great edgy lead guitar here, tempered by some pretty smooth vocals. With a name like Cult Stars from Mars you know you’re in for some fun. I was totally grooving on the band’s fab recent cover of the Springsteen-written, Manfred Mann hit “Blinded by the Light” when I stumbled on “Can’t Wait to See You.” What a song! The performance kicks off like some mid-1980s pop hair band (and I’m liking that a bit more than I should) when suddenly the track transforms into a slice of poprock heaven. Something very Cheap Trick going on here, at their most melodic. Tamar Berk’s new album explores the restless dreams of youth but as a politics guy I was immediately drawn to the song “Socrates and Me.” It’s a cool bit of understated guitar pop, kinda like a new wave Suzanne Vega.

For side two, let’s hit southern Europe. Italy has got a pretty impressive underground rock and roll scene, with an accent on Ramones-inspired acts. Milan’s Radio Days up the melodic quotient on a straight rocking sound with “I Got Love” from last year’s EP of the same name. Crashing chords with soaring harmony vocals equals one appealing single. Another band mining a classic rock and roll sound are The Rubs. The new single “I Want You” kicks off oh so Stonesy but into the main body of the tune there’s a bit more Steve Miller Band attention to melody. Love the space synth! Tim Izzard wrote me about his Bowie-influenced album, Starlight Rendezvous, and boy has this guy got Ziggy nailed. But I found myself drawn more to the less Bowie-fied numbers, like the wonderfully hooky “Breaking Me Down.” The main riff is sensational, effectively threaded throughout the song and nicely offset with some pumping piano. Portland punk-noise meisters White Fang tune up the acoustic guitars on their new album Don’t Want to Hear It. The party dude sentiment is still there (on tracks like “Drunk with my Friends”) but check out the easygoing feel of “Never Give Up.” The song opens with a relentless hook that comes back again and again, effectively haunting the song. Then the track shifts to an acoustic guitar heavy sound that reminds me of Eels or Guster. Overall, it’s a concentrated dose of poprock goodness, a delightful departure from these party rockers. Melbourne, Australia’s Farewell Horizontal offer up a dreamy, reverb-drenched testament to the times we are in with “I Never Know What Time It Is.” I love the musical ornamentation here, from the jangle and psych lead guitar, to the subtle, atmospheric keyboard touches, to the soothing harmony vocals. And that’s not the only highlight from their new record, An Argument with an Idiot – definitely worth checking out.

The irony of Mt. Misery’s single “The Dreaming Days Are Over” is just how dream-like the roll out to the tune is. The song sounds like a skip through a spring garden, all pleasant acoustic guitar and keyboard embellishments, carried forward in a distinctive folk pop style. It’s been ten years since Irene Peña’s fabulous debut album Nothing To Do With You came out, with just an EP and a handful of singles released since then. But what killer singles! Like last year’s shimmering “Ridiculous,” a track on par with anything from Juliana Hatfield and Liz Phair. Such a great crisp guitar sound counterbalanced with a candy-coated vocal shine. Somehow I missed Purling Hiss’ 2019 EP, Interstellar Blue, and that’s a shame because “Useful Information” is song that screams classic 1960s rock and roll. The driving guitar hook is so 1968. And yet the song has a very subtle melody snaking throughout the song. Another band known for noise and screaming guitars that has turned over a more melodic leaf of late is Terry Malts. “Distracted” lays a folkie vocal harmony over a bed of grinding guitars in an effective hooky counterpoint. Last up, The Menzingers’ reworking of their 2019 Hello Exile went from punky to four on the floor folk with 2020’s From Exile. From what I can hear “America Pt. 2” is a slight reworking of the “America, You’re Freaking Me Out” that appears on the album. It’s topical and has got a winning sing-along chorus.

With any great compilation album, someone else has done all the work. All you have to do is let the music play. Though hitting the hyperlinked artist names and checking out their musical wares wouldn’t hurt.