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Love + Glory and Dave Kuchler

21 Saturday Oct 2023

Posted by Dennis Pilon in Artist Spotlight

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Dave Kuchler, It's Pronounced ..., Love + Glory, Soul Engines

If there’s a guy who deserves a bit more love and glory, it’s Dave Kuchler. As a member of the Soul Engines he played a major part in crafting the power pop perfect sound of their 2001 release Closer Still, taking lead vocal on the should-have-been hit “Just Another Day.” Then in 2020 he returned with a dynamite solo album entitled It’s Pronounced … that splashed jangle guitar and heavy doses of Hammond B3 organ over a solid collection to tunes. The record ranked #11 on our Poprock Record’s 25 must-have LPs for 2020 list while the single “Slave to Katy” clocked in at #3 out of the 50 Poprock Record should-be hit singles of 2020. In our review we declared It’s Pronounced … “… has the sound of a timeless classic, a paean to poprock songcraft and performance. It deserves a wide hearing.” But the likes of Rolling Stone and Billboard fail to heed our good advice.

Now Kuchler is back with Love + Glory and it’s another dynamite package of New Jersey’s special brand of janglicious, Americana-infused rock and roll. From the killer lick introducing opening cut “In It With You” you know you’re in for some no nonsense melodic rock along the lines of Fastball, Don Dixon, John Hiatt and Marshall Crenshaw. Developed from an unreleased Soul Engines song, the track has a distinctive lead guitar hook that keeps coming back in between Kuchler’s strong vocals. Then “Labor of Love” shows how Kuchler’s talent for seeding a melodic hook right from the start of a tune is no fluke. Stylistically Love + Glory has a more consistent sound than It’s Pronounced …, meeting at the crossroads of Americana and Merseybeat. Basically less Springsteen, more Rockpile this time around. “She’d Rather Be With You” is very Mersey, updated with a bit of Nick Lowe cheekiness. “All I Need” takes its jaunty electric guitar into Beatles-country-meets-early-Eagles territory. But with “Fine Wine” and “Slow Day” you can practically hear a John Hiatt growl coming in somewhere, the latter also reminiscent of Lowe’s Rose of England material. As with Hiatt, the organ work on these tunes adds a transcendent quality. Other songs showcase different variations of the Americana theme. There’s a sweet organ and mandolin charm to “This Old Car,” a Chuck Berry-fueled romp through “Lover’s Talk,” and storytelling about Maggie May before she met Rod on “Prequel (Maggie).” The record ends with a bit of blistering heartland jangle on “Chasing Glory,” a return to a more Jersey Springsteen aura.

They just don’t make records like Love + Glory anymore. Unless you’re Dave Kuchler. You can show him a bit of love at his bandcamp site, Kool Kat Musik record distribution page, or FB locale.

Dave Kuchler really lasts!

27 Thursday Feb 2020

Posted by Dennis Pilon in Artist Spotlight

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Closer Still, Dave Kuchler, It's Pronounced ..., Soul Engines

Screen Shot 2020-02-27 at 11.46.28 AMOnce upon a time jangle guitar player/singer/songwriter Dave Kuchler joined an already established New Jersey band to help deliver one of the most criminally overlooked poprock masterpieces of the early 1990s, the Soul Engines’ Closer Still. It’s Kuchler singing lead on that janglicious, hook-infested “It’s Just Another Day.” And then … nothing. A follow up got underway but sputtered out amid record company chaos and line up changes. Well, I’m excited to report that Dave Kuchler is back with a new solo album, It’s Pronounced …, and it’s definitely been worth the wait. Kuchler’s put together a collection of tracks that exudes a distinctive New Jersey rock and roll synthesis (think heavy doses of Hammond B3 and saxophone) with a particular accent on melody. Just check out the medley of influences on the album’s stellar opening cut “If I Saw You” with its Springteen-esque roll out that trades melody lines between electric guitar and sax, with hints of Byrdsian jangle hovering in the background. It’s an auspicious start that doesn’t let up over the album’s twelve tunes.

It’s Pronounced … brings together old and new, with six tracks representing recovered older material (some from the early 1990s, others from aborted Soul Engines sessions circa 2002), while others are newly recorded songs, supported by longtime Joe Jackson bass player Graham Maby and regular Kuchler collaborator/producer/instrumentalist Pinky Giglio. Beyond elements of what some might call a ‘Jersey shore’ heartland rock, the record covers a broad range of styles, from the neo-Mersey vibe of “Better Things to Do” to the Elvis-style rockabilly vocals on “Pull My String” to the Jackson 5-influenced “Go!” Who would have thought the world needed another cover of “When You Walk in the Room” but Kuchler aces it, adding muscle to the tune amid killer organ flourishes and spot on sibilant guitar work. But the highlights of this record for me are the double-barreled should-be hit singles, “Really Lasts” and “Slave to Katy.” The former cooks with an unrelenting Motown meets Stax-Volt pop soul dance groove, ornamented with an ear-wormy bells/keyboard effect that Bruno Mars used to good effect on “Marry You.” Originally recorded with the Soul Engines for the follow up to Closer Still, the cut sounds just as fresh and contemporary as ever. Meanwhile “Slave to Katy” illustrates how Giglio’s Hammond B3 organ work is the not-so-hidden star of this album (as well the sonic glue linking old and new material).

Kuchler’s It’s Pronounced … has the sound of a timeless classic, a paean to poprock songcraft and performance. It deserves a wide hearing. Find out more about on Kuchler’s Facebook page and get over to bandcamp to get your copy.

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