Topping The Spindles sixties hook-filled homage of a debut album was never going to be easy, so perfectly did Past and Present meld Merseybeat with new wave. But the band’s new LP Wavelength is an equally stunning dose of rejuvenated nostalgia. Though this time the references extend beyond British beat groups to a load of familiar 1970s sounds too. “Getaway” kicks things off with a carefully modulated and shifting poprock energy that is nothing short of thrilling. Then the cover of The Hollies “Bus Stop” is light and breezy and oh-so enjoyable. But from there Wavelength regularly alters its frequency. Some cuts like “Anna James” are 1960s familiar, basically updated beat group good. Or you can find the band’s trademark jangle all over “Ruthy Ann,” with just a bit of a “Drive My Car” groove here and there. Others advance into the 1970s with what could be nods to Badfinger on “Rock For It” or Big Star on “I Found a Girl.” Stylistically I hear a bit of glam on “Rock Boy” or that classic 1970s rock strut propelling “Ride My Bike.” “Henry and Leslie” even rocks up the traditional story ballad. Are there should-be hit singles here? I think so. Both “How To Love” and “Hanging On” turn the band’s signature vocals and guitar blend into highly hummable radio tune-age circa 1983. And listen for the delightful vocal interplay in the chorus of “Two Sides to Every Story.”

You can spin your own copy of The Spindles Wavelength via their bandcamp or band webpage.