What kind of album is Nick Lowe’s new Indoor Safari? His recent LPs have ranged from rock and roll allsorts mixtures (At My Age) to more sonically consistent kinds of musical statements (That Old Magic) but his new release harkens back to his 1980s rockabilly-tinged variety shows like Nick Lowe and his Cowboy Outfit and Pinker and Prouder Than Previous. Contra the post title, not much on the new album is genuinely new, with most tracks seeing release sometime over the past decade on a variety of extended singles and EPs, though the versions here are freshly re-recorded for this release. The new takes are not that strikingly different – the changes are subtle, perhaps a slight shift in the vocal fit or the band’s swagger. But put together in one place like this the songs do cohere into an album rather than just a collection of tunes.
Lowe opens with a blast of rockabillied sixties garage rock on “Went to a Party,” from which he derives his album’s title when he suggests a party is akin to an indoor safari. This track and “Jet Pack Boomerang” are the only wholly new tunes here and, along with “Tokyo Bay,” set the pace for the album’s more rocking moments. Lowe’s backing band for the record are Los Straitjackets and their playing adds a welcome degree of surly abandon to the proceedings. Other songs like “Love Starvation” and “Lay It On Me Baby” draw on a post-1950s but pre-Beatles rock and roll vibe. Then there’s “Crying Inside,” the kind sixties rewrite Nick has has tossed off throughout his career with reliably good results. Nick does also draw on his Brentford Trilogy sound for “A Quiet Place” and “Different Kind of Blue,” the latter conjuring a distinctly jazzy crooner feel. “Blue On Blue” remains my fave song from Nick over this last decade. A band like Los Straitjackets could have stomped all over this tune with their wall-of-guitar sound but instead deftly pick their way through, delicately shaping its impact. And while album 14 for Nick might see a bit more gravel in his vocal there’s no discounting his talent for phrasing, as evident when he makes a cover of Ricky Nelson’s “Raincoat in the River” sound more like a great lost Sam Cooke 45. “Don’t Be Nice To Me” wraps things up in a classic Lowe style, going low key only to reveal surprising hooks.
Aging artists risk turning into a broken record, releasing faded versions of their former glory again and again. But with Indoor Safari Nick Lowe – with help from his able backing band Los Straitjackets – proves an old dog can even make old tricks sound fresh and exciting. Long may he growl.
Get Indoor Safari from Nick’s Bandcamp locale and visit his website for his seemingly never-ending tour news.
