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Poprock Record’s 25 must-have LPs for 2025

09 Friday Jan 2026

Posted by Dennis Pilon in Poprock Themepark

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Absolute Losers, Atticus Roness, Banda Al9, best albums list, best LPs 2025, Chris Lund, David Woodard, Dish Pit Violet, Djo, Dropkick, Eytan Mirsky, Finn Wolfhard, Greg Pope, Jake Bugg, Jesse Welles, Jody and the Germs, Jonathan Personne, Kathleen Edwards, Lone Striker, Mae Martin, No Jersey, OK Go, Rad Venture, Richard Turgeon, Ryan Allen, Strange Neighbors, Suzanne Vega, Tamar Berk, The Cords, The Half-Cubes, The Jeanines, The Loft, The Mayflies USA, The Rockyts, The Sonny Wilsons, The Spindles, The Wellingtons, Tom Henry, Tristan Armstrong, Tristen, Wilderado

Are singles just the equivalent of a musical snack for you? Need something a bit meatier, a bit more filling? Well, here’s the list for you. Twenty-five full length LPs gathered from throughout the year that was 2025. There’s rock, there’s pop, there’s jangle. There’s love, there’s despair, there’s political commentary. Dig in and pick out your own faves.

Without further delay, here is Poprock Record’s 25 must-have LPs for 2025:

1. Absolute Losers In the Crowd
2. The Sonny Wilsons Maybe
3. Strange Neighbors People Pleasing People
4. The Cords The Cords
5. The Rockyts Parkwood Manor
6. Tamar Berk ocd
7. Banda AL9 The Ninth King
8. Tom Henry Songs to Sing and Dance To
9. The Jeanines How Long Can It Last
10. Jean Caffeine Generation Jean
11. Lone Striker Lone Striker
12. Eytan Mirsky All Over the Map
13. Atticus Roness Power Pop World Domination
14. Greg Pope The Roar of Silence
15. Jody and the Germs Love Descends
16. Chris Lund Surveillance
17. The Mayflies USA Kickless Kids
18. The Wellingtons Baby Moon
19. Richard Turgeon Shungite
20. Dropkick Primary Colours
21. Ryan Allen Living on a Prayer on the Edge
22. The Spindles Wavelength
23. Jonathan Personne Nouveau Monde
24. The Loft Everything Changes Everything Stays the Same
25. Tristan Armstrong The Lonely Avenue

My top five albums got a lot airplay from me this past year. PEI’s Absolute Losers wowed me with their sonic revamp, pretty well reinventing their sound. And it was pretty good to start with. The Sonny Wilsons album was so fresh, so straight up poprock goodness. What can I say about Strange Neighbors that I haven’t written already? They write great songs, they play in a great style. I won’t call out every LP on the list but make no mistake, I really like all that appear there. Each one had some special thing that set it apart. And breaking it down, old faves and new discoveries both appear here in roughly equal measure. You can check them out as they were featured in the original posts by clicking the hotlinks.

Now I don’t think it’s just because it’s my day job (political scientist), but the world seemed pretty intensely political in 2025. You couldn’t avoid it, it was all over social media, conventional media, and the water cooler. And that showed up in the music as well, even a genre as generally apolitical as power pop. So I’m singling out 3 albums as my top political poprock albums of 2025:

1. Dish Pit Violet Dish Pit Violet
2. No Jersey Mondo Cool
3. David Woodard Everything Belongs

Mersey is never far from my mind, as in the distinct chimes of Merseybeat. Every year I single out some record that really revives the spirit of its golden era while still making it their own. This year’s best riff on the Beatles recognition goes to:

Rad Venture Merseyside

My policy on legacy artists is that I cover them when they put out something that grabs me but I’m not going put them in the lists above. What would be the point? They’re already getting plenty of media oxygen, they don’t life support from this little blog. But I did spent some considerable time with a few of them in 2025. Kathleen Edwards put out a stellar record, Tristen never lets me down, and what a surprise with those two albums by the boys from Stranger Things. Here’s my legacy artist shout out of notable albums for me from 2025:

1. Kathleen Edwards Billionaire
2. Tristen Unpopular Music
3. Mae Martin I’m a TV (Welcome Distraction Version)
4. Jake Bugg A Modern Day Distraction
5. Wilderado Talker
6. Jesse Welles Middle
7. Finn Wolfhard Happy Birthday
8. Djo The Crux
9. Suzanne Vega Flying With Angels
10. OK Go And the Adjacent Possible

Does it seem like overkill to single out the same band twice for the same award? I’m gonna risk it because this band killed with their second double-album collection of covers. This year’s special award of awesome poprock merit goes to:

The Half-Cubes Found Pearls: Pop Treasures Volume 2

Thanks for dropping by this past year and digging all these great finds with me. Check out your faves on the lists above and don’t be afraid to buy an album or two to support these artists well into their musical dotage.

Photo courtesy Francois Fibotte Flikr collection.

Poprock Record’s should-be hit singles for 2025

04 Sunday Jan 2026

Posted by Dennis Pilon in Poprock Themepark

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Banda Al9, Brett Newksi, Chaparelle, Chris Church, Chris Stamey, Daisy House, Death By Unga Bunga, Eytan Mirsky, Force Model, Grant Lindberg, Hidden Pictures, HOA, Jaimee Orr, Japanese Breakfast, Jim Trainor, Keyside, Liquid Mike, Log Flume, Lolas, Marshall Crenshaw, Martin Luke Brown, Mike Browning, Movie Movie, Nicky Koro, Oehl, Pony, Pouts, Rich Chance, Sally Spitz, Sofa City Sweetheart, Softjaw, Sorry Monks, Strange Neighbors, Tamar Berk, The Berries, The Bret Tobias Set, The Cords, The Geezers, The Half Cubes, The Invisible Rays, The Jeanines, The Lemon Twigs, The Mayflies USA, The Memories, The Mommyheads, The Needmores, The Sonny Wilsons, The Spindles, The Super True, The Tummies, The What Four, Tom Henry, Tony Marsico, Tristan Armstrong, Zombies of the Stratosphere

Another year, another slew of great singles made their appearance throughout our 73 posts of music coverage. If you’re an old school melodic rock and roll fan like me, the jangly, hooky, guitar-centric creativity was off the charts. Sadly, such the jangly, hooky, guitar-centric creativity was off the conventional music charts as well. That’s why we don’t rely on trade mags or corporate radio to tell us what’s top of the pops, we make up our own charts. Now, let me be clear, if I wrote about a song this past year I thought it was great, full stop. We’re an ‘all-positive, all-the-time’ kinda shop around here. So what you have in this post is recap of 50 songs that burned just little more deeply into my psyche this past year. Click on the hyperlinks to hear each of the songs and read the original write ups.

Enough stalling, here are Poprock Record’s top 50 should-be hit singles from 2025:

1. Keyside “Rock My Love”
2. Strange Neighbors “Beer at the Bar”
3. The What Four “Quarter to Midnight”
4. The Lemon Twigs “I’ve Got a Broken Heart”
5. The Sonny Wilsons “Maybe”
6. Pony “Superglue”
7. The Cords “Just Don’t Know (How to Find You)”
8. HOA “Don’t Be A Loser”
9. Tamar Berk “you ruined this city for me”
10. Banda AL9 “California”
11. Martin Luke Brown “To Be a Man”
12. Eytan Mirsky “Lost You in the Jetstream”
13. Grant Lindberg “In My Own Way”
14. Jaime Orr “Somebody Like You”
15. Force Model “How Can One Girl Be So Sad”
16. Log Flume “December’s Ending”
17. Rich Chance “Azelea Close”
18. The Bret Tobias Set “It Begins With Lean”
19. The Memories “Too Weak to be Strong”
20. Death By Unga Bunga “I’m Really Old”
21. Softjaw “I Need You”
22. The Spindles “Getaway”
23. Brett Newski and the Bad Inventions “Narrow Escapes”
24. Chris Church “She Looks Good in Black”
25. Japanese Breakfast “Magic Circuit”
26. Tristan Armstrong “The Lonely Avenue”
27. The Super True “Right Here”
28. The Needmores “Lookin’”
29. Oehl “I Love You”
30. Sally Spitz “Tag Your Sign”
31. Sorry Monks “I Know What’s On Your Mind”
32. The Mayflies USA “Calling the Bad Ones Home”
33. The Geezers “Modern Days”
34. Lolas “Work is the Blackmail of Survival”
35. Tom Henry “Close Your Eyes”
36. The Jeanines “What’s Done is Done” / “On and On”
37. The Tummies “Send Me A Picture”
38. Movie Movie “After Hours”
39. Tony Marsico and the Ugly Things “Goodbye to Lonely Town”
40. Chris Stamey “Anything is Possible”
41. Jim Trainor “Nothing”
42. Hidden Pictures “Wedding Singer (Going Through a Divorce)”
43. Liquid Mike “Selling Swords”
44. Zombies of the Stratosphere “If You’re Into It”
45. Daisy House “The Seducer”
46. The Invisible Rays “I Don’t Dream of You”
47. Nicky Koro “Dreamin’”
48. Pouts “Stay Awhile”
49. The Mommyheads “It’s Only Life”
50. The Berries “Lie in the Fire Again”

My top five this year were real head-turners. Liverpool’s Keyside show the city has still got the fab vibes. Strange Neighbors turned out killer tunes for the second year in a row. The first I heard of The What Four’s “Quarter to Midnight” I was hooked by its adrenaline-soaked beat. The Lemon Twigs have pretty reliably produced should-be hits over the past few years but there was something about “I’ve Got a Broken Heart” that just hit all poprock marks. And from way back early in 2025 I was struck by The Sonny Wilson’s unique sound. No maybe about it. I could go on about the other 45 songs here but you can get the dirt from the original posts by clicking the hyperlinks.

Next up, Poprock Record’s most inventive covers from 2025:

1. The Half Cubes “Whenever You’re On My Mind”
2. Sofa City Sweetheart “Waltz #2 (XO)”
3. Marshall Crenshaw “Never To Be Forgotten”
4. Mike Browning “Lost In Conversation”
5. Chaparelle “I Want to Dance with Somebody”

The Half Cubes put out another amazing album of covers and really outdid themselves but nowhere more strongly than on their cover of an early Marshall Crenshaw classic. Sofa City Sweetheart teased us this past year with an impressive rendering of Elliott Smith’s “Waltz #2.” Not an easy tune to take up. Marshall Crenshaw pulled together a host of songs for a new album, including a cover of a Bobby Fuller Four gem. And then we have Mike Browning covering an obscure Canadian track and Chaparelle countryfying a song everybody knows.

Well, there you have it, some great songs that deserve another shot across your attention span. Click the links for the original posts and revisit just how good 2025 was to us on the single file.

Photo courtesy Carbon Arc Flikr collection.

Breaking news: The Mayflies USA, Nelson Bragg, The Geezers, and Shake Some Action!

14 Saturday Jun 2025

Posted by Dennis Pilon in Breaking News

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Nelson Bragg, Shake Some Action!, The Geezers, The Mayflies USA

Serious news flash here this time out with a new release from a legendary band 23 years gone, a magisterial collection from a celebrated sideman to legends, a new album from some Germanic geezers, and a collection of EP tracks from a band of contemporary modsters. It’s a full program for sure.

I was super excited to hear about The Mayflies USA reunion. The band’s three turn-of-the-century albums are right up there with the best of that era’s hooky poprock (along with bands like Fountains of Wayne and Matthew Sweet). I could hit repeat on “Walking in a Straight Line” over and over again. The new album Kickless Kids leans more toward a poppy indie rock vibe rather than outright power pop, as evidenced by the opening cut, “Thought the Rain Was Gone.” But that is more than ok. “Calling the Bad Ones Home” even hits a few classic rock marks with a Keith Richards rhythm guitar swing before rolling out the hooks. “Kickless Kids” shifts things back into a more guitar pop register. Ringing guitars are definitely up front on tracks like “Railway Spines” and “Cabbagetown.” By contrast, a song like “Jewel of Russia” springs some particularly engaging melodic hooks in the chorus. There’s also a splash of country in places, like the Freedy Johnston-ish “Come On Down.” Or you can dial into a classic rock and rock jam feel on “Twilight Alright.” Welcome back Mayflies USA, it’s like you never left.

Veteran LA session player and longtime Brian Wilson sideman Nelson Bragg has still found time to put out his own music from time to time. Now he’s gathered together what he considers his poppiest material for Mélodie de Nelson: A Pop Anthology. It’s hard to argue with his choices. Songs like “Lived This Life Too Long” and “You Could Believe” are awash in harmony vocals and subtle hooks. Jangle is also here in spades on tracks like “Forever Days” and “I’m In No Mood.” And “Death of Caroline” is so obviously a Beach Boys love letter. Given his locale it’s perhaps not surprising that Bragg draws on a host of uniquely California influences from his catalogue. “Every Minute of the Day” has a 1970s California rock sound, with up front acoustic guitars and sonorous harmony vocals. “Glorious Days” sounds like a should-be hit single in an updated sunshine pop mode akin to recent bands like Daisy House. There are departures too. “The Last Girl I Ever Loved” has more of a rock edge, reminding me of Nada Surf with its breathy vocals. “We’re Gonna Laugh About It” is the new song recorded specifically for this collection and it sounds a bit like Pugwash’s Thomas Walsh to me. Then there are the baroque moments on both “Whitechapel Girl” and  “Seriously Girl,” the former with a strong McCartney vibe. Mélodie de Nelson: A Pop Anthology is a seriously good collection from a top rank act too long in the shadows.

Austria’s The Geezers have that Jeff Lynne magic in combining classic sounding rock and roll tunes with just a touch of synth (ok, sometimes a lot of synth), giving everything a modern but still somehow timeless sheen. This dynamic is nicely captured on “Harmony” where a spacey opening synth riff resolves into a robust and hooky poprock tune. The band’s new LP Music is full of just these sorts of surprises. The LP kicks off with “Home,” a song with a sonic wash that wouldn’t be out of place on a record from The Outfield. I love how “Echoes” marries choir-like background vocals with thrumming electric guitars before kicking into gear with a singalong worthy chorus. I want to say that the keyboard is the star here and you definitely feel its original imprint all over the record. “A Lifetime” uses jaunty keyboard work as a hook that won’t let go, leading into a killer chorus. “The Happy Life” takes its synth work into an almost Bronski Beat direction. And then there’s “Future Love” which has a sonorous edge comparable to Tears for Fears’ “Mad World.” But the guitar work on this release is no slouch either. “Modern Days” is a brilliant synthesis of 1960s power pop and more modern song styles. The opening lead guitar line is positively mesmerizing. “Bit By Bit” is a swirling jangly winner while “Candy Cane” launches with a driving guitar lead line that is eventually matched by surging rhythm guitars.

Seattle’s Shake Some Action! have a new album entitled Top Gear and it’s a reliable installment of their love of everything mod, mod, mod London circa 1966, with a dose of Britpop thrown in too. But wait, attentive readers might recognize that this package is not an entirely new collection of tunes. The album brings together the band’s two dynamite EPs from last year (reviewed here), adding three new cuts to the mix. Hearing “I Don’t Know Where She Goes” again alone is worth the price of admission. Those organ shots are exquisite! Click the hotlink to catch up on the material from those EPs. Surveying the new songs included here, they’re definitely not afterthoughts or cast-offs. “Fake It Till You Make It” has a dance floor energy that could be 1965 or 1995. “Never Let Me Go” is a more gritty 1960s beat group number. “What Did You Leave Behind” dives even deeper into the 1960s sounding more like 1964 era Merseybeat.

You’ve heard the news, there’s definitely good rocking at midnight (or any time you might choose to play these songs). Hit the hyperlinks to get more in-depth coverage of these breaking stories.

Photo courtesy of kasiQ Jungwoo Flikr collection.

Shiver me singles

13 Thursday Feb 2025

Posted by Dennis Pilon in Poprock Themepark

≈ 3 Comments

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Brad Marino, Chris Church, Cmon Cmon, Free Weed, Gentle Hen, He's Dead Jim, Kurt Baker, Lisa Mychols, Lone Striker, Mike Browning, RIcky Rochelle, Shapes Like People, So Cow, Soulbird, Super 8, The Fatal Flaw, The Mayflies USA, The Memories, The Open Flames, The Tisburys, The Tubs, Vista Blue

Cold winter temperatures up here in the Great White North have my feet tapping for all the wrong reasons. Time to heat things up with singles so sizzling they’ll scorch the turntable.

There’s something very 1980s space-age soundtrack to the vibe on Ricky Rochelle’s new single “Imagine Being Eric.” It’s there in the background keyboard runs and arrangement of the vocals. Very 1983. Then we have Retro Metro music man Super 8, back with jangle chanteuse Lisa Mychols on a new song. “Pop Radio” celebrates the joy of finding a great song over the airwaves. Quaint though the sentiment may be, the track hits all the modern marks for sixties timelessness. Putting power pop maestro Kurt Baker together with Wyatt Funderburk was always going to make for ear-catching experience. Baker’s new release “Warm in the Winter” is hooks at every turn, all sleek and shiny pop laced with plenty of rock edge. And on point for this theme post. Moving into more dream pop territory Shapes Like People offer up a mellow bit of jangle that practically flows like water on “Ambition is Your Friend.” Just one of a number of atmospheric cuts from their new LP Ticking Haze. Belgium’s CMON CMON excel at a kind of wall of sound aural pop assault. “Turn Off the Lights” balances a solid rocking backing with a smooth vocal and pop melody.

London’s The Tubs come on like some surging poprock outfit on “Freak Mode” but when the lead vocal kicks in such perceptions are quickly derailed, conjuring instead a more English rural folk aura. But the combination somehow still works in a beautifully creative tension. Ok this next band got to me at the name level. I’ve spent my life quipping ‘he’s dead Jim’ at all sorts of inappropriate moments. So running across Aberdeenian Scot rock combo He’s Dead Jim I knew I had to cover them. “Swim to Oblivion” is just one of 14 winning swinging rock tracks from their recent LP Head Like a Toyshop. These guys are very much alive – no red shirts here. Boston’s The Fatal Flaw deliver the goods again with their new single “Baby Tooth.” It’s got a hint of pop punk, in the vocal delivery particularly. But the chorus steps on the hooks for all they’re worth. Meanwhile in Philadelphia The Tisburys are priming their audience for an album release sometime in April. In the interim you can get the flavour of what is to comie with the propulsive, highly melodious “Forever.” Mike Browning pulls a rarity off oldies radio for full-on folk rock coverage, The Ragmuffins’ 1967 single “Four Days of Rain.” With vocal support from daughter Jillian, the duo recreate a decidedly Brydsian ambience.

The band Free Weed have produced what really should be the US public service theme song. “Government Employee” has mystery and cool New Order bass work and a freaky bit of psychedelic guitar work. Did I mention it’s cool? It really is. From the same record label, LA’s Gnar Tapes, The Memories lighten the mood with their chipper acoustic guitar strum and mellifluous single note keyboard work. The slightly sinister and otherworldly vocal offsets this lighthearted musical bed so effectively. Two decades on should-have-been power pop superstars The Mayflies USA are back with a brand new single and it is like they never left. “Calling the Bad Ones Home” expands the band’s sonic palate from Big Star to The Jayhawks and I’m liking it. If I can’t have a new album from Guster or Chris Collingwood then Gentle Hen will fit the bill. Actually let’s add them to that bill. Their new album is The Wrong Record and it’s all good but check out “It Only Takes a Couple Words” particularly. The vocal and guitar adornments sound so simple but they add incredible sonic depth to what is going on. Shifting to swinging London I like what The Open Flames are doing on their new song “Drop a Coin.” There is some very cool bass synth going on and a flurry of vocal ba ba ba ba ba’s adds charm to an already maximum charm ditty.

I’ve been wanting to write about the madly talented So Cow for ages. The band show so many stylistic faces to the world. Their latest single “Reputable Seer” seems like as good a place as to start. Check out the Beatles 64 guitar tone kicking things off before the sound moves in an Elephant 6 direction. Some very cool Apples in Stereo vibes happening here. Reliably melodic rocker Brad Marino has an album of rarities, remixed and unreleased stuff about to hit the e-shelves and from what is presently available online even attentive fans are going to find stuff they’ve never heard before. Like “Not Fooling Me” in my case. This is classic Marino hooky goodness, tied up with his oh so smooth vocals. Peter Green’s Soulbird project is like hitting the psychedelic mainline, with an extra pop punch. “Stay With Me Angel” has hooks working overtime but the vocal arrangement takes things to a new level. As if he’s not busy enough with his other bands Rural France and Teenage Tom Petties, now Tom Brown is fronting another nearly one-man band called Lone Striker. “Dunno” is a wonderfully languid bit of slow-groove pop, with what sounds like some sonorous horn work lifting the mood. Another exciting new release comes our way from guitar ambience expert Chris Church. “Sit Down” is dotted with sparkly guitars and a vocal that shifts from smoky smooth to urgently insistent.

Wrapping things on this shivery singles collection is a song so in keeping with our seasonal theme from everyone’s fave punk-pop productivity super-achievers Vista Blue. “I’m Going to be Warm This Winter” is pure adrenaline salted with plenty of pop hooks.

Brrr. It’s definitely a good day to stay inside, somewhere between the fire and the turntable.

Photo courtesy Rob Elliott/Swizzle Gallery.

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