Monthly Archives: October 2024

Little monsters night

28 Monday Oct 2024

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It’s nearly time for the annual march of little monsters through your neighbourhood, lusting for candy and mischief in roughly equal measure. It’s an event that begs for an appropriately festive soundtrack. To fill that void, we’ve prepared a little-monsters-night music playlist. We’ve got monsters and ghosts and aliens. And hooks, of course.

Tokyo’s Hazy Sour Cherry get things started with a wonderfully off-kilter, 1950-resonant lurch that animates “Hazy Halloween,” a selection from their freak holiday-themed EP Hazy Horror Party. The verses are a kind of stable chaos but the chorus turns on the melodic hooks. It’s a scene-setter that says ‘hang on, this could be a melodically bumpy thrill ride!’

Halloween has to be the most cinematic holiday, with fright baked in to the slasher, horror, haunted and alien film genres. Fascinations Grand Chorus pay tribute to the slasher-horror flick with their themed album Terror in the Night. “Pandemonium” perfectly captures the 1970s Quinn Martin production values for maximum cheese effect. The reliably holiday perfect punk pop outfit Vista Blue never fail to provide us with relevant releases. They Came Back combines their punk rhythm section with host of killer synth lines (accent on ‘killer’). “Everyday is Halloween” is fueled by some serious keyboard genius while “Haunted House on my Street” is a sweet should-be single. On They Came to Rock The Amplifier Heads work up a fabulous 1950s-meets-aliens movie script but the individual songs have so many wonderful nuances. “They Heard My Radio” has aliens moved by the work of those all-night DJs. And with tunes like these, who can blame them?

Halloween is also a time for instrumentalists to fill the gap in our imaginations with some spooky instrumentalizing. Listening to the Black Flamingos Asbury Park NJ is clearly a spooky place. The band’s recent double-A sided single “Tales from the Crypt” and “Are You Afraid of the Dark” work up the seasonal organ and lead guitar motifs, with holiday-rific effects. By contrast Greg Townson delivers a more Chet Atkins country gentleman vibe on his exquisite single “Hired to Haunt.” That guy is just class personified. For a different twist Poland’s I. Jeziak and The Surfers turn up the b-movie organ on “Mummy Walk” while the festively appropriate Satan’s Pilgrim’s make space on the dance floor with “Monster Surfing Time.”

All things fright night eventually head for the cemetery. Oakland’s The Bye Bye Blackbirds offer up some “Graveyard Tunes” as part of the special, time-limited Timber Trout Spirit release (get your free copy now!). Surprisingly light for a cemetery song but featuring triple B’s reliably hooky vocals. We wrap up this little monsters playlist with a selection from Elefant Records Halloween release Viernes 13 from Nosoträsh entitled “Mi Pequeño Frankenstein.” Dr. Frank’s monster seldom gets such a melody-drenched treatment.

Restock those candy bowls now and, while you’re at it, have this Halloween monster kiddie playlist ready to go. Music doth soothe savage beasts you know.

Top image “Little Monsters” designed by Rob Elliott, Swizzle Studios.

Jangle Thursday: Slack Times, Stuart Pearce, EggS, and Kevin Robertson

24 Thursday Oct 2024

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The jangle-o-meter says we’re running low and that means we need a super-charged dose of trebly guitars and spooky shoe-gazey vocals to fill the tank. Luckily we can fill up right here with this instalment of Jangle Thursday!

Birmingham Alabama’s Slack Times provide another great slab of indie jangle on their new EP Gone Things. The effort is just four songs long but each one is a real treat. Kick off song “Gone Things” has the band delivering their most Byrdsian opener ever, only to have the mix transform into a more 1980s English guitar band sound when the vocals kick in. “Hatchback” is a jaunty and droney number with the pep of The Primitives giving their rehearsal space a good workout. Things dip into a more punky jangle vibe on “In the Way” while “Coattails” dials into a more 1960s atmosphere and pacing. At the end of the four tunes you’ve only clocked in roughly eleven minutes of music, it’s true. That might seem slight but trust me, with this outfit, that’s quality time.

Next up, a new single from the ever opinionated Stuart Pearce. Because he’s not a guy to bury the lead “Fuck No, I Jangle” gets right to the point with its in-your-face title and surging jangle guitars. Pearce makes smart music meant to shake his audience out of their political and musical complacency (see his previous single “The Bosses Are Stealing Your Days” for the full monty on this approach). This new song is, thankfully, no exception. Over to Paris, France for EggS who have a new album on the way, Crafted Achievement. The range of promised song titles are intriguing, from “High Waisted Jeans” to “Angry Silence.” But on the listening front we have only the pre-release single “Head In Flames.” So far, I’m loving what this album promises to be, if this song is anything to go by. The opening slide guitar is reminiscent of the faux Hawaiian style of the Spongebob opening song, a very promising start for me. But as things carry on the slide and jangle guitars meld with the Everything Everything-like vocals to create something completely different. And the trumpet solo is just an added bonus.

Vapour Trails head honcho Kevin Robertson is back with another stellar contribution to his already impressive solo career, The Call of the Sea. The record contains eleven reliably hooky tunes saturated in his own inimitable jangle style. “Ghosting” gets things started with a surge of ringing guitars, leavened with a layered vocal mix that is definitely uplifting. Next “The Guilt Trip” offers up a more mannered guitar pop song, with the guitar lead line popping in like punctuation. From there the record moves effortlessly across and between genres. “Windows on the Sun” sounds a bit CSN&Y, “Just Give Me Time” echoes an old time folk ballad, “Search for Replies” has a more country undercurrent (propelled by some pretty pedal steel playing), while “Ode to Stephen” adds a strong psychedelic feel to the proceedings. Personally I’m really digging “Rain Again.” The track is a confectionary of cool sounds, from the enigmatic solo lead guitar opener, to the organ shots, to the slightly menacing take on California pop vocals. And for maximum jangle, you can tune into “The Fortune Teller Lied.” For a less intense sonic assault, you can also partake of a stripped version of the LP, which alters the song order, adds a few surprises (like the lovely live version of Big Star’s “Thirteen”), but is no less captivating.

Nothing like jangle to give your day that added boost of musical sunshine. And let’s face it, Thursday really needs that. Don’t fail to visit these artists on every other day of the week too with the conveniently embedded hyperlinks above.

Photo courtesy Thomas Hawk Flikr collection.

I get mail: Mark Bacino, Brother Dynamite, Richard Restaino, and more

17 Thursday Oct 2024

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Mail comes in pretty regularly around here. Few come typed or neatly written but nevertheless I get a veritable load of missives pleading their poprock case. That’s today’s reality: artists have got to wield their creativity to sell as well produce fine music. So let’s get on with rewarding that initiative shall we?

Over the past quarter century the arc of Mark Bacino’s musical stylings have branched out from the focused power pop of 1998’s Pop Job .. The Long Player and 2003’s The Million Dollar Milkshake to the sophistico-pop sound of his latest LP Top of the World. Bacino’s got a McCartney-esque facility with song styles and the selections here range from the swinging AM pop of “Kaylee Hughes” to the breezy Linus of Hollywood-like “Not That Guy” to the music hall-ish “Why Does This Woman Love Me?” My fave though is the spot-on seventies soft rock ballad “Young Heart.” Brother Dynamite’s new single “The Girl’s In Love” is a luscious eighties FM radio throwback. It’s a great song but the vocal arrangement is positively hair-raising, in a good way. Can album number 2 be far off? Let’s hope not. Poppy Robbie returns with a cover of outsider/lofi pioneer Daniel Johnston’s “Mind Contorted.” Drawing on his folk rock predilections, Robbie delivers a touching performance of a song that reflects Johnston’s mental health struggles. Chatteris UK’s 65MPH is practically a singles machine, pumping out e-equivalents of 45s seemingly like clockwork. His latest “Gene” sounds like Billy Bragg joined a britpop band. The harmonica solo is just an extra special bonus!

I love the driving guitar sound Rob Moss gets on his new album with The Skin Tight, simply entitled Records. Kick-off track “We Just Don’t Know” sets the tone of what you can expect, chugging rhythm guitars and somewhat ethereal, voice-of-god talk-singing from Moss. Standout track for me here is “You and Time.” Love the soaring Steely Dan lead guitar lines and the album’s hookiest melodic twists and turns. Superior song-smith Ben Patton wrote me a while back about something, something called The Something Review. Patton’s unique cleverly structured song style is everywhere here, from the show opener “The Something Revue” to “I Hope My Therapist Likes Me.” Along the way he writes songs about bugs, the darkest part of the night, and a doctor’s routine procedure. Basically, nothing is off limits for a song with this guy. Think Randy Newman, but without all the darkness. I’d particularly recommend “Before I Fall In Love” as a pretty gorgeous tune. Randy Klawon has been on a bit of a singles tear lately but his new song “Tonight” is really something else. There’s a madcap, careening feel to the song that is so endearing. Stylistically, the track balances Merseybeat and Wings influences in an impressive way. You can dip in just about anywhere with Rich Restaino ’s catalogue and find yourself a real gem. His latest EP Mixtape has got a smoking instrumental called “Earworm.” Such wicked guitar tones on both the tasty lead licks and chugging rhythm work. Then “In My Dreams” cooks along with a honky-tonk meets rockabilly vibe. Or you can dial up a dose of Restaino’s signature ‘grown up folk’ sound on “The Back Nine” and “Nothing Add.” The former is an Arlo Guthrie-esque social commentary on getting old while the latter spends two folky minutes telling us he has nothing to say. From the catalogue check out the Replacements-ish “Don’t the Stars Look Big Tonight?” from his 2022 EP Lucky and “Civil War” from the 2016 LP It’s a Golden Age for Creeps.

Have you got a poprock song that needs some blog love? Get that stationary out, drop me a line, and tell me all about it.

Photo courtesy Thomas Hawk Flikr page.

The final frontier: Velvet Attack, Star Trip, and Dallas Orbiter

11 Friday Oct 2024

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Today’s post gets spacey with acts reaching for the stars or at least evoking a cool science fiction vibe. We had to go pretty far out to find these acts, from Dortmund Germany to Valencia Spain to downtown Minneapolis Minnesota. But you’ll hear why it was worth it when you beam aboard.

Velvet Attack nail the psch/garage sound of the late 1960s on their recent LP Visions from Inner Space. It’s like a time travel movie where you’ve landed in some smoky psychedelic club in some rundown part of some town somewhere. There’s a moment of disorientation on opening cut “The Double Cylinder Man” but pretty quickly you’re into the groove. “House of Correction” has a go go dancing kick-off that keeps the beat going throughout. “Kill the Weekend” is another killer dance number. “You Know Everything Better” is the should-be hit single. Listening to these cuts I kept thinking ‘who does this remind me of’? Hoodoo Gurus, definitely. Though the band do strike a different pose here and there. “I Cannot See A Forest Without Trees” is straight up jangle bliss. “Drinkin’ Water, Prayin’ Wine” adds a country twist to the mix. The movie connection also remains strong over a number of cuts. Both “Sound of Tomorrow” and “(It’s the) Dawn of Summer” have that cinematic title sequence feel while the pristine electric lead guitar on “Electric Chair” reminds of all those great Morricone soundtracks.

Star Trip might hail from Spain but listening to Velocidad you’d be forgiven for thinking you’ve hit the hard streets of Glasgow. “Disimular” sets the scene with a dreamy Teenage Fanclub drone. The rest of the album is pretty much lather, rinse and repeat on that winning formula. Where things do change up is in the pacing and attack. “A veces” picks up the pacing a little while “Tu peor enemigo” softens up the lead guitar work. Should-be hit-single is definitely the title track “Velocidad.” The song echoes the structure of The La’s “There She Goes” but takes the inspiration in new directions. Another strong single contender would be “Todos lo saben pero nadie dice nada.” Then “Cuando estás lejos de aquí” moves into more Brydsian territory. Though up next “Como los demás” almost out Teenage Fanclubs the original. The band do mix things up, turning on the rock filter for“Al amanecer” or adding a country flavour to “Algo especial.”

Dallas Orbiter are far out there in more ways than one. Their new record Spaceman Things vibes 1970s prog rock with the occasional jazzy freak out. So not really in our part of the galaxy, musically speaking. But one track – “Avenge Me” – comes pretty close while another – “Let’s Go Out” – hits the mark. The former song rides a cool lead guitar lick to a dissonant melodic twist in the chorus. The latter ambles along with very Teenage Fanclub-adjacent sound and some sweet organ vamping. And the art work on this LP is definitely outasite!

The final frontier or just the first outpost? You decide. Check out where these acts are going on the hyperlinked star charts above.

Photo  of Syd Mead’s ‘… fixing the lights on The Highway of Tomorrow!’ courtesy James Vaughan Flikr collection.

Welcome to Octoberland

04 Friday Oct 2024

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America 2024 is a land roiled by division and an air of impending doom. The Armoires’ new record Octoberland simultaneously reflects and pushes against that state of being with wit, wisdom and a playful mix of musical hues. Only a deep dive into its contents can tell you why.

Album opener “We Absolutely Mean It” embodies America’s contradictory trends, holding its tension like a clenched fist. But four-fifths of the way through they declare ‘this is where we go big’ and the song suddenly takes on a brighter, more positive tone. The message here seems to be – dark and light, rage and love: it’s all America – so things could go either way, depending on who does what. Not surprisingly then social commentary abounds on this album. Tracks like “Green Hellfire At The 7-11,” “Ridley & Me After the Apocalypse,” and “You Oughta Be Cut in Half” are pointed in their critique. But never at the expense of great tune. “Ridley & Me After the Apocalypse” has the clever lyrical polish and sunny disposition of The Lilac Time. Lines like ‘end times are so boring’ and ‘fighting for the future of the artistocracy’ are gold. Or check out the sing-along goodness and jangle accompanying the stinging lyrics on “You Oughta Be Cut in Half.” The ‘oh my my my’ chorus is simply irresistible, reminiscent of the sophisticated curio pop of Overlord. Despite these serious themes, a chipper sense of fun dominates this LP. I love “This One’s For the Swedes” with its marriage of spacey synth runs and percussive group vocal interjections. Early 1980s sci-fi movie montage sequence for sure. Stylistically there’s plenty of variety too, with nods toward country (“Ouroboros Blues (Crow Whisperer),” folk rock (“Snake Island Thirteen”) and even Irish drinking songs (“It’s A Good Time To Come Back Down From The Cold”). “Sickening Thud” gets my vote for should-be hit-single with its delightful jangle guitar, though “Music and Animals” is pretty close second with its Everything But The Girl pop smoothness.

Octoberland is a record with something to say, reflecting the dread of our times but also kicking at it to let a little light get in. Get yours from the source – Big Stir Records – or your favourite e-retailer.