Tags
Chris Richards and the Subtractions, Cut Worms, Daisy House, Dave Paulson, Gavin Bowles and the Distractions, Grrrl Gang, Invisible Rays, Mark Ward, Nicky Koro, Octoberman, Peter Yorn, Pony, Pouts, Robert Ellis Orrall, Ron Sexsmith, The International Treasures, The Jerrys, The Low Spirits, The Mommyheads, The Spongetones, The Young Novelists

Back in the day the big decision was whether to pick up a 45 or go for the whole album. If you knew you were going to like it, the album was definitely the better deal financially. But in the era of physical product it was often hard to needle-drop across the full LP before ponying up the cash. Thankfully those days are over! Now you can sample these 21 new tunes with no commitment at all.
Brooklyn’s Cut Worms dial up the country vibe on their recent 45 “Evil Twin” in a very Wilco way, accent on acoustic guitars and tasty electric lead guitar licks. Game Theory are one of those legendary great lost bands whose fan base mostly consists of other musicians. Chris Richards and the Subtractions cover the band’s “Make Any Vows” with the loving care of real fans. The tune really suits their clashy guitar sound. Australian Gavin Bowles is not shy about sharing the details of his lady problems. This time his band Gavin Bowles and the Distractions lays it out on “She Hates My Guts.” Ouch. Plenty of ringing lead guitar lines and sad sack lyrics of the most enjoyable kind. The career of Daisy House is proof positive the charts are not just. Their ability to conjure up the best elements of the 1960s was unparalleled. Still, band leader Doug Hammond manages to find a few lost tracks here and there, like the striking ballad “The Seducer.” The aura is so Netflix Elizabethan-period drama love-scene. Check out the appetizing lead guitar work luring you in to Invisible Rays’ recent stand-alone single “I Don’t Dream of You.” The Boston combo are just so reliably good.
It was really hard to pick just one song to feature from Toronto’s The Young Novelists new album These Dark Canyons. At first I thought I’d go with the Americana-ish “All My Friends Are Leaving.” Then I was struck by the strong new wave hooks defining “Gimme Your Love.” But then I heard “Run Away” and that was it. The song kicks off very Golden Seals before settling into a sing-along chorus. You can always rely on Peter Yorn for something a bit different but still hooky. On “Ana Capri” you’ve got an AM radio chorus wrapped in verses that take up an inventive, intriguing soundscape. Have we got time for an oldie? If it’s Robert Ellis Oral the answer has to be yes. “Love’s On the Way” is from his 1986 album The War Between Us and it time-trips me back to a very special kind of poprock, one that could combine commercial chops with ear wormy hooks. Time to get back to the garage for some down and dirty rock that never loses grip on its magnetic melodic undercurrent. The Low Spirits “Can’t Love You Back” is a distilled drink of 1966. Another pull from the past is a song from Dave Paulson’s 2018 Tommy Boy themed album Sandusky, Ohio. “Don’t Let It Get You Down” sounds like a 1970s singer-songwriter romp, oscillating between different instruments and pacing while falling somewhere between Gilbert O’Sullivan and ELO.
Toronto’s Nicky Koro gets his jangle on with his recent summer 45 “Dreamin’.” Wow, this track has got ‘classic’ stamped all over its 2 minutes and 22 seconds. The shimmery guitars and seductive vocals meld together so pop perfectly. Not everyone in The Jerrys is named Jerry. The gal in their recent song “Kentucky Girl” may not even be from Kentucky. What we do know is the band combines an infectious hit of Merseybeat with the folk pop sensibility of bands like The Lilac Time. Nothing seems to be able arrest the creative energy of Power Pop Hall of Famers The Spongetones and that is a very good thing. Their most recent album is a 40th anniversary concert that also includes three newly recorded songs. They’re all so good it seems almost churlish to highlight one over another. Nevertheless, I’m leaning toward “Lulu’s In Love” as my current fave (but that could change by next week). More Toronto? Yes please. Ontario’s capital city gives us Octoberman and his indie folk rumination implicating “Harry Nilsson.” Things get a bit rocky in the middle but I’ve always like that kind of folkie flexibility from acts like Hayden and this one. Man has this band Pouts got the mid-sixties British Invasion sound down, with just a bit Britpop coating. “Stay Awhile” swings along, largely carried by its rhythm guitar with break out lead guitar lines adorning all the non-vocal spaces. Delightful!
Mark Ward’s new stand-alone track “I Don’t Care” launches hard with loud guitars before melting into a melody-drenched chorus. The overall feel is very early 1980s melodic rock while the sentiment is good old fashioned social critique. Grrrl Gang are an Indonesian force of nature. Their music is super-charged and danceable while their melodies are positively delectable. “O, My Love” is brimming with energy and insight – another winner, for sure. If we want to genre-shift to something a bit more homey and old time country-meets-rock and roll then The International Treasures fit the bill. “Last Regret” would have made a good number for the Everlys but this version is pretty sweet too. I’m getting my Canadian content in today, particularly from my own Toronto neighbourhood. Ron Sexsmith has a new album out and it is everything you’d expect: wistful, aching, and packed full of memorable melodies. I’m hitting replay on “It’s Been Awhile,” which captures my own longing for more Sexsmith material over the years. Another band with a new album are The Mommyheads. No Quietus is another installment of intelligent pop music, played with the pop sophistication of an XTC or Tally Hall. Check out “It’s Only Life” to get a taste of this superior pop product.
One more time to the Toronto well for a wrap on our 21 single salute with Pony’s seismic song “Superglue.” This one has got the gloss, the shimmer, and the cheeky alluring hooks that just keep coming and coming. Surrender to the total sonic wash going on here.
Single shopping was never so easy as this. No salesman will call. Just hit on the hyperlinks and pile up your purchases from the comfort of your own couch.
Photo ‘Bruntsfield at night’ courtesy Bryonv2 Flikr collection.

Time it was that the choice of an album’s single was both a serious artistic and financial decision. Putting out a single meant committing considerable resources to pressing them up and distributing them to radio stations, reviewers, and nightclubs. Today every cut on an album could theoretically be the single, depending on listener downloads and streams. But artists and record companies do still sometimes make a fuss about ‘the single’ as a way of drawing attention to a soon-to-be-released album. Or just as a way of maintaining interest in the product after its initial drop. For me, the single should be an album’s most potent hook vehicle, the song that will have listeners searching out the record for more. And it’s a way for me to highlight some great songs on the blog that just don’t fit anywhere else!