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Poprock Record’s should-be hit singles for 2025

04 Sunday Jan 2026

Posted by Dennis Pilon in Poprock Themepark

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Banda Al9, Brett Newksi, Chaparelle, Chris Church, Chris Stamey, Daisy House, Death By Unga Bunga, Eytan Mirsky, Force Model, Grant Lindberg, Hidden Pictures, HOA, Jaimee Orr, Japanese Breakfast, Jim Trainor, Keyside, Liquid Mike, Log Flume, Lolas, Marshall Crenshaw, Martin Luke Brown, Mike Browning, Movie Movie, Nicky Koro, Oehl, Pony, Pouts, Rich Chance, Sally Spitz, Sofa City Sweetheart, Softjaw, Sorry Monks, Strange Neighbors, Tamar Berk, The Berries, The Bret Tobias Set, The Cords, The Geezers, The Half Cubes, The Invisible Rays, The Jeanines, The Lemon Twigs, The Mayflies USA, The Memories, The Mommyheads, The Needmores, The Sonny Wilsons, The Spindles, The Super True, The Tummies, The What Four, Tom Henry, Tony Marsico, Tristan Armstrong, Zombies of the Stratosphere

Another year, another slew of great singles made their appearance throughout our 73 posts of music coverage. If you’re an old school melodic rock and roll fan like me, the jangly, hooky, guitar-centric creativity was off the charts. Sadly, such the jangly, hooky, guitar-centric creativity was off the conventional music charts as well. That’s why we don’t rely on trade mags or corporate radio to tell us what’s top of the pops, we make up our own charts. Now, let me be clear, if I wrote about a song this past year I thought it was great, full stop. We’re an ‘all-positive, all-the-time’ kinda shop around here. So what you have in this post is recap of 50 songs that burned just little more deeply into my psyche this past year. Click on the hyperlinks to hear each of the songs and read the original write ups.

Enough stalling, here are Poprock Record’s top 50 should-be hit singles from 2025:

1. Keyside “Rock My Love”
2. Strange Neighbors “Beer at the Bar”
3. The What Four “Quarter to Midnight”
4. The Lemon Twigs “I’ve Got a Broken Heart”
5. The Sonny Wilsons “Maybe”
6. Pony “Superglue”
7. The Cords “Just Don’t Know (How to Find You)”
8. HOA “Don’t Be A Loser”
9. Tamar Berk “you ruined this city for me”
10. Banda AL9 “California”
11. Martin Luke Brown “To Be a Man”
12. Eytan Mirsky “Lost You in the Jetstream”
13. Grant Lindberg “In My Own Way”
14. Jaime Orr “Somebody Like You”
15. Force Model “How Can One Girl Be So Sad”
16. Log Flume “December’s Ending”
17. Rich Chance “Azelea Close”
18. The Bret Tobias Set “It Begins With Lean”
19. The Memories “Too Weak to be Strong”
20. Death By Unga Bunga “I’m Really Old”
21. Softjaw “I Need You”
22. The Spindles “Getaway”
23. Brett Newski and the Bad Inventions “Narrow Escapes”
24. Chris Church “She Looks Good in Black”
25. Japanese Breakfast “Magic Circuit”
26. Tristan Armstrong “The Lonely Avenue”
27. The Super True “Right Here”
28. The Needmores “Lookin’”
29. Oehl “I Love You”
30. Sally Spitz “Tag Your Sign”
31. Sorry Monks “I Know What’s On Your Mind”
32. The Mayflies USA “Calling the Bad Ones Home”
33. The Geezers “Modern Days”
34. Lolas “Work is the Blackmail of Survival”
35. Tom Henry “Close Your Eyes”
36. The Jeanines “What’s Done is Done” / “On and On”
37. The Tummies “Send Me A Picture”
38. Movie Movie “After Hours”
39. Tony Marsico and the Ugly Things “Goodbye to Lonely Town”
40. Chris Stamey “Anything is Possible”
41. Jim Trainor “Nothing”
42. Hidden Pictures “Wedding Singer (Going Through a Divorce)”
43. Liquid Mike “Selling Swords”
44. Zombies of the Stratosphere “If You’re Into It”
45. Daisy House “The Seducer”
46. The Invisible Rays “I Don’t Dream of You”
47. Nicky Koro “Dreamin’”
48. Pouts “Stay Awhile”
49. The Mommyheads “It’s Only Life”
50. The Berries “Lie in the Fire Again”

My top five this year were real head-turners. Liverpool’s Keyside show the city has still got the fab vibes. Strange Neighbors turned out killer tunes for the second year in a row. The first I heard of The What Four’s “Quarter to Midnight” I was hooked by its adrenaline-soaked beat. The Lemon Twigs have pretty reliably produced should-be hits over the past few years but there was something about “I’ve Got a Broken Heart” that just hit all poprock marks. And from way back early in 2025 I was struck by The Sonny Wilson’s unique sound. No maybe about it. I could go on about the other 45 songs here but you can get the dirt from the original posts by clicking the hyperlinks.

Next up, Poprock Record’s most inventive covers from 2025:

1. The Half Cubes “Whenever You’re On My Mind”
2. Sofa City Sweetheart “Waltz #2 (XO)”
3. Marshall Crenshaw “Never To Be Forgotten”
4. Mike Browning “Lost In Conversation”
5. Chaparelle “I Want to Dance with Somebody”

The Half Cubes put out another amazing album of covers and really outdid themselves but nowhere more strongly than on their cover of an early Marshall Crenshaw classic. Sofa City Sweetheart teased us this past year with an impressive rendering of Elliott Smith’s “Waltz #2.” Not an easy tune to take up. Marshall Crenshaw pulled together a host of songs for a new album, including a cover of a Bobby Fuller Four gem. And then we have Mike Browning covering an obscure Canadian track and Chaparelle countryfying a song everybody knows.

Well, there you have it, some great songs that deserve another shot across your attention span. Click the links for the original posts and revisit just how good 2025 was to us on the single file.

Photo courtesy Carbon Arc Flikr collection.

Piping hot hits Vol. 2

12 Saturday Jul 2025

Posted by Dennis Pilon in Poprock Themepark

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Danny Patrick, Fara San, Freedom Fry, Friends of Cesar Romero, Invisible Rays, Jean Caffeine, Joe Dilillo, K-Tel, Len Price 3, Movie Movie, Novelty Island, Sloan, Spearside, Tchotchke, The Bret Tobias Set, The Brigadier, The Flashcubes, The Krayolas, The Penrose Web, The Rallies, The Tummies, Trevor Blendour

K-Tel had it coming and going in the 1970s. Single albums, double albums, double albums released as two single albums, and every combination in between. The point was, if they had concept that was selling they would keep selling it, any which way they could. In our second installment of Piping Hot Hits we take heed from the K-Tel gods and lay it on heavy.

Listen to how Fara San make their main guitar sing on “Long Lost Lover.” Lovingly exuding a 1960s folk rock vibe but deployed in a wholly different song register, more post-millennium indie rock with sweetly sung vocals. You never know quite what you’re going to get with any new release from The Krayolas. Could be a great lost unreleased track or a brand new retro charmer. “Surf’s Down” comes from a batch of songs recorded back in 1979 that never saw light of day. The Beach Boys notes are obvious but there’s hints of Harry Nilsson and Burt Bacharach too. Nashville’s The Tummies are also working the sixties side of the street on their self-proclaimed ‘summer ’25 road trip single.’ “Send Me a Picture” is an effortless bit of Beatlesque pop. A new Sloan album is certainly something to celebrate. Based on a Best Seller is due out in September but right now we’ve got “Live Together” and it’s everything that makes the band today’s most reliable should-be hit makers. It’s all hooks and harmonies, both familiar and surprising. And yet as they sing in this song, “The ‘90s nostalgia that you feel Is nothing compared to what’s to come.” So September can’t come soon enough. Danny Patrick is a guy who records great songs and put them up on the internet for free or whatever you want to pay. And it is great stuff. Like “A Girl Like You.” You’d swear this is time capsule 1980s radio find. The guitar sound could be any rough melodic FM rock radio band from the era while the harmony vocals conjure groups with a slight country edge.

Jean Caffeine’s new single “I Know You Know I Know” is a genius bit of pop restraint. It sounds so simple but the melodic arc shifts between an Everly Brothers and Marti Jones feel. The selection of subtle musical adornments are inspired. What is Joe Dilillo doing on his new single? Would we say it’s mining Billy Joel or perhaps Gilbert O’Sullivan? “When It Comes To Us” is such a beautiful tune, it definitely stands on its own but the melodic shading offers up hints of the masters in the details. Movie Movie’s muscular guitar pop rock returns on “After Hours” with a splash of 1980s synth, like The Fixx stopped by to jam. The Len Price 3 keep on rocking like it’s 1979 with their new song “Emily’s Shop.” It’s got a feel like The Jam or The Primitives and what’s not to like about that? Bret Tobias from The Bret Tobias Set is now apparently hanging out with Marty Wilson-Piper from the legendary Australian band The Church so not surprisingly his new song sounds pretty 1981 in the very best way. Just listen to the guitar shimmer dripping all over “Happiness Writes White.” Melodic magic!

The Len Price 3 – Emily’s Shop

Say hello to Liverpool’s Novelty Island and their upcoming LP release Jigsaw Causeway with their light sunny drop of McCartneyesque single-age “Foam Animals.” It’s dreamy with some mesmerizing keyboard work. In a very similar keyboard original register, Freedom Fry lull us with their usual signature lowkey whispery hooks on “Little Things.” Tchochtke ride some propulsive Beach Boys organ riffs with “Poor Girl” but the rest of the sonic pull on this song is seventies pop. By contrast Boston’s Invisible Rays is guitars to the front with a delightful bit of jangle launching “Lightning” that reaches new heights of hook-age in the chorus. When we last heard from Trevour Blendour he was Falling in Love but now it appears someone is Breaking Up With him. We don’t have all the details, other than the predictably super pre-release single “She’s Still My Baby.” It’s classic Blendour, full of updated fifties motifs and old school rock and roll guitars.

The Penrose Web is a new musical project that could be a great lost EP from the 1980s indie guitar scene. “Geraldine” captures the gentle pop vibe that could be Aztec Camera. From the not-so-gentle file, the recent Friends of Cesar Romero single “Can’t Get You” gets busy with clashy guitars and slightly screamy vocals but never loses the hooky plot. As we have come to expect. The Flashcubes returned recently with accolade-winning covers album but what fans always really wanted was some new material from the legendary 1970s power pop band. Now we’re getting it and disappointment is not in the cards. The new single “Reminisce” takes us back to the band’s classic sound with a tune that sounds perfect for the here and now. With help from The Figgs Mike Gent! Trim, Ireland’s Spearside embark with a slightly heavier guitar sound on their new EP Hatchet Man, cranking their amps well past 11. But on “Are Friends Electric” they bring back a more ringing bit of jangle guitar to contrast these heavier sounds and the results are explosively good. From a very different direction The Rallies focus their considerable pop talents on “Love.” It’s a jaunty, feel-good effort, full of their requisite harmonies and guitar hooks.

Hitting the inner groove of this second volume we have a double shot of The Brigadier. “Blessings” is breathy and dreamy with great guitar blasts coming in at regular intervals while “Perfect Surprise” embodies even more of those characteristics but perhaps Beach Boys enriched.

Well, there you have it, a second could-be K-Tel collection volume. Feel free to recombine these volumes in any form you like, re-arranging or cutting tracks as you see fit. After all, K-Tel certainly would have.

Merseybeat time! The Chickenbackers and The Tummies

07 Monday Jun 2021

Posted by Dennis Pilon in Artist Spotlight

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The Chickenbackers, The Tummies

Regular readers know I’m a sucker for anything Mersey-fied. Those magic years covering 1963 through 1965 were a distinctive period for the moptops, one that spread to other bands and whole northwestern region of England. And the influence lives in both serious (e.g. Utopia’s Deface the Music) and parodic forms (e.g. The Rutles’ All You Need is Cash). Today’s feature acts revive the Mersey spirit with some dynamite new material and strong performances.

Madrid, Spain’s The Chickenbackers add a distinctive Shadowy Men on a Shadowy Planet vibe to their otherwise Mersey-full debut LP Yeah Right, Yeah! You can really hear the synthesis on the opening track “Because I was Blind.” In fact, in addition to their spot-on Mersey sound, the band ace a broader mid-1960s garage and early Who feel as well, particularly on “C’mon C’mon” and their cover of the High Numbers “Zoot Suit” (obviously). Of course, the main event is the With the Beatles through Beatles for Sale aura surrounding so much of what appears here, like the sha-la-la perfect “By Your Side” and the jangle-heavy “Hipsterboy.” The record also includes some inspired covers, like the Count Five’s “Can’t Get Your Loving” and the Dixie Cups’ “I’m Gonna Get You Yet.” The band also crank out an explosively propulsive instrumental on “The Surfer Chicken.” Basically, this disc has got a song for every mood shift at your retro dance party. So get your Chelsea boots off the shelf and get ready for Yeah Right, Yeah!, an album that offers something old and something new in a very enjoyable package (with CDs available from Kool Kat here).

The river Mersey runs through Nashville, Tennesse, if the exertions of The Tummies are anything to go by. That unfailing “I Saw Her Standing There” beat is all over “Sweet Little Mistreater” and “Little Blue Heart,” the opening cuts of their 2020 album 9:30 Girl. Title track “9:30 Girl” evokes the more acoustic ballads on those early Beatles records but “Money From the Hill” advances the influences to the acoustic guitar folkie fingerpicking-style that appeared on the White Album. Meanwhile “Stuff Like That” moves into Rubber Soul/Revolver territory while “Under the Covers” gives voice to Beatles’ Buck Owens-inspired take on American country and western. The mix of male and female vocals takes us out of the Beatles sound a bit on songs like “Do My Eyes Deceive Me” but the songwriting style is pure vintage Mersey in the Gerry and the Pacemakers register. And not all songs here live solely in the Beatles universe. “Collector” reminds me of mid-1970s Canadian melodic rock from the likes of Chilliwack. I have to say, when I read the band bios and their links to seventies rock goths like Kiss I wasn’t sure what to expect. But The Tummies deliver applying solid Beatles chops to some pretty engaging songs.

Working the Mersey strip is a fine balance for any band. You’ve got to offer up the recognizable beat group motifs to draw the fans but deliver engaging and creative material to keep their attention beyond a novelty interest. The Chickenbackers and The Tummies deliver the goods and then some.

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