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Poprock Record’s should-be hit singles for 2025

04 Sunday Jan 2026

Posted by Dennis Pilon in Poprock Themepark

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Banda Al9, Brett Newksi, Chaparelle, Chris Church, Chris Stamey, Daisy House, Death By Unga Bunga, Eytan Mirsky, Force Model, Grant Lindberg, Hidden Pictures, HOA, Jaimee Orr, Japanese Breakfast, Jim Trainor, Keyside, Liquid Mike, Log Flume, Lolas, Marshall Crenshaw, Martin Luke Brown, Mike Browning, Movie Movie, Nicky Koro, Oehl, Pony, Pouts, Rich Chance, Sally Spitz, Sofa City Sweetheart, Softjaw, Sorry Monks, Strange Neighbors, Tamar Berk, The Berries, The Bret Tobias Set, The Cords, The Geezers, The Half Cubes, The Invisible Rays, The Jeanines, The Lemon Twigs, The Mayflies USA, The Memories, The Mommyheads, The Needmores, The Sonny Wilsons, The Spindles, The Super True, The Tummies, The What Four, Tom Henry, Tony Marsico, Tristan Armstrong, Zombies of the Stratosphere

Another year, another slew of great singles made their appearance throughout our 73 posts of music coverage. If you’re an old school melodic rock and roll fan like me, the jangly, hooky, guitar-centric creativity was off the charts. Sadly, such the jangly, hooky, guitar-centric creativity was off the conventional music charts as well. That’s why we don’t rely on trade mags or corporate radio to tell us what’s top of the pops, we make up our own charts. Now, let me be clear, if I wrote about a song this past year I thought it was great, full stop. We’re an ‘all-positive, all-the-time’ kinda shop around here. So what you have in this post is recap of 50 songs that burned just little more deeply into my psyche this past year. Click on the hyperlinks to hear each of the songs and read the original write ups.

Enough stalling, here are Poprock Record’s top 50 should-be hit singles from 2025:

1. Keyside “Rock My Love”
2. Strange Neighbors “Beer at the Bar”
3. The What Four “Quarter to Midnight”
4. The Lemon Twigs “I’ve Got a Broken Heart”
5. The Sonny Wilsons “Maybe”
6. Pony “Superglue”
7. The Cords “Just Don’t Know (How to Find You)”
8. HOA “Don’t Be A Loser”
9. Tamar Berk “you ruined this city for me”
10. Banda AL9 “California”
11. Martin Luke Brown “To Be a Man”
12. Eytan Mirsky “Lost You in the Jetstream”
13. Grant Lindberg “In My Own Way”
14. Jaime Orr “Somebody Like You”
15. Force Model “How Can One Girl Be So Sad”
16. Log Flume “December’s Ending”
17. Rich Chance “Azelea Close”
18. The Bret Tobias Set “It Begins With Lean”
19. The Memories “Too Weak to be Strong”
20. Death By Unga Bunga “I’m Really Old”
21. Softjaw “I Need You”
22. The Spindles “Getaway”
23. Brett Newski and the Bad Inventions “Narrow Escapes”
24. Chris Church “She Looks Good in Black”
25. Japanese Breakfast “Magic Circuit”
26. Tristan Armstrong “The Lonely Avenue”
27. The Super True “Right Here”
28. The Needmores “Lookin’”
29. Oehl “I Love You”
30. Sally Spitz “Tag Your Sign”
31. Sorry Monks “I Know What’s On Your Mind”
32. The Mayflies USA “Calling the Bad Ones Home”
33. The Geezers “Modern Days”
34. Lolas “Work is the Blackmail of Survival”
35. Tom Henry “Close Your Eyes”
36. The Jeanines “What’s Done is Done” / “On and On”
37. The Tummies “Send Me A Picture”
38. Movie Movie “After Hours”
39. Tony Marsico and the Ugly Things “Goodbye to Lonely Town”
40. Chris Stamey “Anything is Possible”
41. Jim Trainor “Nothing”
42. Hidden Pictures “Wedding Singer (Going Through a Divorce)”
43. Liquid Mike “Selling Swords”
44. Zombies of the Stratosphere “If You’re Into It”
45. Daisy House “The Seducer”
46. The Invisible Rays “I Don’t Dream of You”
47. Nicky Koro “Dreamin’”
48. Pouts “Stay Awhile”
49. The Mommyheads “It’s Only Life”
50. The Berries “Lie in the Fire Again”

My top five this year were real head-turners. Liverpool’s Keyside show the city has still got the fab vibes. Strange Neighbors turned out killer tunes for the second year in a row. The first I heard of The What Four’s “Quarter to Midnight” I was hooked by its adrenaline-soaked beat. The Lemon Twigs have pretty reliably produced should-be hits over the past few years but there was something about “I’ve Got a Broken Heart” that just hit all poprock marks. And from way back early in 2025 I was struck by The Sonny Wilson’s unique sound. No maybe about it. I could go on about the other 45 songs here but you can get the dirt from the original posts by clicking the hyperlinks.

Next up, Poprock Record’s most inventive covers from 2025:

1. The Half Cubes “Whenever You’re On My Mind”
2. Sofa City Sweetheart “Waltz #2 (XO)”
3. Marshall Crenshaw “Never To Be Forgotten”
4. Mike Browning “Lost In Conversation”
5. Chaparelle “I Want to Dance with Somebody”

The Half Cubes put out another amazing album of covers and really outdid themselves but nowhere more strongly than on their cover of an early Marshall Crenshaw classic. Sofa City Sweetheart teased us this past year with an impressive rendering of Elliott Smith’s “Waltz #2.” Not an easy tune to take up. Marshall Crenshaw pulled together a host of songs for a new album, including a cover of a Bobby Fuller Four gem. And then we have Mike Browning covering an obscure Canadian track and Chaparelle countryfying a song everybody knows.

Well, there you have it, some great songs that deserve another shot across your attention span. Click the links for the original posts and revisit just how good 2025 was to us on the single file.

Photo courtesy Carbon Arc Flikr collection.

Spin the big wheel

16 Sunday Nov 2025

Posted by Dennis Pilon in Poprock Themepark

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Tags

Amazing Space, Christopher Sleightholm, fanclubwallet, Fortitude Valley, Lawn, Massage, Maura Weaver, Melvic Centre, Momma, Post Animal, Sweet Nobody, The Berries, The Medium, The Telephone Numbers, Vanity Mirror, Wishy

There are so many great acts and accompanying singles, EPs, and albums coming at me I really can’t keep up. So today we play catch up and throw in a word or two about a host of great releases I’ve been sitting on. You can just spin the big wheel and drop in anywhere.

Indianapolis fuzz pop outfit Wishy are pushing the faders into the red all over their Planet Popstar EP. Opening cuts “Fly” and “Planet Popstar” offer up a bevy of distorted guitar hooks and vocals. “Over and Over” then cleans up the sound in a Sugar Ray sort of way. The EP shifts back and forth between a fuzzy and more pristine dreamy demeanor. LA band Momma also do dreamy but with a more conventional rock and roll backing on Welcome to My Blue Sky. Surefire single “Rodeo” launches with a killer lead guitar hook only to soften things up with a smooth, seductive vocal. “New Friend” is more soft, lilting acoustic guitar pop. Turning on Amazing Space’s recent album Parallel Dreams you’d be hard pressed to guess they’re from Bergen, Norway. They’ve really got the Americana sound down. The title track “Parallel Dreams” could be the Eagles. But other tracks diverge a bit from this formula. “Surrounded by the Absence” has great new wave-ish keyboards while “Go Easy On Me” vibes a dream-wash sibilance reminding me of fellow Swede The School Book Depository. Regina, Saskatchewan’s Christopher Sleightholm celebrates all things sunny and laid back on Still Summer. The style is 1960s reinvention with layers of jangle, pedal steel and Beatlesque melodic turns. “Summer Eyes” is so jangliciously Byrds. “Peppermint Fields” tips things toward the Bryds’ country turn. There’s also some serious instrumental guitar work here on tracks like “Hoppin’ Thru The Bog in Fog” and “Coyote at the Trailhead.”

It’s tough when a member of band becomes hugely popular and for something that has nothing to do with music. But that is the story of Post Animal when Stranger Things actor Joe Keery left the group in 2017. After a few albums apart Keery is now back with the band for a new album entitled Iron. The sound is very contemporary indie rock: sleek, intimate and subtley hooky. Obvious LP single is the singalong-ish “The Last Goodbye.” On Scarecrow II The Telephone Numbers dial up some serious jangle pretty consistently over the course of the LP. Standout jangling can be found on “Pulling Punchlines” with its propulsive wall-of-guitars sound and Grapes of Wrath vocals. “Goodbye Rock and Roll” is another standout. Taking things up to 11 for a moment Melvic Centre let a strong guitar grind wallpaper their album Trawler. But offsetting that are some great vocal harmonies. “First to Know” showcases how brilliantly these seemingly dissonant qualities can come together. While much of the album shades toward punk “Late Riser” and “Muddy Mae Suggins” unleash some serious melodic hooks. For me, Lawn’s new record God Made the Highway really takes off at track 3 with “Davie” and its ringing lead guitar work. “Barroom Wonder” is another lead guitar workout, deliciously drawing you in.

New Massage LP Coaster is a wildly inventive time-trip through an 1980s ambience that doesn’t sound in any way derivative. “No North Star” is Madchester jangly while “Daffy Duck” has a distinct New Order-ish vibe. “Without Your Love” has the period’s guitar tone down pat. Basically, the whole record envelopes you like a favourite fuzzy sweater. Durham UK’s Fortitude Valley have dropped some serious stylistic intensity into their recent Part of the Problem, Baby release. The guitar attack and pacing is relentless while the vocals ride over the musical drone with a distinctive air. Sometimes things are poppy, as on “Video (Right There With You).” Sometimes they are dissonant, like on “Totally.” Solid should-be hit single is “Sunshine State.” Nashville’s The Medium go all in for the team on their EP Sports! The atmosphere here is very Todd Rundgren meets 10cc, a 1970s compressed pop sound, particularly on “Feel the Dream” and “We’ve Got a Winner.” “Gimme Some Gas” is more a seventies rock and roll romp. Then “Me and My Glove” could be Harry Nilsson. Ottawa’s fanclubwallet shift the mood again to something more intimate and conversational on Living While Dying. This vibe is more contemporary, with compressed keyboard and hushed vocals. I love the hypnotic keyboard drone driving “Head On” forward. Then there’s the lush pop sound of “Do Over” with its otherworldly theremin solo. “New Distraction” sounds like the radio-ready song.

Get ready for some ripping reverb when you spin The Berries self-titled long-player The Berries. This is a guitar album, with fabulous nuanced amplifier tones all over its 10 tracks. Just check out the gorgeous spaciousness of the languid lead guitar guiding “Angelus.” Or there’s the striking back and forth between the guitar and vocals defining “Salt of the Earth.” I love the rippling Blue Oyster Cult-like lead guitar lines on “Lie in the Fire Again.” Toronto’s Vanity Mirror infuse a late 1960s psychedelic pop spirit over a lot of the tracks populating their Super Fluff Forever LP. It’s there strongly on “White Butterfly” while “Jack of All Trades” hits the Velvet Underground groove hard. But others lean into whimsy and piano. Or there’s “I Don’t Want to Hold Your Hand,” a brilliant inversion of Merseybeat sentiments. Sweet Nobody strike a more cinematic pose on Driving Off to Nowhere. The mood here is decisively moody, the vibe all indirect lighting and overflowing ennui. It’s there from the stark opening of “I Don’t Know When I’ll See You Again.” Mixing things up, a rippling guitar lead line gives “Revenge” a pulse-racing feel. “Home Sweet Hell” leans into a dark country vein. “Could You Be the One” sounds hit single-ish to me. Maura Weaver’s second solo album Strange Devotion is a collection of constant surprises. Each song is a carefully crafted sonic illustration, balancing both harmony and dissonance. “Cool Imagination” is the kind of song you instantly want to sing along with. “Do Nothing” is a brilliant example of alluring melodic minimalism. Meanwhile you also have tracks like “Breakfast” that go in a country direction.

I’ve spun the wheel on these fabulous albums, showcasing a few great tunes. But why take my word for it? Dig into the deep cuts on these LPs for yourself by hitting the hotlinks to the full album experience on bandcamp.

Photo courtesy Thomas Hawk Flikr collection.

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