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Poprock Record’s should-be hit singles for 2025

04 Sunday Jan 2026

Posted by Dennis Pilon in Poprock Themepark

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Banda Al9, Brett Newksi, Chaparelle, Chris Church, Chris Stamey, Daisy House, Death By Unga Bunga, Eytan Mirsky, Force Model, Grant Lindberg, Hidden Pictures, HOA, Jaimee Orr, Japanese Breakfast, Jim Trainor, Keyside, Liquid Mike, Log Flume, Lolas, Marshall Crenshaw, Martin Luke Brown, Mike Browning, Movie Movie, Nicky Koro, Oehl, Pony, Pouts, Rich Chance, Sally Spitz, Sofa City Sweetheart, Softjaw, Sorry Monks, Strange Neighbors, Tamar Berk, The Berries, The Bret Tobias Set, The Cords, The Geezers, The Half Cubes, The Invisible Rays, The Jeanines, The Lemon Twigs, The Mayflies USA, The Memories, The Mommyheads, The Needmores, The Sonny Wilsons, The Spindles, The Super True, The Tummies, The What Four, Tom Henry, Tony Marsico, Tristan Armstrong, Zombies of the Stratosphere

Another year, another slew of great singles made their appearance throughout our 73 posts of music coverage. If you’re an old school melodic rock and roll fan like me, the jangly, hooky, guitar-centric creativity was off the charts. Sadly, such the jangly, hooky, guitar-centric creativity was off the conventional music charts as well. That’s why we don’t rely on trade mags or corporate radio to tell us what’s top of the pops, we make up our own charts. Now, let me be clear, if I wrote about a song this past year I thought it was great, full stop. We’re an ‘all-positive, all-the-time’ kinda shop around here. So what you have in this post is recap of 50 songs that burned just little more deeply into my psyche this past year. Click on the hyperlinks to hear each of the songs and read the original write ups.

Enough stalling, here are Poprock Record’s top 50 should-be hit singles from 2025:

1. Keyside “Rock My Love”
2. Strange Neighbors “Beer at the Bar”
3. The What Four “Quarter to Midnight”
4. The Lemon Twigs “I’ve Got a Broken Heart”
5. The Sonny Wilsons “Maybe”
6. Pony “Superglue”
7. The Cords “Just Don’t Know (How to Find You)”
8. HOA “Don’t Be A Loser”
9. Tamar Berk “you ruined this city for me”
10. Banda AL9 “California”
11. Martin Luke Brown “To Be a Man”
12. Eytan Mirsky “Lost You in the Jetstream”
13. Grant Lindberg “In My Own Way”
14. Jaime Orr “Somebody Like You”
15. Force Model “How Can One Girl Be So Sad”
16. Log Flume “December’s Ending”
17. Rich Chance “Azelea Close”
18. The Bret Tobias Set “It Begins With Lean”
19. The Memories “Too Weak to be Strong”
20. Death By Unga Bunga “I’m Really Old”
21. Softjaw “I Need You”
22. The Spindles “Getaway”
23. Brett Newski and the Bad Inventions “Narrow Escapes”
24. Chris Church “She Looks Good in Black”
25. Japanese Breakfast “Magic Circuit”
26. Tristan Armstrong “The Lonely Avenue”
27. The Super True “Right Here”
28. The Needmores “Lookin’”
29. Oehl “I Love You”
30. Sally Spitz “Tag Your Sign”
31. Sorry Monks “I Know What’s On Your Mind”
32. The Mayflies USA “Calling the Bad Ones Home”
33. The Geezers “Modern Days”
34. Lolas “Work is the Blackmail of Survival”
35. Tom Henry “Close Your Eyes”
36. The Jeanines “What’s Done is Done” / “On and On”
37. The Tummies “Send Me A Picture”
38. Movie Movie “After Hours”
39. Tony Marsico and the Ugly Things “Goodbye to Lonely Town”
40. Chris Stamey “Anything is Possible”
41. Jim Trainor “Nothing”
42. Hidden Pictures “Wedding Singer (Going Through a Divorce)”
43. Liquid Mike “Selling Swords”
44. Zombies of the Stratosphere “If You’re Into It”
45. Daisy House “The Seducer”
46. The Invisible Rays “I Don’t Dream of You”
47. Nicky Koro “Dreamin’”
48. Pouts “Stay Awhile”
49. The Mommyheads “It’s Only Life”
50. The Berries “Lie in the Fire Again”

My top five this year were real head-turners. Liverpool’s Keyside show the city has still got the fab vibes. Strange Neighbors turned out killer tunes for the second year in a row. The first I heard of The What Four’s “Quarter to Midnight” I was hooked by its adrenaline-soaked beat. The Lemon Twigs have pretty reliably produced should-be hits over the past few years but there was something about “I’ve Got a Broken Heart” that just hit all poprock marks. And from way back early in 2025 I was struck by The Sonny Wilson’s unique sound. No maybe about it. I could go on about the other 45 songs here but you can get the dirt from the original posts by clicking the hyperlinks.

Next up, Poprock Record’s most inventive covers from 2025:

1. The Half Cubes “Whenever You’re On My Mind”
2. Sofa City Sweetheart “Waltz #2 (XO)”
3. Marshall Crenshaw “Never To Be Forgotten”
4. Mike Browning “Lost In Conversation”
5. Chaparelle “I Want to Dance with Somebody”

The Half Cubes put out another amazing album of covers and really outdid themselves but nowhere more strongly than on their cover of an early Marshall Crenshaw classic. Sofa City Sweetheart teased us this past year with an impressive rendering of Elliott Smith’s “Waltz #2.” Not an easy tune to take up. Marshall Crenshaw pulled together a host of songs for a new album, including a cover of a Bobby Fuller Four gem. And then we have Mike Browning covering an obscure Canadian track and Chaparelle countryfying a song everybody knows.

Well, there you have it, some great songs that deserve another shot across your attention span. Click the links for the original posts and revisit just how good 2025 was to us on the single file.

Photo courtesy Carbon Arc Flikr collection.

Around the dial: The Cords, Absolute Losers, The Sonny Wilsons, and The What Four

13 Monday Oct 2025

Posted by Dennis Pilon in Around the Dial

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Absolute Losers, The Cords, The Sonny Wilsons, The What Four

Radio silence is over. We just can’t keep these maximum-rotation AM-spectacular acts under wraps.

As you hit play on The Cords self-titled debut album I bet I know just what you’re going to say. I was barely a minute into the record’s opening cut “Fabulist” when it struck me like thunder –  ‘wow, this is like The Primitives reincarnated.’ The reverb-drenched rhythm guitar, the hooky lead guitar lines, the lighter than air melodious vocals, it’s the total package. Follow up track “I Don’t Know (How To Be You)” also locks into a killer rhythm guitar groove that is relentlessly good. “October” then ups the ante adding some speed and a slightly more punky demeanor. “Vera” is something else again, with quirky chord changes and sixties-worthy ‘ba ba ba ba’s. “Bo’s New Haircut” was an early release single and it advertise the goods well with its slightly more slick C-86 style. Not that everything here is Coventry power-pop adjacent. “Weird Feeling” has a very different vibe going on, more poppy, less rocky, despite some strong beat group rhythm guitar work. By contrast “Rather Not Stay” conjures a very 1960s dolly-bird in minor-key style. Album closer “When You Said Goodbye” is a wistful farewell that carries a cinematic punch. You’re definitely going want to grab a copy of The Cords, it’s the guitar pop album we’ve all been waiting for.

Despite coming from Canada’s smallest province Prince Edward Island boys Absolute Losers have got a big big sound on their latest LP In the Crowd, brimming with jangle and Beatlesque melodies. Departing somewhat from the more experimental poprock sound of their 2023 debut album At the Mall, you only have to hear the opening chords of album opener “At the Same Time” to know this record is getting right to the rock and roll point. And it’s pretty much the same attack on “In the Crowd.” “Eagerness” pauses the rock bluster for some very April Wine high-melody moments. But the range of song stylings isn’t limited. There are clear Buddy Holly influences all over “Don’t Go” and some very George Harrison guitar flourishes colouring “For So Long.” “Better Things to Do” rides a pretty fine Beatles/Tom Petty line while “Kiss of Death” gives a punky feel to a solid BTO rhythm guitar groove. Shifting to a more modern mood, “You Never Say You Love Me” has a Sloan-like pop clarity to my ears. Then there’s “Letter,” a song that sounds like a more upbeat Weezer. Personally, I think “Your Colours” is also pretty special, almost folky with great jangly guitar and yearning vocals. Taken all in over one sitting the album is a delightful selection of tunes. Absolute Losers have produced a real winner with In the Crowd.

There’s no ambiguity for me, Maybe is definitely one the albums of the year. This debut release from Memphis outfit The Sonny Wilsons manages to sound comfortably familiar and strikingly different at the same time. It’s partly the tightness of the band’s performance. These guys sound like they’ve been playing together forever. But it’s also how the songs rework timeless rock motifs into something new. Take opening cut and title track “Maybe” as an example. It revs up like a lost new wave era classic but the distinctive vocal work somehow dislodges it from this period in a highly original way. Then “Deserea” gives us a taste of Led Zeppelin-style folkifying before launching a Blue Rodeo-like dark pop ballad. “Miss Kinetic” is more rock and roll hit single material, propelled by a twin blast of exciting electric lead and rhythm guitars. If there’s a divide in the material on this album, the cut lands between rockier and more acoustic guitar numbers. Songs like “Art of Letting Go” and “Who We Are” weave hooky lead guitar lines into rock songs that vibe The Beatles and even Blue Oyster Cult (in their poppier moments), respectively. Sometimes the rock drifts in more dissonant directions too, with both “Summer Rain” and “Ones and Zeros” reminding me of Chris Lund’s recent work. Contrasting this are the lush acoustic guitar tracks like “Favorite Spoon,” “Desert,” “What Happens,” and “Quicksand” where the band’s distinctive vocal work really come to the fore. I’d single out “Wheels” for future single-age. I love how its rocking verses veer a bit country in the chorus. And then there’s the big finish closer “The Way We Dance. ” What embarks as an off-kilter ballad, a slightly askew slow dance for a David Lynch soundtrack, picks up steam in the chorus in wonderfully unpredictable way.

On their debut EP (Four) The Record L.A. fourpiece The What Four offer us a gift from the past, both near and far. From the first bars of “Nowhere Blues” the atmosphere is set, it’s a neo-1950s J.D. McPherson vibe. This is only further reinforced by the languid bluesy groove established on “Long Long Way to Go.” But little will prepare you for the dramatic aural assault that is “Quarter to Midnight.” This track sizzles with a barely constrained rockabilly energy, enhanced by a modern set of pop melodic hooks. The effect is like a rockabilly version of the B52s. The EP’s hit single, definitely. Or is it? “Sunday Morning Ain’t So Easy” wraps up the show with a snappy danceable earworm that says play me over and over. This one would be in maximum radio rotation if I could buy the network. The only really disappointing thing about this release is its brevity, with just 4 songs running a scant 12 minutes. A long-player SOS has gone out for this act over all the usual channels.

Today’s line-up populating our radio dial are astonishingly good. Give then a crack at radio stardom or the sale of a tune or two by clicking the hyper-links above.

Photo courtesy Joe Haupt Flikr collection.

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  • Snow drift singles

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