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Poprock Record’s 25 must-have LPs for 2024

09 Thursday Jan 2025

Posted by Dennis Pilon in Poprock Themepark

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Aaron Pinto, Be Like Pablo, Brent Seavers, Bull, Cast, Chris Milam, Cliff Hillis, Crowded House, David Woodard, Day Dreems, Dennis Schocket, Ducks Ltd., Fastball, JD McPherson, John Larson and the Silver Fields, Lo Fi Ho Hum, Nick Frater, Nick Low and Los Straitjackets, Nick Piunti and the Complicated Men, Owen Adamcik, Phil Thornalley, Real Estate, Rich Arithmetic, Scoopski, Sergio Ceccanti, Shake Some Action!, Star Trip, Steve Robinson, Sunken Planes, Super 8, Tamar Berk, Terry Anderson and the Olympic Ass-Kicking Team, The Armoires, The Decemberists, The Genuine Fakes, The Half-Cubes, The High Elves, The Martial Arts, The Rebutles, The Trafalgars, Top albums 2024, Top LPs 2024, Wesley Fuller

Another year, another load of really good albums. Creativity was off the charts in 2024, in both senses unfortunately. But banish despair, here at Poprock Record we make up our own charts, shining light on a deserving collection of should-be stars. Here’s our list of 25 must-have albums from the past year and, trust me, you’ll find plenty of variety within our self-imposed parameters of poppy rock. You’ve got jangle (Ducks Ltd.), gender (Day Dreams) and heartbreak (Tamar Berk). There’s retro (Terry Anderson), metro (Super 8) and fun (Scoopski). We’ve got artists singing in Spanish (Star Trip) and wide variety of accents from the British Isles (the list would be too long). And so much more.

The envelope please, here are Poprock Record’s 25 must have LPs from 2024:

1. Day Dreems Day Dreems
2. Tamar Berk Good Times For a Change
3. Brent Seavers Exhibit B
4. Wesley Fuller All Fuller, No Filler
5. Ducks Ltd. Harm’s Way
6. Aaron Pinto Aaron Pinto
7. Chris Milam Orchid South
8. The Martial Arts In There Like Swimwear
9. The Armoires Octoberland
10. Terry Anderson and the Olympic Ass-Kicking Team Got To Be Strong
11. Star Trip Velocidad
12. Bull Engines of Honey
13. Real Estate Daniel
14. Phil Thornalley Holly Would
15. The Trafalgars About Time
16. Super 8 Retro Metro
17. Be Like Pablo A World Apart
18. Nick Piunti and the Complicated Men Up and Out of It
19. Rich Arithmetic Pushbutton Romance
20. Owen Adamcik Owen Adamcik’s Power Pop Paradise
21. Steve Robinson Window Seat
22. Sergio Ceccanti Mysterious Journey
23. John Larson and the Silver Fields Constellation Prize
24. Scoopski Time is a Thief
25. David Woodard Get It Good

Day Ricardo’s Day Dreems project was groundbreaking in so many ways, lyrically touching on gender, the body, ADHD, oppressive nostalgia and more, while musically mashing up hints of Squeeze, Crowded House and the Beatles into their own distinctive voice. It’s a most worthy choice to sit at #1. But close behind Tamar Berk wowed us with yet another winning collection of introspective yet downright hooky numbers. Brent Seavers, now there’s a guy who knows how to pack an LP full of highly listenable tunes. I mean, he does it again and again. I could go on … and do in the original posts hyperlinked above.

The EP format continues to offer artists a creative outlet that falls somewhere between the noble single and a more herculean long-playing effort. True for some it may amount to little more than a glorified single with additional alternative versions, demos and live cuts (not that I’m complaining). But for others it’s a carefully curated musical statement in its own right. I think our cast of 6 must-have EPs from 2024 lean more in the latter direction:

1. Lo Fi Ho Hum Garage Pop
2. Cliff Hillis and Dennis Schocket Pop, Girls, Etc.
3. Sunken Planes Intersections
4. Shake Some Action! Trip to Yesterday / Chase the Light
5. The Genuine Fakes Extended Play Vol. 1
6. The High Elves Early Works

I deliberately leave legacy artists – i.e. those that gained conventional chart success and still benefit from that or have a major label sponsor – off my yearly lists. They don’t really need any push from me. But I do love a lot of those acts and it is great to see them still putting out solid creative works. So here’s a legacy artist shout out to some notable releases in 2024:

1. JD McPherson Nite Owls
2. The Decemberists As It Ever Was, So It Will Be Again
3. Fastball Sonic Ranch
4. Cast Love is the Call
5. Crowded House Gravity Stairs
6. Nick Lowe and Los  Straitjackets Indoor Safari

I’m a non-recovering Beatlemaniac, it’s true. I’m always on the lookout for some fun and creative riffs on the Fabs. This year Nick Frater blew away the competition with the further development of his Rutles project, a riff on a riff on the Beatles. So meta! Thus our best riff on the Beatles this year is:

Nick Frater Nick Frater presents The Rebutles 1967-70

Last year I singled out The Flashcubes for their amazing Pop Masters album. It was one where they covered a host of new wave era classics with members of the original bands. This year their spin-off band The Half Cubes produced their own version of that project with equally impressive results. You see where this is going. This year’s special award of awesome poprock merit goes to:

The Half-Cubes Pop Treasures

As I wrote in the original review, “Pop Treasures is a monster of a collection” that is ‘lovingly relentless’ in its coverage of 1970s and 1980s hit-makers and indie darlings. It’s a hits package worthy of K-Tel, and that is high praise coming from someone who lived through the seventies. So many great songs here, including our #1 most inventive cover for 2024 “Make You Cry.” Treat yourself, this is a guaranteed good time.

Album fans, the form is in safe hands if the releases from this past year are anything to go by. Sure the kids may not be into them the way their 1960s through 1990s peers were but they’ll have something to dip into when they get older.

Photo of John Baldessari’s art piece ‘Record Collector’ courtesy Thomas Hawk Flikr collection.

The final frontier: Velvet Attack, Star Trip, and Dallas Orbiter

11 Friday Oct 2024

Posted by Dennis Pilon in Poprock Themepark

≈ 2 Comments

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Dallas Orbiter, Star Trip, Velvet Attack

Today’s post gets spacey with acts reaching for the stars or at least evoking a cool science fiction vibe. We had to go pretty far out to find these acts, from Dortmund Germany to Valencia Spain to downtown Minneapolis Minnesota. But you’ll hear why it was worth it when you beam aboard.

Velvet Attack nail the psch/garage sound of the late 1960s on their recent LP Visions from Inner Space. It’s like a time travel movie where you’ve landed in some smoky psychedelic club in some rundown part of some town somewhere. There’s a moment of disorientation on opening cut “The Double Cylinder Man” but pretty quickly you’re into the groove. “House of Correction” has a go go dancing kick-off that keeps the beat going throughout. “Kill the Weekend” is another killer dance number. “You Know Everything Better” is the should-be hit single. Listening to these cuts I kept thinking ‘who does this remind me of’? Hoodoo Gurus, definitely. Though the band do strike a different pose here and there. “I Cannot See A Forest Without Trees” is straight up jangle bliss. “Drinkin’ Water, Prayin’ Wine” adds a country twist to the mix. The movie connection also remains strong over a number of cuts. Both “Sound of Tomorrow” and “(It’s the) Dawn of Summer” have that cinematic title sequence feel while the pristine electric lead guitar on “Electric Chair” reminds of all those great Morricone soundtracks.

Star Trip might hail from Spain but listening to Velocidad you’d be forgiven for thinking you’ve hit the hard streets of Glasgow. “Disimular” sets the scene with a dreamy Teenage Fanclub drone. The rest of the album is pretty much lather, rinse and repeat on that winning formula. Where things do change up is in the pacing and attack. “A veces” picks up the pacing a little while “Tu peor enemigo” softens up the lead guitar work. Should-be hit-single is definitely the title track “Velocidad.” The song echoes the structure of The La’s “There She Goes” but takes the inspiration in new directions. Another strong single contender would be “Todos lo saben pero nadie dice nada.” Then “Cuando estás lejos de aquí” moves into more Brydsian territory. Though up next “Como los demás” almost out Teenage Fanclubs the original. The band do mix things up, turning on the rock filter for“Al amanecer” or adding a country flavour to “Algo especial.”

Dallas Orbiter are far out there in more ways than one. Their new record Spaceman Things vibes 1970s prog rock with the occasional jazzy freak out. So not really in our part of the galaxy, musically speaking. But one track – “Avenge Me” – comes pretty close while another – “Let’s Go Out” – hits the mark. The former song rides a cool lead guitar lick to a dissonant melodic twist in the chorus. The latter ambles along with very Teenage Fanclub-adjacent sound and some sweet organ vamping. And the art work on this LP is definitely outasite!

The final frontier or just the first outpost? You decide. Check out where these acts are going on the hyperlinked star charts above.

Photo  of Syd Mead’s ‘… fixing the lights on The Highway of Tomorrow!’ courtesy James Vaughan Flikr collection.

The listening room I: kiwi jr, Star Trip, Mike Adams at his Honest Weight, and Dave Molter

27 Friday Dec 2019

Posted by Dennis Pilon in Poprock Themepark

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Dave Molter, kiwi jr, Mike Adams at his Honest Weight, Star Trip

Screen Shot 2019-12-27 at 5.06.53 PMNeed some distraction to get through the holiday season’s seemingly endless family overtime period? Come with me to the listening room where we can tuck in to a raft of albums, all worthy of diverting your attention from squabbling children and leftovers. Divided into two sessions for your listening pleasure.

Screen Shot 2019-12-27 at 5.09.26 PMI miss a lot a stuff as the year goes by and one major oversight was overlooking relocated PEI-now-Toronto poprockers kiwi jr and their fab debut LP Football Money. The Canadian critics are falling all over themselves to heap praise on the band and deservedly so. Songs like “Gimme More” manage to namecheck a load of Canuck references and still sound cool! Listeners constantly reference Pavement’s Stephen Malkmus but I hear a lot of Cool for Cats-era Squeeze on tracks like “Leslie” and “Football Money” or maybe a bit of The Strypes on “Murder in the Cathedral” and “Comeback Baby.” Personally, I’m loving the nice jangly guitar, Jonathan Richman wide-eyed vocals, and oh-so-clever lyrics that are all over this record, but particularly pronounced on the obvious single, “Salary Man” and the delightful “Nothing Changes.” Football Money is not a pick-and-choose amongst the songs release, it’s definitely a full download.

Screen Shot 2019-12-27 at 5.10.38 PMValencia, Spain’s Star Trip are obviously big Big Star fans. The influence is all over their 2019 long player, Salto al vacio. And yet they are so much more. First, their songwriting is strong and original. Coated with a shimmering guitar resonance and blissful harmony vocals the songs sound like a sun dappled summer day. I have no idea what they are singing about (it’s all in Spanish) but the sonic palate strongly suggest a post-1960s dose of truth, beauty and love. The whole record says ‘play me!’ but if I were single out anything, listeners are going to love the jangle and hooks propelling the opening title track, or the country pop elements undergirding “Hasta el atardecer,” or the Matthew Sweet quality of “Dias sin saber.” Overall, Salto al vacio is a must add for jangle addicts.

Screen Shot 2019-12-27 at 5.11.39 PMAdd the new Mike Adams at his Honest Weight record to the pile with the likes of Matthew Milia, Telekinesis’ Michael Benjamin Lerner and even Marshall Crenshaw. Their defining element? Albums full of ebullient melodic gems, showcasing a deep knowledge of the poprock canon and an ability to twist such influences into original new material. Adam’s new LP There is No Feeling Better is a case in point. Each song is a perfectly crafted melodic miniature. From the off-kilter Beatles influences framing the opening track “Pressing Mesh” to the epic keyboard/acoustic guitar contrasts animating the closer “So Faded” this is a record of oh so pleasant surprises. “Do You One Better” is the obvious single, with its measured build up and strong melodic payout in the chorus. “Free and Reduced” has some great interplay between the rumbly guitar and 1980s keyboard while “Wonderful to Love” stokes a 1980s languid poprock groove. And check out “Datsun Dashes” with its reinvention of early 1960s American pop and Beatles influences or “I Need You” which sounds like a beat group version of the Eagles. Another ‘all-player’ for any road trip lasting longer than 39 minutes.

Screen Shot 2019-12-27 at 5.12.43 PMLet me slip in an EP amongst all this LP celebration.  I featured a song recently by Pittsburg native Dave Molter but then got a copy of his 2019 EP Foolish Heart. Wow! What an action packed collection of ear worms. While citing the 1960s and Beatles as his main influences, Molter offers up a collection that exudes the best of 1980s poprock a la Greg Kihn, Huey Lewis and the News and ELO. I already lauded the Jeff Lynne-ish “Mid-Century Man” in my previous Molter post, now let me add praise for the EP’s title track “Foolish Heart” which could easily find its way onto any John Waite solo album, the psychedelic “See the Sunshine,” and the smile-generating Beatlesque “Tell Me That You Love Me.” Seriously, for Beatles fans, try not breaking into a grin when this song comes on! My only complaint about Foolish Heart is that it is an EP. Poprock Record wants more Molter!

Click on kiwi jr, Star Trip, Mike Adams at his Honest Weight, and Dave Molter and get your copies of these great albums with all the leftover holiday cash I’m sure is just lying around.

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