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Snow drift singles

22 Monday Dec 2025

Posted by Dennis Pilon in Poprock Themepark

≈ 5 Comments

Tags

Bill Lloyd, Billy J. Kramer, Brian Dunne, Carl Perkins, Dave Rave and the Governors, Grand Drifter, Guppy, HOA, I Was a King, John Dunbar, John Sally Ride, Kurt Hagardorn, Log Flume, Los Andes, No Jersey, Remember Sports, RIcky Rochelle, Secret Postal Society, the dts, The Elbow Patches, The Well Wishers, Tommy Sistak, Vaughn Trapp, Yorick van Norden

We’re deep into December and snow is coming and going in my part of the world. All the more reason to find shovelling inspiration wherever we can. Here’s another 21 songs to put some heft into your snow relocation efforts.

I’m a bit late picking up on this song from Dave Rave and the Governors from their 2023 LP Seven. “Distractions” has got a Blue Oyster Cult classic rock pop feel. Cool, mysterious, with a host of great inventive changes. Yorick van Norden highlights “Better Days” ahead on his recent single, full of sunny sentiment and a quality dose of jangle. Just one of many similar contributions on his new album Do It Now. The ever surprising Kurt Hagardorn goes a bit more Americana than usual on his recent single “Float Away with Me.” Very much sounding like an early 1970s-era Band deep cut. South Korea’s HOA are fab in so many ways. Open your ears to “Don’t Be A Loser” and tell me you don’t hear the Fabs at every melodic turn. It vibes Meet the Beatles with a dash of “Drive My Car.” Back in the early 1990s poprock master Bill Lloyd got the chance to work with rockabilly legend Carl Perkins on a set of session that ultimately never got released … until now. Here’s the title track to the fantastic 10 song album, Some Things Never Change. Perkins sounds like a million dollar player for sure and the song has the elan of timeless classic.

John Sally Ride main man John Dunbar works up a new alias for his most recent project. The Elbow Patches exude a psychadelic pop feeling on “The Day Got Away From Me.” Just one of ten great pop numbers on their full length record Achingly Familiar. Tommy Sistak pushes the Everlys faders up full on the “Long Goodbye.” Really, the Everly tone here is eerie but oh so pleasant. Wow, Log Flume offer up a Joni Mitchell “Clouds” bit of jangle-age on “Get The Picture.” Just great guitar work, period. Egersund, Norway’s I Was A King have a sound that’s warm and just a bit spooky on their new LP Until the End. Title track “Until the End” even has a splash of folkish charm pop up in the instrumental break. Jeff Shelton gets political on the most recent Well Wishers single. “littleorangemagaman” has some rough edges, solids hooks and a point of view, just what we’d expect of him.

On 2022’s Backgammonesque Los Andes gave us a killer South America-flavoured Teenage Fanclub vibe. Their new single “Facil” (or “Easy” in English) is just as delightful, swimming with lush guitars and beautiful vocal harmonies, in both full band and acoustic versions. Doug Hammond’s Daisy House was an early fave on this blog. His recent releases as Vaughn Trapp revive that magic, drawing from his remarkable, 1960s-infused songwriting skills. “What’s On Your Mind” has a particular pop sheen, so classy and smooth in its execution. Remember Sports are a band that sound live and lively. “Across the Line” rolls out with a steady emphasis, alternating between a laconic and deliberate kind of impact. The contrast between the spacey guitar tones and the folk-friendly vocals gives Guppy’s new song “Back to the Thing” a really unique charm. My head just starts doing the Peanuts head-bop dancing thing without much prompting here. Andrea Calvo is Grand Drifter, a sophisticated folkster of Italian persuasion who is long overdue for a new long-player. In the interim we can enjoy is hot-off-the-45-stamper “Any Second Now.” It’s a song about ‘finding traces of love hidden in the small, ordinary moments of everyday life,’ cocooned in a soft, Lennon-as-homemaker style.

Brian Dunne knows how to strum a guitar up into a catchy song. But he’s also got something to say. His most recent LP Clam Casino runneth over with plenty of hooks and homilies, none more so than the should-be hit-single “Fake Version of the Real Thing.” A poppier Bruce Springsteen, for sure. On Mondo Cool Brooklyn’s No Jersey lay it all out, how the system works and for whom, in a winning Americana-tinged pop-punk style. It was a toss-up between “You and Me and the Means of the Production” and “How To Make It In America” but I think the latter just has more hooks. Right next door New Jersey’s the dt’s revive a particularly groovy 1980s popping rock sound on “Sorry Not Sorry.” While crashing a party might be a real dilemma, it’s fodder for a great song here. Secret Postal Society have a new single and its dreamy, strummy good. “Heather” has a lilting soft intensity that builds as it goes on. Great synth runs too! Ricky Rochelle rides the line between punky rock abandon and sweet sweet melodic hooks. His recent long-player Second Layer runs the same play over and over again (and I love it), starting out every song with a starkly plain or rough-edged attack only to seduce us in the melody-drenched chorus. “Highlight Reel” makes this obvious but, frankly, any track from the record could demonstrate this magic.

Original Merseybeater Billy J. Kramer has a new album out and it’s got some killer tracks. Title-track “Are You With Me” works some autobiography into a very hummable effort. “My Sweet Rose” is another notable cut. But the radio ready song here is the early 1960s crooner “Go On Girl.” Sounds so of the era!

Living driving distance from the bottom of the Canadian shield I know a thing or two about snow. And it definitely goes better with music. Here you’ve got 21 snow drift sanctioned songs to get you through it.

Photo courtesy Thomas Hawk Flikr collection.

Viva el Poprock en español!

02 Friday Dec 2022

Posted by Dennis Pilon in Poprock Themepark

≈ 2 Comments

Tags

Aiko El Gupo, en espanol, Islandia Nunca Quema, Juvenilia, Lisasinson, Los Andes, singing in Spanish, The Silos

Spain is undeniably the continental European country most holding down the power pop fort. Just why this Iberian locale is so taken with jangly guitars and hooky melodies is unclear. But to honour their commitment today’s post celebrates melodic rock and roll sung in Spanish. Whether the bands come from within or outside Spain’s national borders, no matter. We’re ready to hit play.

Lisasinson hail from Valencia and come on like a female version of The Happy Fits. In other words, slightly punky, cleverly melodic and irrepressibly energetic. Their 2021 debut album Perdona Mamá is like a shot of adrenalin with jumping dance numbers like “Corazon” and “Discoteca.” But then there’s the more subtle Pixies-like musical hues all over “Todo Me Da Igual” and “Canción Para Mi Crush.” This year has seen the release of a few new singles that suggest a new musical direction, like the “Dear Prudence” vibe haunting “No Sé Muy Bien” or the dreamy pop aura coating “Últimamente.” Heading into central Spain we can spend some time with Madrid’s Aiko El Gupo. Described as pop-punk by their record label, what I hear on their 2020 album Va Totalmente En Serio … is some pretty tightly focused fun. With a lot of guitars. “Quiero conocer (por tu actitud)” just rockets along while “Me parece muy fuerte” floats on a cushion of vintage organ (and more guitars). “Amigos para nunca (confía y te la lían)” ups the pop quotient in a thoroughly delightful way. “La Peste” has that late 1960s garage pop feeling. Basically you can press play on this album and let it wallpaper your space.

Slipping over toward the jangle neighbourhood of Madrid we find Juvenilia. On their self-titled 2016 release there’s trebly guitars and more than a bit of retro rock and roll sound, leaning hard on a particularly sharp but pleasing organ sound. Hear how the band use it to drive “Tu Esqueleto.” By contrast “Extraños” lets the retro guitar take the front seat. My favourite tune has to be “La Oscuridad” with its great 1960s guitar licks, though “Fiesta Secreta” comes a close second. Those harmony vocals! The record ends impressively with “La Reina Del Sol” and its almost “Chimes of Freedom” melodic arc ringing out. Returning to the Mediterranean coast we can visit with Islandia Nunca Quema (translation: Iceland Never Burns) in Rues and Tarragona in Catalonia. On their recent self-titled album we find a different take again on the poprock genre, a bit more loose, not in as much of hurry to get anywhere. I love the easygoing rhythm of “Elgin Baylor” with its Yarbirds-meets-Dire Straits atmosphere. The guitar tone on this album is utterly beguiling. What’s not to love about the almost pop jazz elan of “Ego Trip”? So seductive. “Camisa de cuello Mao” turns up the jangle without increasing the pace all the much. Altogether this is a warm album to enjoy being around, with stellar guitar shading and a strong vocal presence.

It will take a jet plane to get to our next act who reside in Buenos Aires, Argentina. But it will be worth the trip. Everything about Los Andes fits out brief. This year’s Backgammonesque doesn’t just riff on the title of Teenage Fanclub’s Bandwagonesque, its got the sound down cold. “Julie” busts out like the hit single headed straight for AM radio, a relentless less-than-two minutes of song with some light FOW shading here and there. “Mirinda” has a more laidback TF tempo until breaking out a bit more in the chorus. Another should-be single is “No hace falta el mar,” featuring the fabulous Hank Idory. Other highlights include “Fuera de control” with its Dropkick-meets-late Beatles feel, particularly on the background vocals, and the 1960s folk rock-inflected “Yo sabia.” You won’t go wrong with this album – every song is a delight. Wrapping up our Spanish tour we travel to New York City. Surprising? Not really. NYC is where every language lands when it touches down in America. This time our Spanish language song is courtesy of The Silos from their wonderful new album Family. Again, we can see here how serious but careful organ work makes a good song great. “Puede Sur” wends along, supported on a foundation of warm, retro organ, occasionally kicking up some exciting guitar solos. And the rest of the album is damn good too (though sung in English).

You don’t need to speak Spanish to feel the love on these recordings. Thank you Spain and Spanish singers from around the world. Long live Spanish poprock!

Top illustration: fragment of Buen Humor cover by Castillo c. 1926.

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