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Breaking news: Zombies of the Stratosphere, Born Ruffians, Force Model, and Randy Klawon

15 Friday Aug 2025

Posted by Dennis Pilon in Breaking News

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Born Ruffians, Force Model, Randy Klawon, Zombies of the Stratosphere

Hold the presses, there’s more breaking music news out there that’s fit to print. Apparently the world is awash in zombies, ruffians and forces deliberately designed to test you. And Randy’s. Plenty of them too.

I’ve been meaning to write about the Zombies of the Stratosphere for quite a while. Their records sound so precise and pristine, just layer on layer of sonic goodness. The new LP is Shot An Arrow, their first to hit to record shelves in four long years. “If You’re Into It” amounts to a strong opening with a sound like a cross between XTC and the Alan Parsons Project. Love the organ riffs. Title track “Shot An Arrow” is full of They Might Be Giants whimsy. “Long Way” also leans on keyboards to create a particular pop atmosphere. But there’s surprises awaiting those who dig a bit further into the record. Country gets a look in on “California Waits,” “Whistling Wind,” and “Shut Out the Light,” the latter dialing up a bit of Memphis sort of Beatles. Then again “Bones Don’t Lie” and “Sister Sundown” rock things up a bit more. I’d single out “Mercy Rider” as a should-be hit. The song alternates punchy lead guitar and organ work in a Crowded House kind of melodic workout. Or check out how “30 Guns” vibes a bit early 1970s Moody Blues. Closing number “Vacancy Arms” is another standout XTC-ish number reminiscent of the Nonesuch era, with a touch of the Eagles here and there.

Ambience meets straight up rock and roll heart on Born Ruffians album #9 Beauty’s Pride. Whether they are going straight for the rock jugular on songs like “Do” or delicately traipsing into the open emotional field that is title track “Beauty’s Pride,” this is a band that knows how to take you on a sonic ride. Things open with other-worldly synth before gelling into the dance-able “Mean Time.” “To Be Seen” keeps the indie rock dance vibe going in a solid bit of potential single-age. Then “What a Ride” shuffles the poprock deck again and again. By contrast “Let You Down” has a wonderfully English guitar pop consistency. As the album starts to slow down the songs feature fun sonic additions. “Can We Go Now” intersperses what sounds like 1980s video game sound effects. “Supersonic Man” sounds like a slowed down David Bowie. I love the spare instrumental and emotional intensity of “Hi” and its crashing chorus. “In the Meantime” is so lulling, counter-posing a stark up-front vocal and fuzzy guitar chords.

LA’s Force Model launch their EP Barricade with psych guitars and a fattened up vocal sound on opening track “All Expectations” that is just so damn alluring. What could be next? “Barricade” is noisy in a math rock kind of way. “Nothing At All” turns up the melody quotient without necessarily turning down the guitar amps. The bristling lead guitar licks on this track repeat in a way that is captivating. But nothing will prepare you for the outstanding should-be hit single “How Can One Girl Be So Sad?” Man, this track is a hook beast, melding vocals that tip between the Bryds and Britpop with a melody that is a ferocious ear worm. I’ve already hit repeat countless times! And then things are over all too soon with the light-then-crunchy closer “Pisces Dreamboat.” What a blast of melodic rock goodness this EP is.

Here to bring on some pop sweetness and light Randy Klawon offers us six pop wonders on his new EP Sunday’s Child. Inspired by the super-charged pop hooks of bands like the Beatles, Monkees and Raspberries, Klawon’s efforts could easily slip onto radio playlists covering the 1970s and 1980s. Title track “Sunday’s Child” sets the bar high, with top rank production and musical arrangements. This one really sounds so radio ready, heavy rotation. “Sleep Tight” has a rough and ready Beatlesque pop quality with solid Harrison sound-alike lead licks. Then “Every Name in the Book” turns up the jangle and buffets the main vocal with great back-up vocal support. Both “All You Really Need” and “Let’s Do It Again” are pop gems with striking guitar work. At just 18 minutes long, Sunday’s Child is over before you’re quite ready to see it end.

I’d say that’s all from the news-desk but frankly there’s plenty more on the story board. Keep tuning in for frequent updates.

Photo ‘Found Kodachrome Slide” courtesy Thomas Hawk Flikr collection.

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